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miniatures in colours. Spaces for large initials (ff. 2, 3). Small initials in plain red. Account of a journey from Venice to Palestine, Mount Sinai and Egypt Contemporary note at the end of the volume, perhaps by the author(?) 'Anno
miniatures in colours. Spaces for large initials (ff. 2, 3). Small initials in plain red. Account of a journey from Venice to Palestine, Mount Sinai and Egypt Contemporary note at the end of the volume, perhaps by the author(?) 'Anno
miniatures in colours. Spaces for large initials (ff. 2, 3). Small initials in plain red. Account of a journey from Venice to Palestine, Mount Sinai and Egypt Contemporary note at the end of the volume, perhaps by the author(?) 'Anno
miniatures in colours. Spaces for large initials (ff. 2, 3). Small initials in plain red. Account of a journey from Venice to Palestine, Mount Sinai and Egypt Contemporary note at the end of the volume, perhaps by the author(?) 'Anno
miniatures in colours. Spaces for large initials (ff. 2, 3). Small initials in plain red. Account of a journey from Venice to Palestine, Mount Sinai and Egypt Contemporary note at the end of the volume, perhaps by the author(?) 'Anno
miniatures in colours. Spaces for large initials (ff. 2, 3). Small initials in plain red. Account of a journey from Venice to Palestine, Mount Sinai and Egypt Contemporary note at the end of the volume, perhaps by the author(?) 'Anno
miniatures in colours. Spaces for large initials (ff. 2, 3). Small initials in plain red. Account of a journey from Venice to Palestine, Mount Sinai and Egypt Contemporary note at the end of the volume, perhaps by the author(?) 'Anno
miniatures in colours. Spaces for large initials (ff. 2, 3). Small initials in plain red. Account of a journey from Venice to Palestine, Mount Sinai and Egypt Contemporary note at the end of the volume, perhaps by the author(?) 'Anno
miniatures in colours. Spaces for large initials (ff. 2, 3). Small initials in plain red. Account of a journey from Venice to Palestine, Mount Sinai and Egypt Contemporary note at the end of the volume, perhaps by the author(?) 'Anno
miniatures in colours. Spaces for large initials (ff. 2, 3). Small initials in plain red. Account of a journey from Venice to Palestine, Mount Sinai and Egypt Contemporary note at the end of the volume, perhaps by the author(?) 'Anno
miniatures in colours. Spaces for large initials (ff. 2, 3). Small initials in plain red. Account of a journey from Venice to Palestine, Mount Sinai and Egypt Contemporary note at the end of the volume, perhaps by the author(?) 'Anno
of the arts: listed in his catalogue (see ~Bibliotheca Smithiana seu catalogus librorum Josephi Smithii Angli per cognomina authorum dispositus~ (Venice: Pasquali, 1755), p. 420; sold to King George III, along with the bulk of Smith's library and art collection,
various notes, proverbs, and verses Maffeo Pinelli (d. 1785) of Venice: inscription '7909' (f. 1v), corresponding to his inventory number, see Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), III, no. 7909): his London sale, 2
Machiavelli family quartered with other arms (f. 59). Notes by Paulus Manutius (b. 1512, d. 1574), printer and scholar of Venice (contemporary note, f. 2v, inscription: ‘Pauli Amicorum L(iber)’ (f. 2); the library of the Manutius family dispersed after the
Machiavelli family quartered with other arms (f. 59). Notes by Paulus Manutius (b. 1512, d. 1574), printer and scholar of Venice (contemporary note, f. 2v, inscription: ‘Pauli Amicorum L(iber)’ (f. 2); the library of the Manutius family dispersed after the
of the arts: listed in his catalogue (see ~Bibliotheca Smithiana seu catalogus librorum Josephi Smithii Angli per cognomina authorum dispositus~ (Venice: Pasquali, 1755), p. 420; sold to King George III, along with the bulk of Smith's library and art collection,
frame with the winged lion of Mark and the arms of the Priuli family of Venice. Italian cutting.The present cutting is bound in an album with Add. 18196, ff. 2-89. To see this cutting in the Manuscripts Reading Room order
supporting a laurel medallion with arms probably of the Bragadin family of Venice. Scribal marginal variants and occasional additions.Marginal notes by a later reader. Partial border and initial with foliate decoration in colours and gold, with two winged putti supporting
Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the British Museum from him together with 1084 other Stowe manuscripts in 1883. Decorated initial Joannes de Vitalibus Joannes de Vitalibus Venice Italy, N. E. (Venice)
Rusotas's presence in the Veneto region from 1465 onwards (Venice and Vicenza) and the watermarks's origins suggest that the manuscript was produced in Northeastern Italy in the last quarter of the 15th century.Watermarks of scales, similar to Gerhard Piccard, ~Wasserzeichen