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cuttings from the same volume are Add. 35254K, N and P, Add. 49520; Chicago, Art Institute of Chicago, 1982.438; New York, Brooklyn Museum, 11.499 and The Morgan Library and Museum, MS. 270; Philadelphia, Free library, Ms. 27:7; Texas, private collection
cuttings from the same volume are Add. 35254K, N and P, Add. 49520; Chicago, Art Institute of Chicago, 1982.438; New York, Brooklyn Museum, 11.499 and The Morgan Library and Museum, MS. 270; Philadelphia, Free library, Ms. 27:7; Texas, private collection
cuttings from the same volume are Add. 35254K, N and P, Add. 49520; Chicago, Art Institute of Chicago, 1982.438; New York, Brooklyn Museum, 11.499 and The Morgan Library and Museum, MS. 270; Philadelphia, Free library, Ms. 27:7; Texas, private collection
cuttings from the same volume are Add. 35254K, N and P, Add. 49520; Chicago, Art Institute of Chicago, 1982.438; New York, Brooklyn Museum, 11.499 and The Morgan Library and Museum, MS. 270; Philadelphia, Free library, Ms. 27:7; Texas, private collection
cuttings from the same volume are Add. 35254K, N and P, Add. 49520; Chicago, Art Institute of Chicago, 1982.438; New York, Brooklyn Museum, 11.499 and The Morgan Library and Museum, MS. 270; Philadelphia, Free library, Ms. 27:7; Texas, private collection
cuttings from the same volume are Add. 35254K, N and P, Add. 49520; Chicago, Art Institute of Chicago, 1982.438; New York, Brooklyn Museum, 11.499 and The Morgan Library and Museum, MS. 270; Philadelphia, Free library, Ms. 27:7; Texas, private collection
cuttings from the same volume are Add. 35254K, N and P, Add. 49520; Chicago, Art Institute of Chicago, 1982.438; New York, Brooklyn Museum, 11.499 and The Morgan Library and Museum, MS. 270; Philadelphia, Free library, Ms. 27:7; Texas, private collection
cuttings from the same volume are Add. 35254K, N and P, Add. 49520; Chicago, Art Institute of Chicago, 1982.438; New York, Brooklyn Museum, 11.499 and The Morgan Library and Museum, MS. 270; Philadelphia, Free library, Ms. 27:7; Texas, private collection
the Yorkist motto 'Dieu et mon droit' (e.g., ff. 3v, 14, 30v), red roses of Lancaster, and white roses of York (e. g. f. 3v), a Tudor rose (ff. 30v, 155v), and numerous Beaufort's badges of a portcullis, used by
the Yorkist motto 'Dieu et mon droit' (e.g., ff. 3v, 14, 30v), red roses of Lancaster, and white roses of York (e. g. f. 3v), a Tudor rose (ff. 30v, 155v), and numerous Beaufort's badges of a portcullis, used by
the Yorkist motto 'Dieu et mon droit' (e.g., ff. 3v, 14, 30v), red roses of Lancaster, and white roses of York (e. g. f. 3v), a Tudor rose (ff. 30v, 155v), and numerous Beaufort's badges of a portcullis, used by
the Yorkist motto 'Dieu et mon droit' (e.g., ff. 3v, 14, 30v), red roses of Lancaster, and white roses of York (e. g. f. 3v), a Tudor rose (ff. 30v, 155v), and numerous Beaufort's badges of a portcullis, used by
nomination as cardinal in 1478 and the death of Sixtus IV in 1484. The three other volumes are now New York, Pierpont Morgan Lib., M. 306 and Turin, Archivio di Stato, MSS J. b. II.3-4. It is probable that the