red and blue with pen-flourishing in the same colours (2 initials combined on f. 322). 1 large arabesque initial in red and blue (f. 94v). 1 large plain initial in red (f. 265). Small initials in red or blue with
inscribed title and table of contents (ff. 1, 2). Sir Simonds d'Ewes (b.1602, d. 1650), 1st baronet, diarist, antiquary, and friend of Sir Robert Cotton (see Wright 1972): inscribed no. '81' (f. 1) and foliated the manuscript. Sir Simonds D’Ewes
red and blue with pen-flourishing in the same colours (2 initials combined on f. 322). 1 large arabesque initial in red and blue (f. 94v). 1 large plain initial in red (f. 265). Small initials in red or blue with
red and blue with pen-flourishing in the same colours (2 initials combined on f. 322). 1 large arabesque initial in red and blue (f. 94v). 1 large plain initial in red (f. 265). Small initials in red or blue with
red and blue with pen-flourishing in the same colours (2 initials combined on f. 322). 1 large arabesque initial in red and blue (f. 94v). 1 large plain initial in red (f. 265). Small initials in red or blue with
a further paper flyleaf; f. [i] was once a paste-down.ff. 1-12 are added. 1 large puzzle initial in red and blue with penwork decoration in brown, green, and light brown (f. 13). Numerous large puzzle initials in red and blue
lot 337, possibly bought by Chapman for 2s.Charles Burney (b. 1757, d. 1817), D.D., classical scholar.Acquired by the British Museum as part of Burney’s library from his son Charles Parr Burney in 1818 (inscription, f. 1). Decorated initials Eastern Mediterranean
initial 'P'(aulus) of Paul, at the beginning of 1 Corinthians. Bifolium signatures. 15 historiated initials in colours and gold, at the beginning of the Epistles and of Peter Lombard's prologue (ff. 1, 1v, 43v, 73v, 89, 101v, 111v, 118v, 125,
the beginning of the commentary for the first Sunday of the Advent. Quire signatures. 1 zoomorphic initial in colours at the beginning of the text (f. 1). Puzzle pen-flourished initials in red and blue, at the beginning of other major
159v).Illegible censor's signature (f. 1). Extensive amount of erasures (e.g., ff. 11, 24, 31v, 35v, 40, 41, 57, 57v, 82v).Moses Gaster (b. 1856, d. 1939), scholar and rabbi: inscribed with his name, 'M. Gaster 582' (f. 1) and 'M. Gaster'
'i'-'cci' (ff. 203-412).Musical notation on a two-line stave.Quire signatures in small Roman numerals. 1 historiated initial in colours and gold on a blue ground (f. 18v). Large initials in gold, mainly on blue grounds with red penwork decoration, and foliate
'i'-'cci' (ff. 203-412).Musical notation on a two-line stave.Quire signatures in small Roman numerals. 1 historiated initial in colours and gold on a blue ground (f. 18v). Large initials in gold, mainly on blue grounds with red penwork decoration, and foliate
is the earliest richly illuminated manuscript with fairly definite evidence of having been made in Oxford, according to Morgan 1982. 1 half-page miniature at the beginning of a prayer to the Holy Face, or Veronica image, in colours and gold
the Younger (Ibn Sarabi, likely 12th century). 2 full border in colours and gold, with heraldic decoration (ff. 4, 267). 1 large historiated initial with author portrait in colours on a gold ground (f. 4). Numerous miniatures of plants in
the Younger (Ibn Sarabi, likely 12th century). 2 full border in colours and gold, with heraldic decoration (ff. 4, 267). 1 large historiated initial with author portrait in colours on a gold ground (f. 4). Numerous miniatures of plants in
the Younger (Ibn Sarabi, likely 12th century). 2 full border in colours and gold, with heraldic decoration (ff. 4, 267). 1 large historiated initial with author portrait in colours on a gold ground (f. 4). Numerous miniatures of plants in
the Younger (Ibn Sarabi, likely 12th century). 2 full border in colours and gold, with heraldic decoration (ff. 4, 267). 1 large historiated initial with author portrait in colours on a gold ground (f. 4). Numerous miniatures of plants in
the Younger (Ibn Sarabi, likely 12th century). 2 full border in colours and gold, with heraldic decoration (ff. 4, 267). 1 large historiated initial with author portrait in colours on a gold ground (f. 4). Numerous miniatures of plants in
the Younger (Ibn Sarabi, likely 12th century). 2 full border in colours and gold, with heraldic decoration (ff. 4, 267). 1 large historiated initial with author portrait in colours on a gold ground (f. 4). Numerous miniatures of plants in
the Younger (Ibn Sarabi, likely 12th century). 2 full border in colours and gold, with heraldic decoration (ff. 4, 267). 1 large historiated initial with author portrait in colours on a gold ground (f. 4). Numerous miniatures of plants in