• Detail of decorated initial., Extracts from the Moralia in Job

darker brown ink. Large and small initials in red, some with patterned decoration, or red or blue penwork decoration. 1 blue initial with red penwork decoration (f. 148v); 2 blue initials without decoration (ff. 219v, 222v). Highlights in red at

• Detail of historiated initial of the Temptation of Christ., Psalter, including a calendar (ff. 13-18v)

(ff. 13, 13v, 14, 14v, 15, 15v, 16, 16v, 17, 17v, 18, 18v). 1 full-page channel style initial at the beginning of the first words of Psalm 1 (f. 19). 8 large historiated initials at the beginning of Psalms 26,

• Historiated initial 'E'(xultate) with five musicians playing instruments including harp, psaltery, fiddle and horn, at the beginning of Psalm 80., Psalter, including a calendar (ff. 13-18v)

(ff. 13, 13v, 14, 14v, 15, 15v, 16, 16v, 17, 17v, 18, 18v). 1 full-page channel style initial at the beginning of the first words of Psalm 1 (f. 19). 8 large historiated initials at the beginning of Psalms 26,

• Miniature of the Nativity and the Annunciation to the Shepherds., Psalter, including a calendar (ff. 13-18v)

(ff. 13, 13v, 14, 14v, 15, 15v, 16, 16v, 17, 17v, 18, 18v). 1 full-page channel style initial at the beginning of the first words of Psalm 1 (f. 19). 8 large historiated initials at the beginning of Psalms 26,

• Miniature of the Harrowing of Hell and the Holy Women at the Tomb., Psalter, including a calendar (ff. 13-18v)

(ff. 13, 13v, 14, 14v, 15, 15v, 16, 16v, 17, 17v, 18, 18v). 1 full-page channel style initial at the beginning of the first words of Psalm 1 (f. 19). 8 large historiated initials at the beginning of Psalms 26,

• Initial 'B'(eatus) at the beginning of Psalm 1 of Peter Lombard's 'Gloss on the Psalms'., Gloss on the Psalms (Magna glosatura), imperfect (to Psalm 73), with preface (ff. 1-2)

of Psalm 1 of Peter Lombard's 'Gloss on the Psalms'. Quire marks (in the centre of the lower margin of the verso of the last leaf of the quires); catchwords. Leaves lost after f. 136.Uncrossed tironian ets. 1 large initial

• Decorated initial 'O'(iez seigneurs baruns deu uus creisse buntez)., Chanson of Gui de Bourgogne (ff. 1-32), Chastoiement d'un Père à son fils, imperfect at the end (ff. 32v-46v), an excerpt from the Romance of Alexander the Great, the ordinary abridgment of Julius Valerius (ff. 47-56), extracts from De ortu et obitu patriarcharum (ff. 56v-58), Chanson of Horn, imperfect at the beginning and at the end (ff. 59-73v)

added table of contents in a cursive hand. Large initial in green with red penwork decoration (f. 1). Smaller initials in green or red. Capitals marked in red. Chanson of Gui de Bourgogne (ff. 1-32), Chastoiement d'un Père à son

• Decorated initial 'A'(chelous) with foliate decoration at the beginning of the Fables., Liber fabularum (ff. 1-22), Bucolica (index Bucolics, Eclogues) (ff. 22v-34v), Georgica (index Georgics) (ff. 34v-67, incomplete)

the Fables. Written in various hands.Including a capitula list (f. 1). Large arabesque initial in red with foliate decoration (f. 1v). Coloured initials in red ink. Liber fabularum (ff. 1-22), Bucolica (index Bucolics, Eclogues) (ff. 22v-34v), Georgica (index Georgics) (ff.

• Text page from Usuard's Martyrologies., Martyrologium (Martyrologies), Pauline epistles with Jerome's prologue, Epistolae canonicae, imperfect at the end

193v, 195v, 196, 209v, 210, 215, 219v, 222v). 1 large initial in blue with gold penwork decoration and purple pen-flourishing (f. 1v). 1 initial in blue with red pen-flourishing (f. 228). 1 initial in red with purple pen-flourishing (f. 228v).

• Decorated initial with acanthus extensions., Liber sententiarum, imperfect; Poem coniugis ad uxorem

flyleaf (f. 15) wrongly bound before the last leaf of the text (f. 16). 1 large initial in colours, silver and gold with acanthus extensions (f. 1). Initials in red or blue throughout. Liber sententiarum, imperfect; Poem coniugis ad uxorem

• Decorated initial 'T'(ria)., De sacramente missae, Speculum ecclesie

initial 'T'(ria). Foliate motif in red in the lower margin (f. 74). 1 large initial in blue with penwork decoration in red and green, possibly added (f. 1). Smaller initials in red. Rubrics in red. Paraphs in red. Capitals marked

• Historiated initial 'B'(eatus) of David paying the harp, at the beginning of Psalm 1., Psalter, with the commentary of Peter Lombard

120v, 149v, 175, 200v), 1 with an instruction for illuminator (f. 46v). 8 foliate initials in colours and gold, some containing dragons or hybrids, at the beginning of the prologue and major gloss divisions (ff. 1, 46v, 72v, 95v, 120v,

• Miniature of the Harrowing of Hell and the Holy Women at the Tomb, as part of a cycle of Christological images., Psalter, including a calendar (ff. 13-18v)

(ff. 13, 13v, 14, 14v, 15, 15v, 16, 16v, 17, 17v, 18, 18v). 1 full-page channel style initial at the beginning of the first words of Psalm 1 (f. 19). 8 large historiated initials at the beginning of Psalms 26,

• Miniature of the Martyrdom of John the Baptist and the Miracle of the Loaves and Fishes, as part of a cycle of Christological images., Psalter, including a calendar (ff. 13-18v)

(ff. 13, 13v, 14, 14v, 15, 15v, 16, 16v, 17, 17v, 18, 18v). 1 full-page channel style initial at the beginning of the first words of Psalm 1 (f. 19). 8 large historiated initials at the beginning of Psalms 26,

• Miniature of the Wedding at Cana and the Expulsion of the Moneychangers, as part of a cycle of Christological images., Psalter, including a calendar (ff. 13-18v)

(ff. 13, 13v, 14, 14v, 15, 15v, 16, 16v, 17, 17v, 18, 18v). 1 full-page channel style initial at the beginning of the first words of Psalm 1 (f. 19). 8 large historiated initials at the beginning of Psalms 26,

• Miniature of the Second and the Third Temptations of Christ, as part of a cycle of Christological images., Psalter, including a calendar (ff. 13-18v)

(ff. 13, 13v, 14, 14v, 15, 15v, 16, 16v, 17, 17v, 18, 18v). 1 full-page channel style initial at the beginning of the first words of Psalm 1 (f. 19). 8 large historiated initials at the beginning of Psalms 26,

• Miniature of the Baptism of Christ and the First Temptation of Christ., Psalter, including a calendar (ff. 13-18v)

(ff. 13, 13v, 14, 14v, 15, 15v, 16, 16v, 17, 17v, 18, 18v). 1 full-page channel style initial at the beginning of the first words of Psalm 1 (f. 19). 8 large historiated initials at the beginning of Psalms 26,

• Miniature of the Nativity and the Annunciation to the Shepherds., Psalter, including a calendar (ff. 13-18v)

(ff. 13, 13v, 14, 14v, 15, 15v, 16, 16v, 17, 17v, 18, 18v). 1 full-page channel style initial at the beginning of the first words of Psalm 1 (f. 19). 8 large historiated initials at the beginning of Psalms 26,

• Historiated initial 'P' of a personification of Faith holding a disc bearing a gold cross, paten, and chalice, and a personification of Faithlessness worshipping an idol, from Guillelmus Alvernus's De moribus., De moribus (second part of De virtutibus et vitiis)

and founder of insurance offices: his stamp (f. 1); probably given to the New Philosophical Institution, founded shortly before his death. The New Philosophical Institution, Beaumont Square, Mile End: stamps (ff. 1, 174v). Sir John Trelawny: his sale, 28 June

• Historiated initial 'S'(pes) of a personification of Hope receiving a gift from God, and a personification of Desparation impaling himself on a sword, from Guillelmus Alvernus's De moribus., De moribus (second part of De virtutibus et vitiis)

and founder of insurance offices: his stamp (f. 1); probably given to the New Philosophical Institution, founded shortly before his death. The New Philosophical Institution, Beaumont Square, Mile End: stamps (ff. 1, 174v). Sir John Trelawny: his sale, 28 June