• Full-page border from a detached leaf with the text excised, decorated with four 'female' masks and figures of the four Evangelists in cartouches., Cuttings from a Gospel Lectionary (index Evangelistary) of Gregory XIII

35254P-V.Other cuttings from the same volume are Add. 21412, f. 98-110, Add. 49520; Chicago, Art Institute of Chicago, 1982.438; New York, Brooklyn Museum, 11.499 and The Morgan Library and Museum, MS. 270; Philadelphia, Free library, Ms. 27:7; Texas, private collection

• Miniature of the Castle of Love, with the lover addressing three women, with a full border containing the royal arms of Henry VII impaled with those of Elisabeth of York between red and white roses, the Yorkist motto 'Dieu et mon droet', an ostrich feather with a motto 'Ic dene'; and an initial 'D'(u) with a red and white rose., Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

full border containing the royal arms of Henry VII impaled with those of Elisabeth of York between red and white roses, the Yorkist motto 'Dieu et mon droet', an ostrich feather with a motto 'Ic dene'; and an initial 'D'(u)

• Illuminated initial 'Q'(uod) enclosing flowers combined with a full panel border with flowers and a bird. The roses, greyhound, and dragon are heraldic motifs referring to the royal Tudor family., Quaestiones de observantia quadragesimali (index Matters concerning Lenten observance)(ff. 1v-67); Poem in praise of Henry VII's marriage to Elizabeth of York and of the birth of prince Arthur (ff. 67v-86v)

were added, probably in England.Giovanni Gigli of Lucca's poem celebrates the marriage of Henry VII (r. 1485-1509) to Elizabeth of York in 1486 and the birth of their first son Arthur (b. 1486, d. 1502), prince of Wales. Gigli later

• Illuminated initial 'C'(ui) enclosing flowers combined with a full panel border with flowers, acorns, and a greyhound holding a banner with the coat of arms of Henry VII., Quaestiones de observantia quadragesimali (index Matters concerning Lenten observance)(ff. 1v-67); Poem in praise of Henry VII's marriage to Elizabeth of York and of the birth of prince Arthur (ff. 67v-86v)

were added, probably in England.Giovanni Gigli of Lucca's poem celebrates the marriage of Henry VII (r. 1485-1509) to Elizabeth of York in 1486 and the birth of their first son Arthur (b. 1486, d. 1502), prince of Wales. Gigli later

• Miniature of the Immaculate Conception and of Henry VII kneeling, with a trompe l'oeil border, and an illuminated large initial with the royal coat of arms., Proper of the Mass for the Immaculate Conception

i.e., the Ordinance of the Confraternity of the Immaculate Conception, with a portrait of Henry VII, his wife, Elizabeth of York and their children praying before the image of Anna and Joachim at the Golden Gate (see J. J. G.

• Detail of a miniature of the Immaculate Conception and of Henry VII kneeling., Proper of the Mass for the Immaculate Conception

i.e., the Ordinance of the Confraternity of the Immaculate Conception, with a portrait of Henry VII, his wife, Elizabeth of York and their children praying before the image of Anna and Joachim at the Golden Gate (see J. J. G.

• Text of a prayer mentioning Henry VII; ‘ut rex noster Henricus sep/timus…’., Proper of the Mass for the Immaculate Conception

i.e., the Ordinance of the Confraternity of the Immaculate Conception, with a portrait of Henry VII, his wife, Elizabeth of York and their children praying before the image of Anna and Joachim at the Golden Gate (see J. J. G.

• Miniature of the horoscope diagram for the day in which the world was created, including a world map within an astrological chart and personifications of winds, surrounded by 12 triangles with symbolic scenes representing aspects of life associated with the twelve astrological houses. The world map is a loose copy of the world map printed by Francesco Rosselli in Florence in 1492-3, which was copied from Henricus Martellus map (Additional 15760 f. 69)., Liber de Optimo fato Henrici Eboraci ducis et optimorum ipsius parentum

anglie et fra[n]/cie regem septimu[m]'; completed, possible as a New Year Gift for 1503, before the death of Elisabeth of York, consort of Henry VII (d. 11 February 1503), for whome he foretold a life of eighty or ninety years.Inscribed

• Calligraphic initial 'L'(iber de optimo fato) at the beginning of William Parron's dedication., Liber de Optimo fato Henrici Eboraci ducis et optimorum ipsius parentum

anglie et fra[n]/cie regem septimu[m]'; completed, possible as a New Year Gift for 1503, before the death of Elisabeth of York, consort of Henry VII (d. 11 February 1503), for whome he foretold a life of eighty or ninety years.Inscribed

• Historiated initial 'S'(apientissime) of king Henry VII enthroned, with Tudor roses and the royal arms of England in the border., Liber de Optimo fato Henrici Eboraci ducis et optimorum ipsius parentum

anglie et fra[n]/cie regem septimu[m]'; completed, possible as a New Year Gift for 1503, before the death of Elisabeth of York, consort of Henry VII (d. 11 February 1503), for whome he foretold a life of eighty or ninety years.Inscribed

• Detail of a miniature of Olympias giving birth to Alexander the Great, with two eagles on the roof of the palace (foretelling Alexander's two empires in Europe and Asia). The temple of Diana at Ephesus burns in the background as a portent of Alexander's revenge on the Persians for their invasion of Greece under Xerxes in 480 BC., Historia Alexandri Magni

grant Alexandre by Vasco da Lucena, a Portuguese in the service of Isabella of Portugal and then of Margaret of York, first presented to Charles in 1468; preceded by a table of contents (ff. 1-11v). ?Shelfmark of a very large

• Miniature of Olympias giving birth to Alexander the Great, with two eagles on the roof of the palace (foretelling Alexander's two empires in Europe and Asia). The temple of Diana at Ephesus burns in the background as a portent of Alexander's revenge on the Persians for their invasion of Greece under Xerxes in 480 BC., Historia Alexandri Magni

grant Alexandre by Vasco da Lucena, a Portuguese in the service of Isabella of Portugal and then of Margaret of York, first presented to Charles in 1468; preceded by a table of contents (ff. 1-11v). ?Shelfmark of a very large

• Miniature of Christ as Man of Sorrows., Devotional miscellany

royal autographs see Additional 17012, which contains the autographs of Henry VII, Elizabeth of York, Henry VIII, and Catherine of Aragon. 5 small miniatures, in colours and gold (ff. 266v, 289v, 293, 297, 300v); 1 excised (f. 268). Large and

• Historiated initial 'D'(omine) with the dove of the Holy Spirit., Devotional miscellany

Hours with royal autographs see Additional 17012, which contains the autographs of Henry VII, Elizabeth of York, Henry VIII, and Catherine of Aragon. 5 small miniatures, in colours and gold (ff. 266v, 289v, 293, 297, 300v); 1 excised (f. 268).

• Miniature of the dead Christ and Mary., Devotional miscellany

royal autographs see Additional 17012, which contains the autographs of Henry VII, Elizabeth of York, Henry VIII, and Catherine of Aragon. 5 small miniatures, in colours and gold (ff. 266v, 289v, 293, 297, 300v); 1 excised (f. 268). Large and

• Miniature of Christ carrying the cross., Devotional miscellany

royal autographs see Additional 17012, which contains the autographs of Henry VII, Elizabeth of York, Henry VIII, and Catherine of Aragon. 5 small miniatures, in colours and gold (ff. 266v, 289v, 293, 297, 300v); 1 excised (f. 268). Large and

• Miniature of Anne and the Virgin., Devotional miscellany

royal autographs see Additional 17012, which contains the autographs of Henry VII, Elizabeth of York, Henry VIII, and Catherine of Aragon. 5 small miniatures, in colours and gold (ff. 266v, 289v, 293, 297, 300v); 1 excised (f. 268). Large and

• Miniature of the Seven Sorrows of the Virgin., Devotional miscellany

with royal autographs see Additional 17012, which contains the autographs of Henry VII, Elizabeth of York, Henry VIII, and Catherine of Aragon. 5 small miniatures, in colours and gold (ff. 266v, 289v, 293, 297, 300v); 1 excised (f. 268). Large

• Historiated initial 'C' of the Vision of Ezechiel. On the reverse, two four-line red staves, musical notation and text '...ue sub ipso /…le bant'., Cuttings from an Antiphoner (index antiphonar, antiphonal)

19796; Paris, Musée Marmottan, Wildenstein Collection, nos. 25-27; and Venice, Fondazione Giorgio Cini, no. 2111 (164); Unknown location, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection, ms. A. 6 (see Pier Luigi Mulas, 'Crivelli, Protasio', in ~Dizionario Biografico

• Historiated initial 'C' of Helen praying before the Cross. On the reverse, two four-line red staves, musical notation and text '...cut docuit /…lo'., Cuttings from an Antiphoner (index antiphonar, antiphonal)

19796; Paris, Musée Marmottan, Wildenstein Collection, nos. 25-27; and Venice, Fondazione Giorgio Cini, no. 2111 (164); Unknown location, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection, ms. A. 6 (see Pier Luigi Mulas, 'Crivelli, Protasio', in ~Dizionario Biografico