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(ff. 13, 13v, 14, 14v, 15, 15v, 16, 16v, 17, 17v, 18, 18v). 1 full-page channel style initial at the beginning of the first words of Psalm 1 (f. 19). 8 large historiated initials at the beginning of Psalms 26,
(ff. 13, 13v, 14, 14v, 15, 15v, 16, 16v, 17, 17v, 18, 18v). 1 full-page channel style initial at the beginning of the first words of Psalm 1 (f. 19). 8 large historiated initials at the beginning of Psalms 26,
(ff. 13, 13v, 14, 14v, 15, 15v, 16, 16v, 17, 17v, 18, 18v). 1 full-page channel style initial at the beginning of the first words of Psalm 1 (f. 19). 8 large historiated initials at the beginning of Psalms 26,
(ff. 13, 13v, 14, 14v, 15, 15v, 16, 16v, 17, 17v, 18, 18v). 1 full-page channel style initial at the beginning of the first words of Psalm 1 (f. 19). 8 large historiated initials at the beginning of Psalms 26,
(ff. 13, 13v, 14, 14v, 15, 15v, 16, 16v, 17, 17v, 18, 18v). 1 full-page channel style initial at the beginning of the first words of Psalm 1 (f. 19). 8 large historiated initials at the beginning of Psalms 26,
Vespasian E XI, ff. 46-132.Later notes and inscriptions, and part of texts, ff. 75-79. 1 historiated initial in colours and gold of a bishop (f. 1). Initials in blue with red pen-flourishing, and in red with blue pen-flourishing, with flourishing
Vespasian E XI, ff. 46-132.Later notes and inscriptions, and part of texts, ff. 75-79. 1 historiated initial in colours and gold of a bishop (f. 1). Initials in blue with red pen-flourishing, and in red with blue pen-flourishing, with flourishing
Vespasian E XI, ff. 46-132.Later notes and inscriptions, and part of texts, ff. 75-79. 1 historiated initial in colours and gold of a bishop (f. 1). Initials in blue with red pen-flourishing, and in red with blue pen-flourishing, with flourishing
and apartial border, and smaller decorated initials at the beginning of Lucan's Pharsalia. 1 large initial with a partial foliate border, in colours and gold (f. 1). Large and small initials in blue with red flourishing, or red with purple
(ff. 13, 13v, 14, 14v, 15, 15v, 16, 16v, 17, 17v, 18, 18v). 1 full-page channel style initial at the beginning of the first words of Psalm 1 (f. 19). 8 large historiated initials at the beginning of Psalms 26,
(ff. 13, 13v, 14, 14v, 15, 15v, 16, 16v, 17, 17v, 18, 18v). 1 full-page channel style initial at the beginning of the first words of Psalm 1 (f. 19). 8 large historiated initials at the beginning of Psalms 26,
inserted paper leaves with 18th-century notes in English on Orosius, perhaps in the hand of Anthony Askew. 1 large historiated initial with partial border, in colours and gold (f. 4). Large puzzle initials in red and blue, with red and
1 large initial in gold on a red and blue ground, with foliate extensions into the margins (f. 2). Smaller initials in blue with red foliate pen-flourishing. Decorated catchwords. Treatise on the Love of God and Man (ends imperfectly)
1 large initial in gold on a red and blue ground, with foliate extensions into the margins (f. 2). Smaller initials in blue with red foliate pen-flourishing. Decorated catchwords. Treatise on the Love of God and Man (ends imperfectly)
17th-century unilluminated poems by Protestant prisoners. 1 large puzzle initial in red and blue with pen-flourishing in red (f. 2). Paraph marks in plain red or blue. Fragment of a legal text Sir Hans Sloane (b. 1660, d. 1753), baronet,
in English on Orosius, perhaps in the hand of Anthony Askew. 1 large historiated initial with partial border, in colours and gold (f. 4). Large puzzle initials in red and blue, with red and mauve penwork infill and flourishing, and
are paper, containing 17th-century unilluminated poems by Protestant prisoners. 1 large puzzle initial in red and blue with pen-flourishing in red (f. 2). Paraph marks in plain red or blue. Fragment of a legal text Sir Hans Sloane (b. 1660,
darker brown ink. Large and small initials in red, some with patterned decoration, or red or blue penwork decoration. 1 blue initial with red penwork decoration (f. 148v); 2 blue initials without decoration (ff. 219v, 222v). Highlights in red at
(f. 1; cf. f. 49).Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its
dated 1738 by James West that it was purchased from him (f. 1). James West (1703-1772), politician and antiquary: his signature with the date February 1738 (f. 1); his sale, May 1773, where all of his manuscripts were purchased by