of an apostolic protonotary, his device of a lamb (ff. 1, 17, 59). ? Probably Zaccaria Sagredo (b. 1653, d. Venice, 1729), Venetian collector of paintings, prints and drawings, purchased for 2,000 Venetian lire, and sold to Smith: 18th-century inscription
of an apostolic protonotary, his device of a lamb (ff. 1, 17, 59). ? Probably Zaccaria Sagredo (b. 1653, d. Venice, 1729), Venetian collector of paintings, prints and drawings, purchased for 2,000 Venetian lire, and sold to Smith: 18th-century inscription
Oxford', ~Burlington Magazine~, 120 (1978), 585-93).John Matthew Gutch (b. 1776, d. 1861), journalist and author: his sale, 16 March 1858, lot 1831: purchased by the British Museum for £16. Initial Master of the Donato Commission Venice Italy, N. E. (Venice)
Oxford', ~Burlington Magazine~, 120 (1978), 585-93).John Matthew Gutch (b. 1776, d. 1861), journalist and author: his sale, 16 March 1858, lot 1831: purchased by the British Museum for £16. Michael Master of the Donato Commission Venice Italy, N. E. (Venice)
120 (1978), 585-93).John Matthew Gutch (b. 1776, d. 1861), journalist and author: his sale, 16 March 1858, lot 1831: purchased by the British Museum for £16. Presentation in the Temple Master of the Donato Commission Venice Italy, N. E. (Venice)
Oxford', ~Burlington Magazine~, 120 (1978), 585-93).John Matthew Gutch (b. 1776, d. 1861), journalist and author: his sale, 16 March 1858, lot 1831: purchased by the British Museum for £16. Peter Master of the Donato Commission Venice Italy, N. E. (Venice)
Oxford', ~Burlington Magazine~, 120 (1978), 585-93).John Matthew Gutch (b. 1776, d. 1861), journalist and author: his sale, 16 March 1858, lot 1831: purchased by the British Museum for £16. Lucy Master of the Donato Commission Venice Italy, N. E. (Venice)
Oxford', ~Burlington Magazine~, 120 (1978), 585-93).John Matthew Gutch (b. 1776, d. 1861), journalist and author: his sale, 16 March 1858, lot 1831: purchased by the British Museum for £16. John Master of the Donato Commission Venice Italy, N. E. (Venice)
Oxford', ~Burlington Magazine~, 120 (1978), 585-93).John Matthew Gutch (b. 1776, d. 1861), journalist and author: his sale, 16 March 1858, lot 1831: purchased by the British Museum for £16. Longinus Master of the Donato Commission Venice Italy, N. E. (Venice)
Magazine~, 120 (1978), 585-93).John Matthew Gutch (b. 1776, d. 1861), journalist and author: his sale, 16 March 1858, lot 1831: purchased by the British Museum for £16. Simon and Andrew Master of the Donato Commission Venice Italy, N. E. (Venice)
Oxford', ~Burlington Magazine~, 120 (1978), 585-93).John Matthew Gutch (b. 1776, d. 1861), journalist and author: his sale, 16 March 1858, lot 1831: purchased by the British Museum for £16. Initial Master of the Donato Commission Venice Italy, N. E. (Venice)
an added full foliate border, in colours and gold, perhaps 18th century, and added arms of the Gonzaga family of Venice (f. 2). Large initials in plain red or blue at the beginning of the other orations. Philippics Ambrosius Contareni,
in colours and gold, perhaps 18th century, and added arms of the Gonzaga family of Venice (f. 2). Large initials in plain red or blue at the beginning of the other orations. Philippics Ambrosius Contareni, 16th century: ownership inscription with
in colours and gold, perhaps 18th century, and added arms of the Gonzaga family of Venice (f. 2). Large initials in plain red or blue at the beginning of the other orations. Philippics Ambrosius Contareni, 16th century: ownership inscription with
Machiavelli family quartered with other arms (f. 59). Notes by Paulus Manutius (b. 1512, d. 1574), printer and scholar of Venice (contemporary note, f. 2v, inscription: ‘Pauli Amicorum L(iber)’ (f. 2); the library of the Manutius family dispersed after the
Machiavelli family quartered with other arms (f. 59). Notes by Paulus Manutius (b. 1512, d. 1574), printer and scholar of Venice (contemporary note, f. 2v, inscription: ‘Pauli Amicorum L(iber)’ (f. 2); the library of the Manutius family dispersed after the
four-line red stave is visible through the illumination. Cutting from an Antiphoner (index antiphonary, antiphonal) 'SS. Pietro e Paolo in Venice' inscribed in a 19th-century hand on the verso of related cutting Cleveland, Cleveland Museum of Art, no. 24.431 (see
frame with the winged lion of Mark and the arms of the Priuli family of Venice. Italian cutting.The present cutting is bound in an album with Add. 18196, ff. 2-89. To see this cutting in the Manuscripts Reading Room order
supporting a laurel medallion with arms probably of the Bragadin family of Venice. Scribal marginal variants and occasional additions.Marginal notes by a later reader. Partial border and initial with foliate decoration in colours and gold, with two winged putti supporting
(ff. 102-135); Sermones (index Satires) (ff. 135-181v) ? Perhaps owned by a member of the Badoeri or Emo families of Venice: with their arms, ~gules~, a lion rampant ~or~, 3 bends ~argent~ over all (f. 1); cf. King's 28; cf.