blue with flourishing in the other colour. Coloured initials in red or blue. Statuti di Venezia (Statutes of Venice) Made in Venice c. 1466-c. 1472: colophon stating that the manuscript was compiled and written between the 1st and 15th day
(f. 2). Text in gold (f. 2). Commission from the doge of Venice, Francesco Ericcio, to Antonio Molino Made in 1635 as a commission by the doge of Venice, Francesco Ericcio, to Antonio Molino appointing him Proveditore of Cattaro for
Coloured drawing with Venice entiteld 'Die vorneme stat Venedig', at the beginning of an account of a journey from Venice to Palestine, Mount Sinai and Egypt. ff. 151v-155v added texts in different contemporary hands. f. 156 is a thick piece
the books (ff. 1, 25v). Small initials in plain red or blue. De iustitia et iure Paolo Mauroceni, senator of Venice and governor of Lombardy: dedicated to him 'Ad clarissimum virum Paulum Maurocenum senatorem Venetum et provincie Lombarde presidem.' (f.
the books (ff. 1, 25v). Small initials in plain red or blue. De iustitia et iure Paolo Mauroceni, senator of Venice and governor of Lombardy: dedicated to him 'Ad clarissimum virum Paulum Maurocenum senatorem Venetum et provincie Lombarde presidem.' (f.
327, 341, 357v, 375, 392v, 404). Spaces for decoration in the First Decade remain blank. Attributed to Leonardo Bellini (fl. Venice, c. 1443–90), (see Watson 1979 no. 502). Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the
327, 341, 357v, 375, 392v, 404). Spaces for decoration in the First Decade remain blank. Attributed to Leonardo Bellini (fl. Venice, c. 1443–90), (see Watson 1979 no. 502). Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the
327, 341, 357v, 375, 392v, 404). Spaces for decoration in the First Decade remain blank. Attributed to Leonardo Bellini (fl. Venice, c. 1443–90), (see Watson 1979 no. 502). Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the
327, 341, 357v, 375, 392v, 404). Spaces for decoration in the First Decade remain blank. Attributed to Leonardo Bellini (fl. Venice, c. 1443–90), (see Watson 1979 no. 502). Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the
327, 341, 357v, 375, 392v, 404). Spaces for decoration in the First Decade remain blank. Attributed to Leonardo Bellini (fl. Venice, c. 1443–90), (see Watson 1979 no. 502). Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the
327, 341, 357v, 375, 392v, 404). Spaces for decoration in the First Decade remain blank. Attributed to Leonardo Bellini (fl. Venice, c. 1443–90), (see Watson 1979 no. 502). Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the
327, 341, 357v, 375, 392v, 404). Spaces for decoration in the First Decade remain blank. Attributed to Leonardo Bellini (fl. Venice, c. 1443–90), (see Watson 1979 no. 502). Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the
327, 341, 357v, 375, 392v, 404). Spaces for decoration in the First Decade remain blank. Attributed to Leonardo Bellini (fl. Venice, c. 1443–90), (see Watson 1979 no. 502). Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the
collection, in 1762. King George III (b. 1738, d. 1820).Given to the British Museum by King George IV in 1823 as part of the library of King George III. Hieronymus Zane Giovanni Vitale Giovanni Vitale Venice Italy, N. E. (Venice)
art collection, in 1762. King George III (b. 1738, d. 1820).Given to the British Museum by King George IV in 1823 as part of the library of King George III. Cartouche Giovanni Vitale Giovanni Vitale Venice Italy, N. E. (Venice)
Thomas Rodd the younger (b. 1796, d. 1849), London bookseller, 1834, using the Bridgewater fund (£12,000 bequeathed in 1829 by Francis Henry Egerton, 8th Earl of Bridgewater (b. 1756, d. 1829). Decorated initial and border Phocas Venice Italy, N. (Venice?)
that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. White vine initial Bitinus, son of Bertolus (colophon on f. 76) Bitinus Marcus Tullius Cicero, Pseudo-Cicero Venice Italy, N. E. (?Venice)
miniatures in colours. Spaces for large initials (ff. 2, 3). Small initials in plain red. Account of a journey from Venice to Palestine, Mount Sinai and Egypt Contemporary note at the end of the volume, perhaps by the author(?) 'Anno
miniatures in colours. Spaces for large initials (ff. 2, 3). Small initials in plain red. Account of a journey from Venice to Palestine, Mount Sinai and Egypt Contemporary note at the end of the volume, perhaps by the author(?) 'Anno
miniatures in colours. Spaces for large initials (ff. 2, 3). Small initials in plain red. Account of a journey from Venice to Palestine, Mount Sinai and Egypt Contemporary note at the end of the volume, perhaps by the author(?) 'Anno