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'51' (f. 1).John Dee (b. 1527, d. 1609), mathematician, astrologer, and antiquary: his 'Jupiter' sign (top righthand corner of f. 1); his annotations (ff. 60v-61). William Cecil (b. 1520/21, d. 1598), 1st Baron Burghley, royal minister; his sale, 21 November
'51' (f. 1).John Dee (b. 1527, d. 1609), mathematician, astrologer, and antiquary: his 'Jupiter' sign (top righthand corner of f. 1); his annotations (ff. 60v-61). William Cecil (b. 1520/21, d. 1598), 1st Baron Burghley, royal minister; his sale, 21 November
head, David playing the harp, and David beheading Goliath, at the beginning of Psalm 1. According to Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of
head, David playing the harp, and David beheading Goliath, at the beginning of Psalm 1. According to Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of
head, David playing the harp, and David beheading Goliath, at the beginning of Psalm 1. According to Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of
Pseudo-Ambrose's De conflictu vitiorum atque virtutum. Part 1 includes capitula to Enchiridion (ff. i-iiv). According to the unpublished notes of Michael Gullick, written in the Christ Church script, probably by the scribe of Cambridge University Library, Kk.1.17 and Cambridge, Corpus
of John Chrysostom's De muliere Chananaea. Part 1 includes capitula to Enchiridion (ff. i-iiv). According to the unpublished notes of Michael Gullick, written in the Christ Church script, probably by the scribe of Cambridge University Library, Kk.1.17 and Cambridge, Corpus
to Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of the Master of the Gothic Majesty in the Winchester Bible, now in Cathedral Library, Winchester; 2.
to Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of the Master of the Gothic Majesty in the Winchester Bible, now in Cathedral Library, Winchester; 2.
of Psalm 51. According to Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of the Master of the Gothic Majesty in the Winchester Bible, now in
to Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of the Master of the Gothic Majesty in the Winchester Bible, now in Cathedral Library, Winchester; 2.
at the beginning of Psalm 68. According to Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of the Master of the Gothic Majesty in the Winchester
to Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of the Master of the Gothic Majesty in the Winchester Bible, now in Cathedral Library, Winchester; 2.
painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of the Master of the Gothic Majesty in the Winchester Bible, now in Cathedral Library, Winchester; 2. the calendar roundels
According to Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of the Master of the Gothic Majesty in the Winchester Bible, now in Cathedral Library, Winchester;
of Psalm 101, 'D[omi]ne exaudii orationem mea[m]'. According to Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of the Master of the Gothic Majesty in the
the incipit of Psalm 101, 'D[omi]ne exaudii orationem mea[m]'. According to Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of the Master of the Gothic Majesty
1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of the Master of the Gothic Majesty in the Winchester Bible, now in Cathedral Library, Winchester; 2. the calendar
to Morgan 1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of the Master of the Gothic Majesty in the Winchester Bible, now in Cathedral Library, Winchester; 2.
1982, painted in three distinct styles (Part I): 1. the style of prefatory miniatures (ff. 12v-14v) is related to the work of the Master of the Gothic Majesty in the Winchester Bible, now in Cathedral Library, Winchester; 2. the calendar