• null, Account of a journey from Venice to Palestine, Mount Sinai and Egypt

miniatures in colours. Spaces for large initials (ff. 2, 3). Small initials in plain red. Account of a journey from Venice to Palestine, Mount Sinai and Egypt Contemporary note at the end of the volume, perhaps by the author(?) 'Anno

• null, Account of a journey from Venice to Palestine, Mount Sinai and Egypt

miniatures in colours. Spaces for large initials (ff. 2, 3). Small initials in plain red. Account of a journey from Venice to Palestine, Mount Sinai and Egypt Contemporary note at the end of the volume, perhaps by the author(?) 'Anno

• Miniature of a city., Account of a journey from Venice to Palestine, Mount Sinai and Egypt

miniatures in colours. Spaces for large initials (ff. 2, 3). Small initials in plain red. Account of a journey from Venice to Palestine, Mount Sinai and Egypt Contemporary note at the end of the volume, perhaps by the author(?) 'Anno

• null, Catilina (ff. 1-45v), Jugurtha (ff. 45v-134)

of the arts: listed in his catalogue (see ~Bibliotheca Smithiana seu catalogus librorum Josephi Smithii Angli per cognomina authorum dispositus~ (Venice: Pasquali, 1755), p. 420; sold to King George III, along with the bulk of Smith's library and art collection,

• null, Epistolae ad familiares

blue or red. Epistolae ad familiares Probably written before 1455: an oration made to the Doge of Venice by Galeazzo Maria Sforza in that year is added in a later hand on f. 2v.Mario Maffei (b. 1463, d. 1537): with

• Miniature of Trojans watching the construction of Venice, Helen and Trojans at the building of Sycambria (Cymmbre?), Dido watching the construction of Carthage and Romulus supervising the building of Rome, at the beginning of book 3., Chronique de la Bouquechardière

watching the construction of Venice, Helen and Trojans at the building of Sycambria (Cymmbre?), Dido watching the construction of Carthage and Romulus supervising the building of Rome, at the beginning of book 3. 6 large miniatures in colours and gold

• Decorated initial 'V'(oi) with acanthus and white vine border at the beginning of Il canzionere. The coat of arms of the Priuli family (Venice) has been painted in the lower border in the early 16th century, seemingly over an effaced earlier shield., Il canzoniere (also known as Rime sparse; ff. 1-129v); I triunfi (ff. 130-167)

beginning of Il canzionere. The coat of arms of the Priuli family (Venice) has been painted in the lower border in the early 16th century, seemingly over an effaced earlier shield. Catchwords written vertically. Guide letters.According to unpublished notes of

• Illuminated white vine-stem border and illuminated initial 'A'(ntequam), with square capitals used as display script in an unfinished four-colour sequence; at the beginning of Cicero's Philippic orations., 14 Philippic orations (ff. 1-168); Somnium scipionis (ff. 168v-178v)

perhaps including a circle in the lower half of the shield (f. 1).? A member of the Mocenigo family of Venice: with the arms, per fess ~azure~ and ~argent~, each half with a cinquefoil counter-charged (f. 1) (see Eugenio Morando

• Illuminated white vine-stem initial 'V'(ellem), and square capitals in a three-colour sequence; at the beginning of Cicero's ninth Philippic oration., 14 Philippic orations (ff. 1-168); Somnium scipionis (ff. 168v-178v)

perhaps including a circle in the lower half of the shield (f. 1).? A member of the Mocenigo family of Venice: with the arms, per fess ~azure~ and ~argent~, each half with a cinquefoil counter-charged (f. 1) (see Eugenio Morando

• null, 14 Philippic orations (ff. 1-168); Somnium scipionis (ff. 168v-178v)

perhaps including a circle in the lower half of the shield (f. 1).? A member of the Mocenigo family of Venice: with the arms, per fess ~azure~ and ~argent~, each half with a cinquefoil counter-charged (f. 1) (see Eugenio Morando

• null, 14 Philippic orations (ff. 1-168); Somnium scipionis (ff. 168v-178v)

perhaps including a circle in the lower half of the shield (f. 1).? A member of the Mocenigo family of Venice: with the arms, per fess ~azure~ and ~argent~, each half with a cinquefoil counter-charged (f. 1) (see Eugenio Morando

• null, 14 Philippic orations (ff. 1-168); Somnium scipionis (ff. 168v-178v)

perhaps including a circle in the lower half of the shield (f. 1).? A member of the Mocenigo family of Venice: with the arms, per fess ~azure~ and ~argent~, each half with a cinquefoil counter-charged (f. 1) (see Eugenio Morando

• Decorated headpiece at the beginning of Hermogenes's Peri ton staeon., Peri ton stason, Peri eureseon, Peri ideon logou, with prologues, and various notes, proverbs, and verses

various notes, proverbs, and verses Maffeo Pinelli (d. 1785) of Venice: inscription '7909' (f. 1v), corresponding to his inventory number, see Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), III, no. 7909): his London sale, 2

• Opening page of Cicero's Philippic orations, with a decorated intial 'A'(ntequam), and an added illuminated foliate border and heraldry., Philippics

an added full foliate border, in colours and gold, perhaps 18th century, and added arms of the Gonzaga family of Venice (f. 2). Large initials in plain red or blue at the beginning of the other orations. Philippics Ambrosius Contareni,

• null, Philippics

in colours and gold, perhaps 18th century, and added arms of the Gonzaga family of Venice (f. 2). Large initials in plain red or blue at the beginning of the other orations. Philippics Ambrosius Contareni, 16th century: ownership inscription with

• null, Philippics

in colours and gold, perhaps 18th century, and added arms of the Gonzaga family of Venice (f. 2). Large initials in plain red or blue at the beginning of the other orations. Philippics Ambrosius Contareni, 16th century: ownership inscription with

• Miniature of Nemrod and the construction of the tower of Babel, at the beginning of book 4., Chronique de la Bouquechardière

Argos, and the foundation of Athens (f. 2v); Paris and Helena meeting Priam outside Troy (f. 90); the construction of Venice, Sycambria, Carthage, and Rome (f. 150): Nimrod and the construction of the tower of Babel (f. 206v); Alexander and

• Miniature of Noah coming out of the Ark, and the construction of Argos and of Athens, at the beginning of book 1., Chronique de la Bouquechardière

Argos, and the foundation of Athens (f. 2v); Paris and Helena meeting Priam outside Troy (f. 90); the construction of Venice, Sycambria, Carthage, and Rome (f. 150): Nimrod and the construction of the tower of Babel (f. 206v); Alexander and

• Text page in book 4., Chronique de la Bouquechardière

Argos, and the foundation of Athens (f. 2v); Paris and Helena meeting Priam outside Troy (f. 90); the construction of Venice, Sycambria, Carthage, and Rome (f. 150): Nimrod and the construction of the tower of Babel (f. 206v); Alexander and

• Miniature of Alexander and the Wheel of Fortune, and the murder of Alexander II of Macedonia before the throne of Eurydice, at the beginning of book 5., Chronique de la Bouquechardière

Argos, and the foundation of Athens (f. 2v); Paris and Helena meeting Priam outside Troy (f. 90); the construction of Venice, Sycambria, Carthage, and Rome (f. 150): Nimrod and the construction of the tower of Babel (f. 206v); Alexander and