Pliny was active in Venice and Naples from 1472 to 1483 (see Bollati 2004). He derives his name from an incunable decorated by him: British Library IC19662, containing Pliny's ~Natural History~, printed by Nicolas Jenson in Venice in 1472 (see
Pliny was active in Venice and Naples from 1472 to 1483 (see Bollati 2004). He derives his name from an incunable decorated by him: British Library IC19662, containing Pliny's ~Natural History~, printed by Nicolas Jenson in Venice in 1472 (see
Pliny was active in Venice and Naples from 1472 to 1483 (see Bollati 2004). He derives his name from an incunable decorated by him: British Library IC19662, containing Pliny's ~Natural History~, printed by Nicolas Jenson in Venice in 1472 (see
of the arts: listed in his catalogue (see ~Bibliotheca Smithiana seu catalogus librorum Josephi Smithii Angli per cognomina authorum dispositus~ (Venice: Pasquali, 1755), p. 420; sold to King George III, along with the bulk of Smith's library and art collection,
catalogue (see ~Bibliotheca Smithiana seu catalogus librorum Josephi Smithii Angli per cognomina authorum dispositus, Addenda, & Corrigenda in superiori Catalogo~ (Venice: Pasquali, 1755), p. 43, col. 1); sold to King George III, along with the bulk of Smith's library and
catalogue (see ~Bibliotheca Smithiana seu catalogus librorum Josephi Smithii Angli per cognomina authorum dispositus, Addenda, & Corrigenda in superiori Catalogo~ (Venice: Pasquali, 1755), p. 43, col. 1); sold to King George III, along with the bulk of Smith's library and
catalogue (see ~Bibliotheca Smithiana seu catalogus librorum Josephi Smithii Angli per cognomina authorum dispositus, Addenda, & Corrigenda in superiori Catalogo~ (Venice: Pasquali, 1755), p. 43, col. 1); sold to King George III, along with the bulk of Smith's library and
catalogue (see ~Bibliotheca Smithiana seu catalogus librorum Josephi Smithii Angli per cognomina authorum dispositus, Addenda, & Corrigenda in superiori Catalogo~ (Venice: Pasquali, 1755), p. 43, col. 1); sold to King George III, along with the bulk of Smith's library and
catalogue (see ~Bibliotheca Smithiana seu catalogus librorum Josephi Smithii Angli per cognomina authorum dispositus, Addenda, & Corrigenda in superiori Catalogo~ (Venice: Pasquali, 1755), p. 43, col. 1); sold to King George III, along with the bulk of Smith's library and
frame with the winged lion of Mark and the arms of the Priuli family of Venice. Italian cutting.The present cutting is bound in an album with Add. 18196, ff. 2-89. To see this cutting in the Manuscripts Reading Room order
supporting a laurel medallion with arms probably of the Bragadin family of Venice. Scribal marginal variants and occasional additions.Marginal notes by a later reader. Partial border and initial with foliate decoration in colours and gold, with two winged putti supporting
Rusotas's presence in the Veneto region from 1465 onwards (Venice and Vicenza) and the watermarks's origins suggest that the manuscript was produced in Northeastern Italy in the last quarter of the 15th century.Watermarks of scales, similar to Gerhard Piccard, ~Wasserzeichen
edition with supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: Paper Publications Society, 1968), no. 4803 (Venice, 1493) and 4804 (Syracuse, 1495; Venice, 1491-92, 1494).Original pagination in red ink.Piece of paper bound after f. [86] inscribed the title of
edition with supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: Paper Publications Society, 1968), no. 4803 (Venice, 1493) and 4804 (Syracuse, 1495; Venice, 1491-92, 1494).Original pagination in red ink.Piece of paper bound after f. [86] inscribed the title of
written for him in 1565 by Petruccio Ubaldini (b. 1545, d. 1599), a Florentine calligrapher and writer who worked in Venice and England, from 1565 under Arundel's patronage (other manuscripts written by him are: his Italian version of 1550 of
written for him in 1565 by Petruccio Ubaldini (b. 1545, d. 1599), a Florentine calligrapher and writer who worked in Venice and England, from 1565 under Arundel's patronage (other manuscripts written by him are: his Italian version of 1550 of
written for him in 1565 by Petruccio Ubaldini (b. 1545, d. 1599), a Florentine calligrapher and writer who worked in Venice and England, from 1565 under Arundel's patronage (other manuscripts written by him are: his Italian version of 1550 of
written for him in 1565 by Petruccio Ubaldini (b. 1545, d. 1599), a Florentine calligrapher and writer who worked in Venice and England, from 1565 under Arundel's patronage (other manuscripts written by him are: his Italian version of 1550 of
written for him in 1565 by Petruccio Ubaldini (b. 1545, d. 1599), a Florentine calligrapher and writer who worked in Venice and England, from 1565 under Arundel's patronage (other manuscripts written by him are: his Italian version of 1550 of
written for him in 1565 by Petruccio Ubaldini (b. 1545, d. 1599), a Florentine calligrapher and writer who worked in Venice and England, from 1565 under Arundel's patronage (other manuscripts written by him are: his Italian version of 1550 of