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framing a ~masoretic~ list. Watermark, of a lamb holding a cross (f. [ii]) and initials of JW (f. [425]), of James Whatman II, paper maker (1764-1793). Gilt edges.Foliation is written on the verso side of the leaves. Hebrew foliation from
framing a ~masoretic~ list. Watermark, of a lamb holding a cross (f. [ii]) and initials of JW (f. [425]), of James Whatman II, paper maker (1764-1793). Gilt edges.Foliation is written on the verso side of the leaves. Hebrew foliation from
of angels supporting the coat of arms of George Neville, archbishop ofYork (f. 4v), and gold initial with tendrils in a white vine style extending into the margin and including a bird and a head, at the beginning
in the list of books at Richmond Palace of 1535, no. 11.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Richard II Master of the Harley Froissart Master of the London Wavrin
re militari (the Book of Vegecye of Dedes of Knyghthode) Richard III (b. 1452, d. 1485), king of England from 1483 and lord of Ireland: the royal arms of England supported by boars, with the griffin of Salisbury, suggesting that
re militari (the Book of Vegecye of Dedes of Knyghthode) Richard III (b. 1452, d. 1485), king of England from 1483 and lord of Ireland: the royal arms of England supported by boars, with the griffin of Salisbury, suggesting that
Detail of a miniature of the griffin of Salisbury in the lower margin of the folio, at the beginning of book 1. Includes one of 11 extent copies of the first English translation of 'De re militari' of Flavius Vegetius
Farnborough (b. 1761, d. 1838), a cousin of Francis Henry Egerton, 8th Earl of Bridgewater (b. 1756, d. 1829), founder of the collection (note on 2nd flyleaf). The Baptism of Christ Master of Spencer 6 Jean le Meung Bourges France,
: evidence of the liturgy (see Ker 1964). ? Richard Graves (b. 1677, d.1729), antiquary: note written in 1731 by James West that he 'bought this Book of Morgan Graves Esq. Son of that Excellent Antiquary Richard Graves of Mickleton
trompe l'oeil border, at the beginning of Compline in the Hours of the Virgin. Contemporary sketch of the Virgin (blank leaf after f. 97).No calendar; Hours of the Virgin (f. 3) and Office of the Dead (f. 98) begin imperfect.
and landowner, of Naworth Castle, Cumberland, the younger son of Thomas Howard (b. 1538, d. 1572), 4th duke of Norfolk, in 1630: according to a note in English (f. 3v).Thomas Astle (b. 1735, d. 1803), archivist and collector of books
red. Outlines of initials in blue and/or red (ff. 59v, 69). 5 decorated catchwords (ff. 73v, 81v, 89v, 97v, 105v). Cartulary of the Augustianian priory of Bradenstoke, Wiltshire, with table of contents (ff. 2-25) The Augustianian priory of Bradenstoke, Wiltshire,
1797, d. 1861), 2nd duke of Buckingham and Chandos; sold in 1849 to Lord Ashburnham.Bertram Ashburnham (b. 1797, d. 1878), 4th earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the
Baron Farnborough (b. 1761, d. 1838), a cousin of Francis Henry Egerton, 8th Earl of Bridgewater (b. 1756, d. 1829), founder of the collection (note on 2nd flyleaf). The Trinity Master of Spencer 6 Jean le Meung Bourges France, Central
beginning of the letter of Jerome to Dexter. Includes 'De viris illustribus' of Jerome, preceded by the prefatoty letter to Dexter (ff. 1-18), 'Retractationes' of Augustine (ff. 18-52v), a list of letters of Augustine (ff. 52v-56), Epistulae ad Quodvultdeum of
lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.
lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.
lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.
lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.
lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.