• Miniature of the Adoration of the Magi, at the beginning of Sext in the Hours of the Virgin., Hours, Use of Rome

Miniature of the Adoration of the Magi, at the beginning of Sext in the Hours of the Virgin. 1 fullpage miniature (f. 62v) and 11 full-page miniatures surrounding a few lines of text with a large decorated initials, some

• Miniature of the Adoration of the Magi, at the beginning of Sext in the Hours of the Virgin., Hours, Use of Rome

Miniature of the Adoration of the Magi, at the beginning of Sext in the Hours of the Virgin. 1 fullpage miniature (f. 62v) and 11 full-page miniatures surrounding a few lines of text with a large decorated initials, some

• Miniature of the Presentation, at the beginning of None in the Hours of the Virgin., Hours, Use of Rome

Miniature of the Presentation, at the beginning of None in the Hours of the Virgin. 1 fullpage miniature (f. 62v) and 11 full-page miniatures surrounding a few lines of text with a large decorated initials, some including human heads,

• Miniature of the Flight into Egypt, at the beginning of Vespers in the Hours of the Virgin., Hours, Use of Rome

Miniature of the Flight into Egypt, at the beginning of Vespers in the Hours of the Virgin. 1 fullpage miniature (f. 62v) and 11 full-page miniatures surrounding a few lines of text with a large decorated initials, some including

• Miniature of the Coronation, at the beginning of Compline in the Hours of the Virgin., Hours, Use of Rome

Miniature of the Coronation, at the beginning of Compline in the Hours of the Virgin. 1 fullpage miniature (f. 62v) and 11 full-page miniatures surrounding a few lines of text with a large decorated initials, some including human heads,

• Miniature of David, at the beginning of the Penitential Psalms., Hours, Use of Rome

Miniature of David, at the beginning of the Penitential Psalms. 1 fullpage miniature (f. 62v) and 11 full-page miniatures surrounding a few lines of text with a large decorated initials, some including human heads, in colours and gold (ff.

• Miniature of the Crucifixion, at the beginning of the Hours of the Cross., Hours, Use of Rome

Miniature of the Crucifixion, at the beginning of the Hours of the Cross. 1 fullpage miniature (f. 62v) and 11 full-page miniatures surrounding a few lines of text with a large decorated initials, some including human heads, in colours

• Miniature of Pentecost, at the beginning of the Hours of the Holy Spirit., Hours, Use of Rome

Miniature of Pentecost, at the beginning of the Hours of the Holy Spirit. 1 fullpage miniature (f. 62v) and 11 full-page miniatures surrounding a few lines of text with a large decorated initials, some including human heads, in colours

• Miniature of the Crucifixion of the 11,000, at the beginning of a prayer., Hours, Use of Rome

Miniature of the Crucifixion of the 11,000, at the beginning of a prayer. 1 fullpage miniature (f. 62v) and 11 full-page miniatures surrounding a few lines of text with a large decorated initials, some including human heads, in colours

• Detail of a page: full foliate border in the margins inhabited by a lion, a peacock, a bird, and a dragon., Lisbon Mishneh Torah, volume 1

ff. 58v-59, 96r-v, 272v). (Narkiss reads the name Durallano), on him see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 89.Two illegible Hebrew notes (f. 1).Bernard Mould (b. c. 1683; d. 1744), chaplain

• Detail of a page: initial-word panel with gold letters and penwork decoration and a gold crown, at the introduction of the Mishneh Torah., Lisbon Mishneh Torah, volume 1

ff. 58v-59, 96r-v, 272v). (Narkiss reads the name Durallano), on him see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 89.Two illegible Hebrew notes (f. 1).Bernard Mould (b. c. 1683; d. 1744), chaplain

• Detail of an inscription inserted into the banderol above and beneath the initial word., Festival prayer book (~mahzor~) with miscellaneous works in the margins

17th century, in Cremona?): inscribed with his name, 1601 (f. 449), see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 18-19, 93.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st

• Detail of a miniature of a man kneeling in prayer on a hill. Behind him two young youths are looking for shelter in a house from the heavy hail., Festival prayer book (~mahzor~) with miscellaneous works in the margins

17th century, in Cremona?): inscribed with his name, 1601 (f. 449), see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 18-19, 93.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st

• Detail of a miniature of the Israelites crossing the Red Sea., Festival prayer book (~mahzor~) with miscellaneous works in the margins

17th century, in Cremona?): inscribed with his name, 1601 (f. 449), see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 18-19, 93.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st

• Detail of an initial-word panel., Festival prayer book (~mahzor~) with miscellaneous works in the margins

17th century, in Cremona?): inscribed with his name, 1601 (f. 449), see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 18-19, 93.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st

• Detail of a page: miniature of the ~Shabbat kallah~ (Shabbat bride or Shabbat Queen), a symbolic representation of the Shabbat, at the order of the services for Shabbat. A young lady on horseback is coming out of a castle escorted by her entourage., Festival prayer book (~mahzor~) with miscellaneous works in the margins

17th century, in Cremona?): inscribed with his name, 1601 (f. 449), see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 18-19, 93.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st

• Detail of a miniature of a congregation praying in the synagogue., Festival prayer book (~mahzor~) with miscellaneous works in the margins

17th century, in Cremona?): inscribed with his name, 1601 (f. 449), see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 18-19, 93.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st

• Detail of a miniature of the Shabbat bride is under the ~huppah~ (wedding canopy) surrounded by her entourage., Festival prayer book (~mahzor~) with miscellaneous works in the margins

17th century, in Cremona?): inscribed with his name, 1601 (f. 449), see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 18-19, 93.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st

• Detail of a miniature of people celebrating Seder with a group of young men lifting the Seder basket over the table., Festival prayer book (~mahzor~) with miscellaneous works in the margins

17th century, in Cremona?): inscribed with his name, 1601 (f. 449), see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 18-19, 93.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st

• Detail of a foliate border inhabited by animals and birds., Lisbon Mishneh Torah, volume 1

ff. 58v-59, 96r-v, 272v). (Narkiss reads the name Durallano), on him see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 89.Two illegible Hebrew notes (f. 1).Bernard Mould (b. c. 1683; d. 1744), chaplain