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Condition: Deco desc: red rubrics; red underlining; caps gold, blue and red with white tracery. On the verso is a full border of floral sprays and whorls in green, red, blue, gold. One miniature (97 X 78mm.) depicting a saint
19c. pale blue brocade over boards Catchwords: Catchwords agree Collation: (10)1-2 (8)3 (9)4 (10)5-8 Composite: Condition: Deco desc: red rubrics; small caps alternately blue, with red penwork, red, with blue penwork; illuminated initials (20 x 15mm.) in gold, blue, red,
the recto side is one historiated initial, colouring blue, and white, with a ground of gold, and blue lozenges, while from the frame run vertical bars and ivy-leaf sprays (gold, white, blue, and washed-out pink) in the left-hand and lower
Condition: Edges trimmed and tinted yellow Deco desc: northern Italian: red rubrics; small caps blue with red penwork or red with blue penwork; initials in gold, blue, mauve, red, green and white from 11r. to the end; historiated initials in
cardboard and mounted Deco desc: Letter C (75 x 60 mm) depicting Christ with bifurcate beard and wearing a bluehabit and a red cloak bearing gold designs. His head has a halo. His right hand is raised as if
angels either side. Christ's halo in bright orange and blue. Angels with blue wings and rose collars. Bar-frame of miniature in rose with pairs of blue and rose single leaves and blue balls. Monks in white habits. Text: 'O veronicle
(Doyle, 1987, pp. 11-12). One-line coloured (normally blue or red) or gold initials, which normally have contrasted and alternating penwork. Quires 32-36, and 41 have one-line gold initials with brown penwork and blue or orange paraphs. Quires 44-47 have violet
1r-10v - blue initial W with red pen-line flourishing. Alternate red and blue paraphs. Artist 2: ff. 11r-56v - eight-line gold initial S boxed in rose ground with blue infill with white decoration. Three-line blue initials. Two-line blue (aqua) initials
Three-line blue initials with red penwork extending into border. Red and blue paraphs. Item 4: four/five-line initial A in blue as before. Red and blue paraphs. Two-line blue initials with red penwork. Item 5: fourteen-line initial I in blue with
begins with a blue initial with the remainder in red. Item 10.2: Four-line blue initial C surrounded by red penwork box around. Rubric in red. Some words underlined in red. Red paraphs. Blue paraphs. Red and blue line fillers. Not
the height of the minim, and wedged. descenders turn to the left. s. xii/xiii Large decorated initials, alternately red or blue with pen ornament of the other colour. The text is indented where the large initial appears, and approximately 1/5
with pen-ink decorations in blue and green. fol. 5v , two-line ornamental capital in red. fol. 7v , three-line ornamental capital in red. fol. 8r , two-line capital in blue. fol. 11v , three-line capital in blue. fol. 12r ,
well-separated, although the script is a little compressed, probably to save space rather than to respond to a particular scribal habit. a : Caroline form with a small lobe, which is always closed; in few instances the top is completely
(pp. 273-4). C1v The Psalm title and large initial are in red. A fragment of a blue initial is visible. C2v Initials in alternate blue, red and green. Kept in a small yellow envelope marked in pencil PEMBROKE in the
~x00f0~ is not used. ƿ is not used. descenders finish straight. Initials are in red, blue, green or metallic red. Rubrics are in red, blue, orange or green. A note on the pastedown says the manuscript was 'Bound April 1956'.