• Puzzle initial 'P'(romissiones) with pen-flourishing at the beginning of book 17 in Augustine's De civitate dei. A 13th-century hand has corrected the capitula list in the lower margin., De Civitate Dei (index City of God)(ff. 3-177v); De trinitate (ff. 179-244v)

pasted onto f. 1), and his name (f. 3).Nicholas Wotton (b. c.1497, d. 1567), diplomat and dean of Canterbury and York: inscribed 'Dudum D. Nicolai wotton Decani cantuarien[sis] et eboracen[sis] in secretiori consilio R. Ma^tij^ consiliarij qui obijt xxv Januarij

• Miniature of angels supporting the coat of arms of George Neville, archbishop of York (f. 4v), and gold initial with tendrils in a white vine style extending into the margin and including a bird and a head, at the beginning of the dedication text., Collectio Sententiarum aurearum, Greek moral sayings, vol. 1

of the translation by George Hermonymos, dedicated to George Neville, archbishop of York: prologue with dedication (ff. 5-6v). George Neville (b. 1432, d. 1476), administrator and archbishop of York: the presentation copy; his arms arms erroneously quartered with the arms

• Miniature of the Dukes of York, Gloucester and Ireland dining with Richard II., Recueil des croniques d’Engleterre

the Dukes of York, Gloucester and Ireland dining with Richard II. Includes the third volume of the Recueil des croniques d’Engleterre of Jean of Wavrin, preceded by a list of contents (ff. 1-9v). According to McKendrick (see McKendrick and Lowden

• Detail of a miniature of the Dukes of York, Gloucester and Ireland dining with Richard II., Recueil des croniques d’Engleterre

of the Dukes of York, Gloucester and Ireland dining with Richard II. Includes the third volume of the Recueil des croniques d’Engleterre of Jean of Wavrin, preceded by a list of contents (ff. 1-9v). According to McKendrick (see McKendrick and

• Decorated initial-word panel with gold and penwork, at the beginning of the thirteenth book, the Book of Civil Law (~Sefer Mishpatim~) with a full foliate border inhabited by birds., Lisbon Mishneh Torah, volume 2

Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 104, and appendix § 112-117. Camillo Jaghel, censor: inscribed with his name, 1613 (f. 433v), see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969),

• Colophon of the scribe incorporated into a panel decorated with gold and penwork with a full foliate border inhabited by birds., Lisbon Mishneh Torah, volume 2

Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 104, and appendix § 112-117. Camillo Jaghel, censor: inscribed with his name, 1613 (f. 433v), see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969),

• Decorated initial-word panel with gold and penwork, at the beginning of the tenth book, the Book of Ritual Purity (~Sefer Tohorah~) with a full foliate border with two hybrids and a peacock in the lower margin., Lisbon Mishneh Torah, volume 2

Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 104, and appendix § 112-117. Camillo Jaghel, censor: inscribed with his name, 1613 (f. 433v), see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969),

• Painting of a man sitting at the spread table lifting his cup and saying the blessing over food., Prayer book, Italian rite

censor (fl. in Urbino): inscribed with his name, 1688 (f. 182v); ee William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 44.Heinrich Eisemann, bookseller: brought from him by the British Museum on 27 October

• Marginal drawings for Passover with Judeo-Italian captions., Prayer book, Italian rite

censor (fl. in Urbino): inscribed with his name, 1688 (f. 182v); ee William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 44.Heinrich Eisemann, bookseller: brought from him by the British Museum on 27 October

• Detail of a foliate border with two hybrids and a peacock in the lower margin., Lisbon Mishneh Torah, volume 2

Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 104, and appendix § 112-117. Camillo Jaghel, censor: inscribed with his name, 1613 (f. 433v), see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969),

• Miniature of Charles the Bold enthroned with the arms of Burgundy above, receiving the book from Vasco de Lucena, with a tapestry in the back of the room decorated with the flint and steel of Burgundy and Charles' motto 'Je lay emprins; encircled by a full border containing the royal arms of England on a shield and on two banners held by a siren and a knight, with a foliate initial 'A'(tres), at the beginning of the prologue., Cyropaedia (Cyropédie)

version of Poggio Bracciolini by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret of York; preceded by a list of contents (ff. 1-5v) and the prologue of the translator (ff. 7-10v).Catchwords written vertically, and

• Miniature of the meeting of Cyrrus and Hyrcanian, with a partial border containing the royal arms of England., Cyropaedia (Cyropédie)

version of Poggio Bracciolini by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret of York; preceded by a list of contents (ff. 1-5v) and the prologue of the translator (ff. 7-10v).Catchwords written vertically, and

• Miniature of Cyrrus enthroned and Chrysanthes addressing the Persians, with a partial border containing the Yorkist badge., Cyropaedia (Cyropédie)

version of Poggio Bracciolini by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret of York; preceded by a list of contents (ff. 1-5v) and the prologue of the translator (ff. 7-10v).Catchwords written vertically, and

• Detail of a miniature of Cyrus and his troops in a phalanx, and an illuminated initial 'T'(andis)., Cyropaedia (Cyropédie)

version of Poggio Bracciolini by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret of York; preceded by a list of contents (ff. 1-5v) and the prologue of the translator (ff. 7-10v).Catchwords written vertically, and

• Miniature of Jean, duke of Berry, receiving the book from the translator, Laurent de Premierfait, with a full border containing the royal arms of England surrounded by the Garter with the motto, 'Honny soit qui mal y pense', and surmounted by a crowned helm with a mantling in Edward IV's colours of red and blue, with two shields bearing the same arms differentiated by labels of three and five points for Edward's sons, Edward, prince of Wales, and Richard, duke of York, two banners held by angels bearing the royal arms of England, and a Yorkist badge of white ~rose-en-soleil~ with the motto 'Dieu est mon droit'; and an illuminated initial 'L'(e propre) with a dragon, at the beginning of the prologue., Decameron (Les cent nouvelles)

arms differentiated by labels of three and five points for Edward's sons, Edward, prince of Wales, and Richard, duke of York, two banners held by angels bearing the royal arms of England, and a Yorkist badge of white ~rose-en-soleil~ with

• Detail of a miniature of Cyrus and his army marching off to war., Cyropaedia (Cyropédie)

version of Poggio Bracciolini by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret of York; preceded by a list of contents (ff. 1-5v) and the prologue of the translator (ff. 7-10v).Catchwords written vertically, and

• Detail of a miniature of the meeting of Cyrrus and Hyrcanian., Cyropaedia (Cyropédie)

version of Poggio Bracciolini by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret of York; preceded by a list of contents (ff. 1-5v) and the prologue of the translator (ff. 7-10v).Catchwords written vertically, and

• Detail of a large miniature of an army on the march with a king on horseback., Cyropaedia (Cyropédie)

version of Poggio Bracciolini by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret of York; preceded by a list of contents (ff. 1-5v) and the prologue of the translator (ff. 7-10v).Catchwords written vertically, and

• Large miniature of an army on the march with a king on horseback., Cyropaedia (Cyropédie)

version of Poggio Bracciolini by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret of York; preceded by a list of contents (ff. 1-5v) and the prologue of the translator (ff. 7-10v).Catchwords written vertically, and

• Detail of a miniature of Cyrrus enthroned and Chrysanthes addressing the Persians., Cyropaedia (Cyropédie)

version of Poggio Bracciolini by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret of York; preceded by a list of contents (ff. 1-5v) and the prologue of the translator (ff. 7-10v).Catchwords written vertically, and