• Detail of the full border containing grotesque drolleries (a monkey, bird and a man) and a lozenge bearing a white rose of the York family, at the beginning of book 4., Recueil des croniques d’Engleterre

and a man) and a lozenge bearing a white rose of the York family, at the beginning of book 4. Includes the third volume of the Recueil des croniques d’Engleterre of Jean of Wavrin, preceded by a list of contents

• Miniature of a battle between Portuguese and English army and a French vanguard of the King of Castile, with a partial border containing a lozenge bearing a white rose of the York family, at the beginning of chapter 14 of book 4., Recueil des croniques d’Engleterre

King of Castile, with a partial border containing a lozenge bearing a white rose of the York family, at the beginning of chapter 14 of book 4. Includes the third volume of the Recueil des croniques d’Engleterre of Jean of

• Detail of a miniature of a battle between Portuguese and English army and a French vanguard of the King of Castile, with a partial border containing a lozenge bearing a white rose of the York family, at the beginning of chapter 14 of book 4., Recueil des croniques d’Engleterre

the King of Castile, with a partial border containing a lozenge bearing a white rose of the York family, at the beginning of chapter 14 of book 4. Includes the third volume of the Recueil des croniques d’Engleterre of Jean

• Calendar page for January., Psalter, with 12 Canticles, Litany, and Office of the Dead, use of Sarum

divisions (ff. 7, 22v, 32v, 41v, 51, 63, 74, 86), with the arms of Isabel, sister of Richard, duke of York, aunt of Edward IV impaled by those of her husband, Henry Bourchier, 1st earl of Essex (f. 7). 'Champ'

• Calendar page for February., Psalter, with 12 Canticles, Litany, and Office of the Dead, use of Sarum

divisions (ff. 7, 22v, 32v, 41v, 51, 63, 74, 86), with the arms of Isabel, sister of Richard, duke of York, aunt of Edward IV impaled by those of her husband, Henry Bourchier, 1st earl of Essex (f. 7). 'Champ'

• Calendar page for March., Psalter, with 12 Canticles, Litany, and Office of the Dead, use of Sarum

divisions (ff. 7, 22v, 32v, 41v, 51, 63, 74, 86), with the arms of Isabel, sister of Richard, duke of York, aunt of Edward IV impaled by those of her husband, Henry Bourchier, 1st earl of Essex (f. 7). 'Champ'

• Calendar page for April, with added obit of Henry Bourchier, 1st earl of Essex (4th April, 1483), 'Obitus illustrissimi / d[omi]ni d[omi]ni Henrici Bourgch[ie]r[is] / comitis Essex[ensis] l[itte]ra d[omi]nicali C / A'nn]o D[omi]ni M[illesi]mo cccc mo/ lxxxiii°'., Psalter, with 12 Canticles, Litany, and Office of the Dead, use of Sarum

divisions (ff. 7, 22v, 32v, 41v, 51, 63, 74, 86), with the arms of Isabel, sister of Richard, duke of York, aunt of Edward IV impaled by those of her husband, Henry Bourchier, 1st earl of Essex (f. 7). 'Champ'

• Calendar page for May., Psalter, with 12 Canticles, Litany, and Office of the Dead, use of Sarum

divisions (ff. 7, 22v, 32v, 41v, 51, 63, 74, 86), with the arms of Isabel, sister of Richard, duke of York, aunt of Edward IV impaled by those of her husband, Henry Bourchier, 1st earl of Essex (f. 7). 'Champ'

• Calendar page for June., Psalter, with 12 Canticles, Litany, and Office of the Dead, use of Sarum

divisions (ff. 7, 22v, 32v, 41v, 51, 63, 74, 86), with the arms of Isabel, sister of Richard, duke of York, aunt of Edward IV impaled by those of her husband, Henry Bourchier, 1st earl of Essex (f. 7). 'Champ'

• Calendar page for July., Psalter, with 12 Canticles, Litany, and Office of the Dead, use of Sarum

divisions (ff. 7, 22v, 32v, 41v, 51, 63, 74, 86), with the arms of Isabel, sister of Richard, duke of York, aunt of Edward IV impaled by those of her husband, Henry Bourchier, 1st earl of Essex (f. 7). 'Champ'

• Calendar page for August, with added obit of Henry Bourchier (12th August, 1458), 'Obitus Henrici Bourg/chier filii d[omi]ne Isabelle / Comitisse Essex[ensis] et / sororis Rica[rdi] Ducis / Ebor[is] Anno D[omi]ni m[illesi]mo / cccc mo quinquagesimo / octavo'., Psalter, with 12 Canticles, Litany, and Office of the Dead, use of Sarum

divisions (ff. 7, 22v, 32v, 41v, 51, 63, 74, 86), with the arms of Isabel, sister of Richard, duke of York, aunt of Edward IV impaled by those of her husband, Henry Bourchier, 1st earl of Essex (f. 7). 'Champ'

• Calendar page for September., Psalter, with 12 Canticles, Litany, and Office of the Dead, use of Sarum

divisions (ff. 7, 22v, 32v, 41v, 51, 63, 74, 86), with the arms of Isabel, sister of Richard, duke of York, aunt of Edward IV impaled by those of her husband, Henry Bourchier, 1st earl of Essex (f. 7). 'Champ'

• Calendar page for November., Psalter, with 12 Canticles, Litany, and Office of the Dead, use of Sarum

divisions (ff. 7, 22v, 32v, 41v, 51, 63, 74, 86), with the arms of Isabel, sister of Richard, duke of York, aunt of Edward IV impaled by those of her husband, Henry Bourchier, 1st earl of Essex (f. 7). 'Champ'

• Ownership inscription of Thomas Bourchier, reading 'Sir T[homas] Bourgchier'., Psalter, with 12 Canticles, Litany, and Office of the Dead, use of Sarum

divisions (ff. 7, 22v, 32v, 41v, 51, 63, 74, 86), with the arms of Isabel, sister of Richard, duke of York, aunt of Edward IV impaled by those of her husband, Henry Bourchier, 1st earl of Essex (f. 7). 'Champ'

• Section of border with floral motifs and bezants., Cuttings from a choir book

n. y1972-6; and Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003),

• Section of border with floral motifs, bezants and Mount Calvary., Cuttings from a choir book

n. y1972-6; and Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003),

• Historiated and foliate border of medallions with Peter, Isaiah and another prophet bearing scrolls inscribed 'Egredietur virga de radice Iesse et flos de radice' (Isaiah 11:1) and 'Ecce rex tuus venit sanctu(s) et s' and the Medici devices of Leo X: a diamond ring with three feathers and motto 'Semper' and a yoke with a scroll inscribed 'Suave', and three winged putti, measuring 445 x 35 mm., Cuttings from Missals of Pope Leo X

December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,

• Historiated initial 'O' of the Adoration of the Magi, including an African king, measuring 140 x 160. On the reverse, partial two four-line staves, musical notation and text: '...regi da et m /...filio regis'., Cuttings from a Gradual

n. y1972-6; and Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003),

• Historiated initial 'D' of a Memento Mori, measuring 125 x 110. On the reverse, partial four-line stave, musical notation and text: '...antur'., Cuttings from a Gradual

n. y1972-6; and Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003),

• Historiated initial 'P' of the Virgin Adoring the Christ Child, measuring 250 x 210. On the reverse, partial two four-line staves, musical notation and text: '...lo tu /… Co[n]. Exulta'., Cuttings from a Gradual

n. y1972-6; and Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003),