• Historiated initial 'H'(ere) of the author presenting the book to an enthroned king, with a full border containing white and red roses, at the beginning of the list of contents., The Master of Game

owned by him: white roses of York joined with red roses of Lancaster (ff. 1, 2v).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Presentation of the book Edward of York England

• Miniature of a lady Jeunesse presenting the author to lord Bel Accueil and lady Plaisance and their court, with a full border with two mottos, 'La plus eure' and 'Dieu et mon droit', the arms of Edward the Confessor and George, the royal arms of England and the arms of Elisabeth of York surmounted by a crown with two shields bearing the same arms differenced by labels of three points; white roses ~en soleil~ of York; red rose supported by a white greyhound and a red dragon between red and white roses., Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

of England and the arms of Elisabeth of York surmounted by a crown with two shields bearing the same arms differenced by labels of three points; white roses ~en soleil~ of York; red rose supported by a white greyhound and

• Detail of a miniature of a lady Jeunesse presenting the author to lord Bel Accueil and lady Plaisance and their court, with a full border with two mottos, 'La plus eure' and 'Dieu et mon droit', the arms of Edward the Confessor and George, the royal arms of England and the arms of Elisabeth of York surmounted by a crown with two shields bearing the same arms differenced by labels of three points; white roses ~en soleil~ of York; red rose supported by a white greyhound and a red dragon between red and white roses., Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

of England and the arms of Elisabeth of York surmounted by a crown with two shields bearing the same arms differenced by labels of three points; white roses ~en soleil~ of York; red rose supported by a white greyhound and

• Detail of a miniature of a lady Jeunesse presenting the author to lord Bel Accueil and lady Plaisance and their court, with a full border with two mottos, 'La plus eure' and 'Dieu et mon droit', the arms of Edward the Confessor and George, the royal arms of England and the arms of Elisabeth of York surmounted by a crown with two shields bearing the same arms differenced by labels of three points; white roses ~en soleil~ of York; red rose supported by a white greyhound and a red dragon between red and white roses., Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

of England and the arms of Elisabeth of York surmounted by a crown with two shields bearing the same arms differenced by labels of three points; white roses ~en soleil~ of York; red rose supported by a white greyhound and

• Miniature of Alexander attending the funeral of those killed fighting Darius., Historia Alexandri Magni

grant Alexandre by Vasco da Lucena, a Portuguese in the service of Isabella of Portugal and then of Margaret of York, first presented to Charles in 1468; preceded by a table of contents (ff. 1-11v). ?Shelfmark of a very large

• Miniature of the death of Alexander Lyncestes., Historia Alexandri Magni

grant Alexandre by Vasco da Lucena, a Portuguese in the service of Isabella of Portugal and then of Margaret of York, first presented to Charles in 1468; preceded by a table of contents (ff. 1-11v). ?Shelfmark of a very large

• Miniature of the enthroned Alexander giving orders to his generals., Historia Alexandri Magni

grant Alexandre by Vasco da Lucena, a Portuguese in the service of Isabella of Portugal and then of Margaret of York, first presented to Charles in 1468; preceded by a table of contents (ff. 1-11v). ?Shelfmark of a very large

• Miniature of Alexander directing sacrifices to the sun., Historia Alexandri Magni

grant Alexandre by Vasco da Lucena, a Portuguese in the service of Isabella of Portugal and then of Margaret of York, first presented to Charles in 1468; preceded by a table of contents (ff. 1-11v). ?Shelfmark of a very large

• Miniature of Cleander and others beheaded, Historia Alexandri Magni

grant Alexandre by Vasco da Lucena, a Portuguese in the service of Isabella of Portugal and then of Margaret of York, first presented to Charles in 1468; preceded by a table of contents (ff. 1-11v). ?Shelfmark of a very large

• Frontispiece with miniature of Vasco da Lucena presenting his translation to Charles the Bold., Historia Alexandri Magni

grant Alexandre by Vasco da Lucena, a Portuguese in the service of Isabella of Portugal and then of Margaret of York, first presented to Charles in 1468; preceded by a table of contents (ff. 1-11v). ?Shelfmark of a very large

• Miniature of the surrender of Celaenae., Historia Alexandri Magni

grant Alexandre by Vasco da Lucena, a Portuguese in the service of Isabella of Portugal and then of Margaret of York, first presented to Charles in 1468; preceded by a table of contents (ff. 1-11v). ?Shelfmark of a very large

• Miniature of Darius' letter being delivered., Historia Alexandri Magni

grant Alexandre by Vasco da Lucena, a Portuguese in the service of Isabella of Portugal and then of Margaret of York, first presented to Charles in 1468; preceded by a table of contents (ff. 1-11v). ?Shelfmark of a very large

• Historiated initital 'D' of the Prophet Zacharias, with his name inscribed on his halo., Cutting from an Antiphoner (index antiphonal; antiphonary)

ff. 2-81 and 83-90. To see this cuttings in the Manuscripts Reading Room order Add. 18196, ff. 2-81 and 83-90.New York, Metropolitan Museum of Art, Robert Lehman Collection (see Palladino 2003, cat. no. 69) was probably excised from the same

• A section of foliate border of a medallion with the Medici device of a yoke with a scroll inscribed 'Suave' and the letter 'N', measuring 435 x 50 mm (at left of image)., Cuttings from Missals of Pope Leo X

December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,

• A section of foliate border of the Medici device of a diamond ring with three feathers and motto 'Semper', measuring 430 x 50 mm (at centre of image)., Cuttings from Missals of Pope Leo X

December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,

• A section of foliate border of the Medici device of a diamond ring with three feathers, the motto 'Semper' and the initials 'L. X. P. M.', and below zoomorphic foliage, measuring 430 x 50 mm (at right of image)., Cuttings from Missals of Pope Leo X

December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,

• A section of foliate border with the initials 'L. X. P. M.', measuring 400 x 50 mm (at left of image)., Cuttings from Missals of Pope Leo X

December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,

• A section of foliate border of the Medici device of a diamond ring with three feathers, the motto 'Semper', a cherub and vase, measuring 400 x 40 mm (at centre of image)., Cuttings from Missals of Pope Leo X

December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,

• A section of foliate border of the Medici device of a diamond ring with three feathers and the motto 'Semper', measuring 415 x 40 mm (at right of image)., Cuttings from Missals of Pope Leo X

December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,

• A section of foliate border of the Medici device of a yoke with a scroll inscribed 'Suave' and the letter 'N', measuring 420 x 45 mm., Cuttings from Missals of Pope Leo X

December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,