• Historiated initial 'S'(oror) showing Seneca holding an open book at the beginning of Seneca's Tragedies, with a three-sided foliate border., Tragoediae (index Tragedies), with argumenta

catalogue (see ~Bibliotheca Smithiana seu catalogus librorum Josephi Smithii Angli per cognomina authorum dispositus, Addenda, & Corrigenda in superiori Catalogo~ (Venice: Pasquali, 1755), p. 58, col. 1); sold to King George III, along with the bulk of Smith's library and

• Illuminated initial 'D'(i) with a flower in the bowl of the letter and gold balls extending into the margin at the beginning of Seneca's Medea., Tragoediae (index Tragedies), with argumenta

catalogue (see ~Bibliotheca Smithiana seu catalogus librorum Josephi Smithii Angli per cognomina authorum dispositus, Addenda, & Corrigenda in superiori Catalogo~ (Venice: Pasquali, 1755), p. 58, col. 1); sold to King George III, along with the bulk of Smith's library and

• null, Tragoediae (index Tragedies), with argumenta

catalogue (see ~Bibliotheca Smithiana seu catalogus librorum Josephi Smithii Angli per cognomina authorum dispositus, Addenda, & Corrigenda in superiori Catalogo~ (Venice: Pasquali, 1755), p. 58, col. 1); sold to King George III, along with the bulk of Smith's library and

• null, Tragoediae (index Tragedies), with argumenta

catalogue (see ~Bibliotheca Smithiana seu catalogus librorum Josephi Smithii Angli per cognomina authorum dispositus, Addenda, & Corrigenda in superiori Catalogo~ (Venice: Pasquali, 1755), p. 58, col. 1); sold to King George III, along with the bulk of Smith's library and

• Initial 'T' of the dedication of a church., Cutting from an Antiphoner (index Antiphonal, antiphonary)

and 'landing' case. Purchased as 'The Ascott Album' by the British Library from the Rothschild family on 26 March 1979. Dedication of a church Master of the Murano Gradual Master of San Michele a Murano Venice Italy, N. E. (Venice)

• Miniature of a seated of Mark with his lion and a woman holding grapes before a landscape, within a border of scroll-work., Leaf of a Doge's Commission (index commissione dogale) from Alvise I Mocenigo to a Venetian nobleman as capitano

31 May 1855, lot 2257/1 (f. 17v); lot purchased for £3 3s by the British Museum, according to an annotated Western Manuscripts departmental copy of the sale catalogue. Commission from Alivse I Mocenigo Giorgio Colonna Venice Italy, N. E. (Venice)

• Miniature of a Venetian nobleman being presented by Mark and Jerome to a vision of the Crucifixion within an ornate frame with an erased coat of arms., Leaf of a Doge's Commission (index commissione dogale) from ?Sebastiano Venier to Marco Antonio Venier as provveditore of Liesena (Hvar)

d. 1845), diplomatist: his sale 31 May 1855, lot 2258*/4 (f. 18v); lot purchased for £2 8s by the British Museum, according to an annotated Western Manuscripts departmental copy of the sale catalogue. Doge's Commission Venice Italy, N. E. (Venice)

• Miniature of a Venetian nobleman being presented by Jerome to a vision of the Crucifixion within an ornate frame with an overpainted coat of arms., Leaf of a Doge's Commission (index commissione dogale) from ?Pasquale Cicogna to Niccolò Michiel

1845), diplomatist: his sale 31 May 1855, lot 2258*/5 (f. 19v); lot purchased for £2 8s by the British Museum, according to an annotated Western Manuscripts departmental copy of the sale catalogue. Commission Budapest Master Venice Italy, N. E. (Venice)

• Miniature in colours and gold, of Alessandro Contarini holding a banner with a fleur-de-lys before Ursula (crowned, with the arrow of her martyrdom and martyr's palms) with her virgins and ship in the background, within an ornate frame with the Contarini family arms., Leaf of a Doge's Commission (index commissione dogale) from ?Pasquale Cicogna to Alessandro Contarini as podestà of Bergamo

1779, d. 1845), diplomatist: his sale 31 May 1855, lot 2258*/6 (f. 20v); lot purchased for £2 8s by the British Museum, according to an annotated Western Manuscripts departmental copy of the sale catalogue. Commission Venice Italy, N. E. (Venice)

• Miniature of a Venetian nobleman, probably named Teodoro, kneeling in prayer, being presented to the Virgin and Child by Theodore dressed in armour and holding a banner with the cross of George, within a gold border with the winged lion of Mark and an erased coat of arms., Leaf of a Doge's Commission (index commissione dogale) to a Venetian nobleman, probably named Teodoro, as capitano

his sale 31 May 1855, lot 2258*/9 (f. 24v); lot purchased for £2 8s by the British Museum, according to an annotated Western Manuscripts departmental copy of the sale catalogue. Commission to Teodoro as capitano Venice Italy, N. E. (Venice)

• Miniature of a Venetian nobleman being presented by a female personification of Justice, who holds a staff with a scroll inscribed 'Pax et Iustitia', to Christ who is flanked by putti, within a border of gold scroll-work frame set with trompe l'oeil cameos, the four Evangelists and their symbols and an unidentified coat of arms (vert a bend azure argent)., Leaf of a Doge's Commission (index commissione dogale).

his sale 31 May 1855, lot 2258*/15 (f. 32v); lot purchased for £2 8s by the British Museum, according to an annotated Western Manuscripts departmental copy of the sale catalogue. Commission to a Venetian nobleman Venice Italy, N. E. (Venice)

• Illuminated initial 'V'(enio) entwined with blue knotted strapwork, with the opening words of the text in square capitals, written in a three-colour sequence, at the beginning of Cicero's In verrem, book 4., Orationes in C. Verrem (index Orationes in Verrem; Oratio in Caecilium)

Miniaturists, Illuminators, Calligraphers and Copyists~, 3 vols (London: Quaritch, 1887-1889), I, 247-8; II, 11-12).A member of the Contarini family of Venice: with their arms, bendy of seven, ~or~ and ~azure~, the ~azure~ bends overpainted (f. 1), cf. King's 19.Joseph Smith

• Zoomorphic initial 'H'(esterno) [Hesternam] with interlace and a bird's head, at the beginning of Augustine's Tractatus 25 on the Gospel of John., Tractatus in Evangelium Ioannis, imperfect, lacking tracts 18 and 19 and substituting Sermo 125 (ff. 66-70)

Notes with dates 1318 and 1335 (ff. 1, 1v).Maffeo Pinelli (d. 1785) of Venice (listed in his inventory: see Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), III, no. 7896: his sale, 2 March 1789, lot

• Zoomorphic initial 'Q'(uales) with interlace and an animal's head, and a snake? forming the tail of the letter, at the beginning of Augustine's Tractatus 103 on the Gospel of John., Sermon 7 in natale sanctae Mariae, imperfect

Notes with dates 1318 and 1335 (ff. 1, 1v).Maffeo Pinelli (d. 1785) of Venice (listed in his inventory: see Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), III, no. 7896: his sale, 2 March 1789, lot

• null, Orationes in C. Verrem (index Orationes in Verrem; Oratio in Caecilium)

Miniaturists, Illuminators, Calligraphers and Copyists~, 3 vols (London: Quaritch, 1887-1889), I, 247-8; II, 11-12).A member of the Contarini family of Venice: with their arms, bendy of seven, ~or~ and ~azure~, the ~azure~ bends overpainted (f. 1), cf. King's 19.Joseph Smith

• null, Orationes in C. Verrem (index Orationes in Verrem; Oratio in Caecilium)

Miniaturists, Illuminators, Calligraphers and Copyists~, 3 vols (London: Quaritch, 1887-1889), I, 247-8; II, 11-12).A member of the Contarini family of Venice: with their arms, bendy of seven, ~or~ and ~azure~, the ~azure~ bends overpainted (f. 1), cf. King's 19.Joseph Smith

• null, Orationes in C. Verrem (index Orationes in Verrem; Oratio in Caecilium)

Miniaturists, Illuminators, Calligraphers and Copyists~, 3 vols (London: Quaritch, 1887-1889), I, 247-8; II, 11-12).A member of the Contarini family of Venice: with their arms, bendy of seven, ~or~ and ~azure~, the ~azure~ bends overpainted (f. 1), cf. King's 19.Joseph Smith

• null, Orationes in C. Verrem (index Orationes in Verrem; Oratio in Caecilium)

Miniaturists, Illuminators, Calligraphers and Copyists~, 3 vols (London: Quaritch, 1887-1889), I, 247-8; II, 11-12).A member of the Contarini family of Venice: with their arms, bendy of seven, ~or~ and ~azure~, the ~azure~ bends overpainted (f. 1), cf. King's 19.Joseph Smith

• Detail of arms., Orations and letters (ff. 1-147); Invectivum in Ciceronem (ff. 147v-149)

Miniaturists, Illuminators, Calligraphers and Copyists~, 3 vols (London: Quaritch, 1887-1889), I, 248; II, 11-2.A member of the Contarini family of Venice, with the family's (overpainted) arms: bendy of 7, ~or~ and ~azure~, flanked by (overpainted) letters ‘A’ and ‘C’ (f.

• Historiated initial 'P'(rosodia) with the author in prayer before the Virgin and Child, and full foliate borders and a bas-de-page scene with a lion and apes, at the beginning of Johannes de Janua's Summa que vocatur Catholicon., Summa que vocatur Catholicon

red and blue. Summa que vocatur Catholicon ? Maffeo Pinelli (b. 1735, d. 1785), Venice: his catalogue (see Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787) (see below).Eugen Buckingham, 1810: inscribed 'Given to me by George