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Miniature of Christ as Man of Sorrows. For another Tudor Book of Hours with royal autographs see Additional 17012, which contains the autographs of Henry VII, Elizabeth ofYork, Henry VIII, and Catherine of Aragon. 5 small miniatures, in colours
initial 'D'(omine) with the dove of the Holy Spirit. For another Tudor Book of Hours with royal autographs see Additional 17012, which contains the autographs of Henry VII, Elizabeth ofYork, Henry VIII, and Catherine of Aragon. 5 small miniatures,
Miniature of the dead Christ and Mary. For another Tudor Book of Hours with royal autographs see Additional 17012, which contains the autographs of Henry VII, Elizabeth ofYork, Henry VIII, and Catherine of Aragon. 5 small miniatures, in colours
Miniature of Christ carrying the cross. For another Tudor Book of Hours with royal autographs see Additional 17012, which contains the autographs of Henry VII, Elizabeth ofYork, Henry VIII, and Catherine of Aragon. 5 small miniatures, in colours and
Miniature of Anne and the Virgin. For another Tudor Book of Hours with royal autographs see Additional 17012, which contains the autographs of Henry VII, Elizabeth ofYork, Henry VIII, and Catherine of Aragon. 5 small miniatures, in colours and
Miniature of the Seven Sorrows of the Virgin. For another Tudor Book of Hours with royal autographs see Additional 17012, which contains the autographs of Henry VII, Elizabeth ofYork, Henry VIII, and Catherine of Aragon. 5 small miniatures, in
Detail of an initial-word panel inhabited by animals, dragons and griffins, at the beginning of the section on fast days. Erasures presumably by the censor (e. g., ff. 15, 116v, 224v, 227).Unfoliated blank leaf after ff. 105, 208. Imperfect at
of the Vision of Ezechiel (f. D), Helen (f. G) and a saint burying a man (f. I). On their versos, two four-line red staves, musical notation and text. Cuttings from an Antiphoner (index antiphonar, antiphonal) ?The Benedictine convent
of the Vision of Ezechiel (f. D), Helen (f. G) and a saint burying a man (f. I). On their versos, two four-line red staves, musical notation and text. Cuttings from an Antiphoner (index antiphonar, antiphonal) ?The Benedictine convent
of the Vision of Ezechiel (f. D), Helen (f. G) and a saint burying a man (f. I). On their versos, two four-line red staves, musical notation and text. Cuttings from an Antiphoner (index antiphonar, antiphonal) ?The Benedictine convent
Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose ofYork and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old
Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose ofYork and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old
Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose ofYork and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old
Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose ofYork and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old
Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose ofYork and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old
Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose ofYork and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old
Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose ofYork and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old
Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose ofYork and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old
Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose ofYork and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old
Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose ofYork and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old