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'E'(l) with a marginal drawing of Saul on a throne holding a sceptre. 1 full-page ink drawing with a red wash of Christ in Majesty (f. 1). Large initials in gold on blue grounds with white filigree, with pen-flourishing in
15th-century inscription identifies the book as belonging to the nuns of Derby Priory. 1 full-page ink drawing with a red wash of Christ in Majesty (f. 1). Large initials in gold on blue grounds with white filigree, with pen-flourishing in
Ink drawing of Christ in Majesty, with angels. 1 full-page ink drawing with a red wash of Christ in Majesty (f. 1). Large initials in gold on blue grounds with white filigree, with pen-flourishing in red and blue extending into
acanthus leaves. Large initials, 1 in colours on a gold ground, and the other puzzle initials in red and blue. Guide letters. De fide, de spiritu sancto, and de incarnationis dominicae sacramento Erased inscription (f. 1, upper border). The Benedictine
'Liber Sancte Mariae de Fontibus' (f. 1v).? Shelfmark: 'CXIII', f. 1, in near-contemporary red capitals.Added 14th-century marginal faces and annotations.Johannes Yong: inscription, first quarter of the 16th century (f. 1). ? Thomas Howard (b. 1585, d. 1646), 2nd earl of
'Liber Sancte Mariae de Fontibus' (f. 1v).? Shelfmark: 'CXIII', f. 1, in near-contemporary red capitals.Added 14th-century marginal faces and annotations.Johannes Yong: inscription, first quarter of the 16th century (f. 1). ? Thomas Howard (b. 1585, d. 1646), 2nd earl of
'Liber Sancte Mariae de Fontibus' (f. 1v).? Shelfmark: 'CXIII', f. 1, in near-contemporary red capitals.Added 14th-century marginal faces and annotations.Johannes Yong: inscription, first quarter of the 16th century (f. 1). ? Thomas Howard (b. 1585, d. 1646), 2nd earl of
'H'(uius), 'P'(hisici), and 'S'(ecunda) in Isidore's Etymologiae. 1 large puzzle initial in red and blue (f. 12). Small initials alternately in blue or red (green or red on f. 12). Spaces, perhaps for illustrations, remain blank. Marginal ink drawing of
with pen-flourishing. Large initials, 1 in colours on a gold ground, and the other puzzle initials in red and blue. Guide letters. De fide, de spiritu sancto, and de incarnationis dominicae sacramento Erased inscription (f. 1, upper border). The Benedictine
at the beginning of Thomas of Erfurt's Summa curiae regis. 1 large puzzle initial in red and blue, with penwork decoration and pen-flourishing in extensions in blue and red (f. 1). Small plain initials in red. Summa curiae regis, and
an arm with a pointing hand indicating where the verses should be inserted. 1 full-page ink drawing with a red wash of Christ in Majesty (f. 1). Large initials in gold on blue grounds with white filigree, with pen-flourishing in
33v, 34, 36v, 41v, 42, 44. Large and small simple initials in red, one with blue circles and quatrefoils (f. 1). Diagrams. Highlights in red at the beginning of sentences. History of the Old Testament (ff. 1-67v); Geographic description of
33v, 34, 36v, 41v, 42, 44. Large and small simple initials in red, one with blue circles and quatrefoils (f. 1). Diagrams. Highlights in red at the beginning of sentences. History of the Old Testament (ff. 1-67v); Geographic description of
1 large puzzle initial in red and blue with pen-flourishing in red (f. 3v). Smaller puzzle initials in red and blue with pen-flourishing in blue and red, or initials in red or blue with pen-flourishing in blue or red.
text, and of Matthew, Mark, and John (ff. 1, 8, 46, 79). 4 smaller initials in yellow, orange, brown and sometimes blue, one with zoomorphic features, at the beginning of prefaces (ff. 1, 2v, 44v, 77v). Highlighing of letters in
text, and of Matthew, Mark, and John (ff. 1, 8, 46, 79). 4 smaller initials in yellow, orange, brown and sometimes blue, one with zoomorphic features, at the beginning of prefaces (ff. 1, 2v, 44v, 77v). Highlighing of letters in
text, and of Matthew, Mark, and John (ff. 1, 8, 46, 79). 4 smaller initials in yellow, orange, brown and sometimes blue, one with zoomorphic features, at the beginning of prefaces (ff. 1, 2v, 44v, 77v). Highlighing of letters in
text, and of Matthew, Mark, and John (ff. 1, 8, 46, 79). 4 smaller initials in yellow, orange, brown and sometimes blue, one with zoomorphic features, at the beginning of prefaces (ff. 1, 2v, 44v, 77v). Highlighing of letters in
text, and of Matthew, Mark, and John (ff. 1, 8, 46, 79). 4 smaller initials in yellow, orange, brown and sometimes blue, one with zoomorphic features, at the beginning of prefaces (ff. 1, 2v, 44v, 77v). Highlighing of letters in
text, and of Matthew, Mark, and John (ff. 1, 8, 46, 79). 4 smaller initials in yellow, orange, brown and sometimes blue, one with zoomorphic features, at the beginning of prefaces (ff. 1, 2v, 44v, 77v). Highlighing of letters in