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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

197 results from this resource . Displaying 101 to 120

Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Map of north-west Africa Ptolemy (index Claudius Ptolemaeus), translated by Emanuel Chrysoloras and Jacobus Angelus Venice Italy, N. E. (Venice)

also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Map of the Baltic and Scandinavia Ptolemy (index Claudius Ptolemaeus), translated by Emanuel Chrysoloras and Jacobus Angelus Venice Italy, N. E. (Venice)

of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Map of Poland Ptolemy (index Claudius Ptolemaeus), translated by Emanuel Chrysoloras and Jacobus Angelus Venice Italy, N. E. (Venice)

beginning of Il canzionere. The coat of arms of the Priuli family (Venice) has been painted in the lower border in the early 16th century, seemingly over an effaced earlier shield. Catchwords written vertically. Guide letters.According to unpublished notes of

of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Map of Greece Ptolemy (index Claudius Ptolemaeus), translated by Emanuel Chrysoloras and Jacobus Angelus Venice Italy, N. E. (Venice)

of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Map of Crete Ptolemy (index Claudius Ptolemaeus), translated by Emanuel Chrysoloras and Jacobus Angelus Venice Italy, N. E. (Venice)

Miniaturists, Illuminators, Calligraphers and Copyists~, 3 vols (London: Quaritch, 1887-1889), I, 247-8; II, 11-12).A member of the Contarini family of Venice: with their arms, bendy of seven, ~or~ and ~azure~, the ~azure~ bends overpainted (f. 1), cf. King's 19.Joseph Smith

perhaps including a circle in the lower half of the shield (f. 1).? A member of the Mocenigo family of Venice: with the arms, per fess ~azure~ and ~argent~, each half with a cinquefoil counter-charged (f. 1) (see Eugenio Morando

perhaps including a circle in the lower half of the shield (f. 1).? A member of the Mocenigo family of Venice: with the arms, per fess ~azure~ and ~argent~, each half with a cinquefoil counter-charged (f. 1) (see Eugenio Morando

Miniaturists, Illuminators, Calligraphers and Copyists~, 3 vols (London: Quaritch, 1887-1889), I, 248; II, 11-2.A member of the Contarini family of Venice, with the family's (overpainted) arms: bendy of 7, ~or~ and ~azure~, flanked by (overpainted) letters ‘A’ and ‘C’ (f.

Miniaturists, Illuminators, Calligraphers and Copyists~, 3 vols (London: Quaritch, 1887-1889), I, 248; II, 11-2.A member of the Contarini family of Venice, with the family's (overpainted) arms: bendy of 7, ~or~ and ~azure~, flanked by (overpainted) letters ‘A’ and ‘C’ (f.

perhaps including a circle in the lower half of the shield (f. 1).? A member of the Mocenigo family of Venice: with the arms, per fess ~azure~ and ~argent~, each half with a cinquefoil counter-charged (f. 1) (see Eugenio Morando

perhaps including a circle in the lower half of the shield (f. 1).? A member of the Mocenigo family of Venice: with the arms, per fess ~azure~ and ~argent~, each half with a cinquefoil counter-charged (f. 1) (see Eugenio Morando

perhaps including a circle in the lower half of the shield (f. 1).? A member of the Mocenigo family of Venice: with the arms, per fess ~azure~ and ~argent~, each half with a cinquefoil counter-charged (f. 1) (see Eugenio Morando

and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 70 and app. no. 14); Venice, Fondazione Giorgio Cini, n. 162; Venice, Museo Correr, CL. II. 61, 64 and 437; Windsor, Royal Library, RL O1414.Musical notation. 2 historiated

Argos, and the foundation of Athens (f. 2v); Paris and Helena meeting Priam outside Troy (f. 90); the construction of Venice, Sycambria, Carthage, and Rome (f. 150): Nimrod and the construction of the tower of Babel (f. 206v); Alexander and

Argos, and the foundation of Athens (f. 2v); Paris and Helena meeting Priam outside Troy (f. 90); the construction of Venice, Sycambria, Carthage, and Rome (f. 150): Nimrod and the construction of the tower of Babel (f. 206v); Alexander and

Argos, and the foundation of Athens (f. 2v); Paris and Helena meeting Priam outside Troy (f. 90); the construction of Venice, Sycambria, Carthage, and Rome (f. 150): Nimrod and the construction of the tower of Babel (f. 206v); Alexander and

Argos, and the foundation of Athens (f. 2v); Paris and Helena meeting Priam outside Troy (f. 90); the construction of Venice, Sycambria, Carthage, and Rome (f. 150): Nimrod and the construction of the tower of Babel (f. 206v); Alexander and

1907 edition with supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: Paper Publications Society, 1968), no. 8936 (made in Venice 1443-9). Large initial in colours and gold (f. 1). Rubrics in red. Large plain initials in blue or red.

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 13 July 2024), https://www.manuscriptsonline.org/search/results?ac=f&ct=lm&kw=venice&sdf=1434&sdt=1455&sr=ci&st=100