• Detail of miniature of John., Psalter (The 'Melisende Psalter') with canticles, prayers, and litany

210, 211). 12 calendar roundels in colours on gold grounds (ff. 13v-19). 1 full-page historiated initial in ink on a gold ground at the beginning of Psalm 1 (f. 23v). 7 large initials in ink on gold grounds with animals,

• Detail of miniature of Stephen., Psalter (The 'Melisende Psalter') with canticles, prayers, and litany

210, 211). 12 calendar roundels in colours on gold grounds (ff. 13v-19). 1 full-page historiated initial in ink on a gold ground at the beginning of Psalm 1 (f. 23v). 7 large initials in ink on gold grounds with animals,

• Detail of miniature of Nicholas., Psalter (The 'Melisende Psalter') with canticles, prayers, and litany

210, 211). 12 calendar roundels in colours on gold grounds (ff. 13v-19). 1 full-page historiated initial in ink on a gold ground at the beginning of Psalm 1 (f. 23v). 7 large initials in ink on gold grounds with animals,

• Detail of miniature of Mary Magdalene., Psalter (The 'Melisende Psalter') with canticles, prayers, and litany

210, 211). 12 calendar roundels in colours on gold grounds (ff. 13v-19). 1 full-page historiated initial in ink on a gold ground at the beginning of Psalm 1 (f. 23v). 7 large initials in ink on gold grounds with animals,

• Detail of miniature of Agnes., Psalter (The 'Melisende Psalter') with canticles, prayers, and litany

210, 211). 12 calendar roundels in colours on gold grounds (ff. 13v-19). 1 full-page historiated initial in ink on a gold ground at the beginning of Psalm 1 (f. 23v). 7 large initials in ink on gold grounds with animals,

• Miniature of the Nativity., Psalter (The 'Melisende Psalter') with canticles, prayers, and litany

210, 211). 12 calendar roundels in colours on gold grounds (ff. 13v-19). 1 full-page historiated initial in ink on a gold ground at the beginning of Psalm 1 (f. 23v). 7 large initials in ink on gold grounds with animals,

• Miniature of the Adoration of the Magi, and the Magi being led by an angel., Psalter (The 'Melisende Psalter') with canticles, prayers, and litany

210, 211). 12 calendar roundels in colours on gold grounds (ff. 13v-19). 1 full-page historiated initial in ink on a gold ground at the beginning of Psalm 1 (f. 23v). 7 large initials in ink on gold grounds with animals,

• Miniature of Christ's entry into Jerusalem., Psalter (The 'Melisende Psalter') with canticles, prayers, and litany

210, 211). 12 calendar roundels in colours on gold grounds (ff. 13v-19). 1 full-page historiated initial in ink on a gold ground at the beginning of Psalm 1 (f. 23v). 7 large initials in ink on gold grounds with animals,

• Title page decorated with a coloured drawing of an armorial tree with the arms of Lancashire noble families centred around those of the duchy of Lancaster., 'The Visitacion of Lancashire' (index Visitation of Lancashire) (unfinished)

Title page decorated with a coloured drawing of an armorial tree with the arms of Lancashire noble families centred around those of the duchy of Lancaster. f. 1* is a small inscribed piece of parchment.The visitation was made in

• Coloured drawing of the map of Lancashire dated and signed by William Smith., 'The Visitacion of Lancashire' (index Visitation of Lancashire) (unfinished)

Coloured drawing of the map of Lancashire dated and signed by William Smith. f. 1* is a small inscribed piece of parchment.The visitation was made in 1567, but transcribed and augmented in 1598 by William Smith (f. 2*).Contains an

• Text page with the end of Jerome's Commentary on Ecclesiastes and an ownership inscription in display script, divided by a geometric line filler., Commentary on Proverbs (ff. 3-43); Commentary on Ecclesiastes (ff. 43v-71); Commentary on Acts of the Apostles (ff. 72-91v); Nomina regionum et locorum de Actibus Apostolorum (ff. 91v-93v)

a geometric line filler. Leaves lost after f. 93. 1 large initial in red with penwork decoration (f. 91v); 8 large initials in red, frequently decorated with small balls (ff. 1, 14, 31, 42, 72, 72v, 91v). Numerous simple initials

• Full-page miniature of the Crucifixion with the Virgin Mary and John the Evangelist, a full border inhabited by birds and flowers, and, in the lower margin, a jewelled cross in a subsidiary medallion., Missal

in a subsidiary medallion. ff. [ii] and [145] are paper flyleaves pasted to parchment ones.Musical notation.Ruled in black ink.Marginal annotations. 1 full-page miniature in colours and gold of the Crucifixion with the Virgin Mary and John the Evangelist, with a

• Added miniature of the Virgin Mary, her mother Anne, and the infant Christ., Missal

[ii] and [145] are paper flyleaves pasted to parchment ones.Musical notation.Ruled in black ink.Marginal annotations. 1 full-page miniature in colours and gold of the Crucifixion with the Virgin Mary and John the Evangelist, with a full border inhabited by birds

• Upper cover of the ivory binding, with scenes from the life of David., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from

• Lower cover of the ivory binding, with the Six Corporal Works of Mercy listed in Matthew 25:35-36., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from

• Detail of the upper cover of the ivory binding, with David and the lion., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from

• Detail of the upper cover of the ivory binding, with David being anointed by Samuel., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from

• Detail of the upper cover of the ivory binding, with David receiving the sword of Goliath from Ahimelech the priest., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from

• Detail of the upper cover of the ivory binding, with David and Goliath., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from

• Detail of the upper cover of the ivory binding, with David kneeling before an altar., Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine

the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from