• Detail of a page: ~masorah~ written in micrographic form of foliate scrolls and dragons, at the beginning of Jeremiah., Former and Latter Prophets (ff. 1-267v) and Hagiographa (ff. 268-424), with ~masorah magna~ and ~parva~

from the middle of quire xxiv (the missing text: Isaiah 38:9-42:4). 30 micrographic designs at the beginning of chapters (ff. 1, 20, 38v, 84, 132, 172v, 203, 239, 243v, 245, 249v, 250, 251, 254, 255, 256v, 258, 259v, 265v, 268,

• Detail: ~masorah~ written in micrographic form of the four living creatures of Ezekiel’s vision and a cherub, at the beginning of Ezekiel., Former and Latter Prophets (ff. 1-267v) and Hagiographa (ff. 268-424), with ~masorah magna~ and ~parva~

from the middle of quire xxiv (the missing text: Isaiah 38:9-42:4). 30 micrographic designs at the beginning of chapters (ff. 1, 20, 38v, 84, 132, 172v, 203, 239, 243v, 245, 249v, 250, 251, 254, 255, 256v, 258, 259v, 265v, 268,

• Detail: ~masorah~ written in micrographic form of a birds, at the beginning of Hoshea., Former and Latter Prophets (ff. 1-267v) and Hagiographa (ff. 268-424), with ~masorah magna~ and ~parva~

from the middle of quire xxiv (the missing text: Isaiah 38:9-42:4). 30 micrographic designs at the beginning of chapters (ff. 1, 20, 38v, 84, 132, 172v, 203, 239, 243v, 245, 249v, 250, 251, 254, 255, 256v, 258, 259v, 265v, 268,

• Detail: ~masorah~ written in micrographic form of the four living creatures of Ezekiel’s vision, at the beginning of Ezekiel., Former and Latter Prophets (ff. 1-267v) and Hagiographa (ff. 268-424), with ~masorah magna~ and ~parva~

from the middle of quire xxiv (the missing text: Isaiah 38:9-42:4). 30 micrographic designs at the beginning of chapters (ff. 1, 20, 38v, 84, 132, 172v, 203, 239, 243v, 245, 249v, 250, 251, 254, 255, 256v, 258, 259v, 265v, 268,

• Detail: ~masorah~ written in micrographic form of a goat, at the beginning of Micah., Former and Latter Prophets (ff. 1-267v) and Hagiographa (ff. 268-424), with ~masorah magna~ and ~parva~

from the middle of quire xxiv (the missing text: Isaiah 38:9-42:4). 30 micrographic designs at the beginning of chapters (ff. 1, 20, 38v, 84, 132, 172v, 203, 239, 243v, 245, 249v, 250, 251, 254, 255, 256v, 258, 259v, 265v, 268,

• Detail: ~masorah~ written in micrographic form of a dragon, a lion and two ungulates under arcades in the lower margin, at the beginning of Ruth., Former and Latter Prophets (ff. 1-267v) and Hagiographa (ff. 268-424), with ~masorah magna~ and ~parva~

from the middle of quire xxiv (the missing text: Isaiah 38:9-42:4). 30 micrographic designs at the beginning of chapters (ff. 1, 20, 38v, 84, 132, 172v, 203, 239, 243v, 245, 249v, 250, 251, 254, 255, 256v, 258, 259v, 265v, 268,

• Detail: ~masorah~ written in micrographic form of a griffin and a lion next to the initial word, at the beginning of Ruth., Former and Latter Prophets (ff. 1-267v) and Hagiographa (ff. 268-424), with ~masorah magna~ and ~parva~

from the middle of quire xxiv (the missing text: Isaiah 38:9-42:4). 30 micrographic designs at the beginning of chapters (ff. 1, 20, 38v, 84, 132, 172v, 203, 239, 243v, 245, 249v, 250, 251, 254, 255, 256v, 258, 259v, 265v, 268,

• Detail: ~masorah~ written in micrographic form of geometric design, foliate motifs, two lions and a dragon, at the beginning of Job., Former and Latter Prophets (ff. 1-267v) and Hagiographa (ff. 268-424), with ~masorah magna~ and ~parva~

from the middle of quire xxiv (the missing text: Isaiah 38:9-42:4). 30 micrographic designs at the beginning of chapters (ff. 1, 20, 38v, 84, 132, 172v, 203, 239, 243v, 245, 249v, 250, 251, 254, 255, 256v, 258, 259v, 265v, 268,

• Detail: ~masorah~ written in micrographic form of foliate scrolls inhabited by birds, at the beginning of Ecclesiastes., Former and Latter Prophets (ff. 1-267v) and Hagiographa (ff. 268-424), with ~masorah magna~ and ~parva~

from the middle of quire xxiv (the missing text: Isaiah 38:9-42:4). 30 micrographic designs at the beginning of chapters (ff. 1, 20, 38v, 84, 132, 172v, 203, 239, 243v, 245, 249v, 250, 251, 254, 255, 256v, 258, 259v, 265v, 268,

• Detail of a miniature of a boy being received into a monastery, with a foliate initial 'Q'(uidam), at the beginning of causa 1., Decretum, with the Glossa ordinaria

for the running titles. 38 miniatures in colours and gold, at the beginning of each causa, and parts 1 and 3 (ff. 1, 82v, 102v, 119v, 127, 128v, 130v, 133v, 139v, 142v, 145, 148, 159v, 169v, 173v, 176, 180v, 193v,

• Detail of a miniature of an enthroned king dictating the law to a scribe, with three clerics and a soldier, at the beginning of Distinctio 1., Decretum, with the Glossa ordinaria

for the running titles. 38 miniatures in colours and gold, at the beginning of each causa, and parts 1 and 3 (ff. 1, 82v, 102v, 119v, 127, 128v, 130v, 133v, 139v, 142v, 145, 148, 159v, 169v, 173v, 176, 180v, 193v,

• Miniature of an enthroned king dictating the law to a scribe, with three clerics and a soldier, at the beginning of Distinctio 1., Decretum, with the Glossa ordinaria

for the running titles. 38 miniatures in colours and gold, at the beginning of each causa, and parts 1 and 3 (ff. 1, 82v, 102v, 119v, 127, 128v, 130v, 133v, 139v, 142v, 145, 148, 159v, 169v, 173v, 176, 180v, 193v,

• Detail of a miniature of a boy being received into a monastery, with a foliate initial 'Q'(uidam), at the beginning of causa 1., Decretum, with the Glossa ordinaria

for the running titles. 38 miniatures in colours and gold, at the beginning of each causa, and parts 1 and 3 (ff. 1, 82v, 102v, 119v, 127, 128v, 130v, 133v, 139v, 142v, 145, 148, 159v, 169v, 173v, 176, 180v, 193v,

• Coloured drawings of a saint being brought food (?) by ravens and a person praying in bed., La Cronica General de España (tercera parte)

some with purple penwork decoration. 3 large coloured drawings in a different style pasted inside upper and lower covers (ff. 1, 394). La Cronica General de España (tercera parte) Bought by the British Museum, using the Bridgewater fund (£12,000 bequeathed

• Coloured drawing of a king and queen., La Cronica General de España (tercera parte)

some with purple penwork decoration. 3 large coloured drawings in a different style pasted inside upper and lower covers (ff. 1, 394). La Cronica General de España (tercera parte) Bought by the British Museum, using the Bridgewater fund (£12,000 bequeathed

• Full border with coats of arms of Anne of Brittany and the initial 'A'., Chronicles of the Dukes and Princes of Brittany (Le livre des croniques des roys, ducs et princes de Bretaigne)

arms, crowned and surrounded by a cordelière (f. 1); the text is dedicated to her as queen of France (f. 1).The library at Château d’Anet, with the usual mark, partially trimmed (f. 1, left-hand upper margin).Louis Henri de Loménie (index

• Historiated initial 'E'(dwardus) with a bishop kneeling before king Edward III, combined with a foliate bar border., Registrum brevium

Historiated initial 'E'(dwardus) with a bishop kneeling before king Edward III, combined with a foliate bar border. f. 1* is a parchment flyleaf with various added inscriptions.Including a list of contents (ff. 1-10) followed by an added alphabetical index

• Initial 'L'(ocutus) with floral penwork decoration and pen-flourishing including the head of a grotesque at the beginning of Augustine's 'De disciplina christiana'., Theological miscellany

penwork decoration often including foliate forms, occasionally with pen-flourishing (ff. 1, 9, 11v, 12v, 31, 53, 57v, 80). 1 puzzle initial in red and blue with pen-flourishing (f. 61v). 1 simple initial in blue with pen-flourishing in red (f. 60).

• Puzzle initial 'O'(riens) with foliate motifs at the beginning of the 'Liber sancti Gilberti'., The Book of St Gilbert

Puzzle initial 'O'(riens) with foliate motifs at the beginning of the 'Liber sancti Gilberti'. Erased inscriptions (ff. 1, 129v); catchwords.Crossed tironian ets. 1 large and framed puzzle initial in red, blue and brown, with foliate motifs on a coloured ground

• Decorated initial 'A'(monge) and flourished initial 'I'(n), at the beginning of the Treatise on the Love of God and Man., Treatise on the Love of God and Man (ends imperfectly)

of the Treatise on the Love of God and Man. 1 large initial in gold on a red and blue ground, with foliate extensions into the margins (f. 2). Smaller initials in blue with red foliate pen-flourishing. Decorated catchwords. Treatise