• null, Breviary, Use of Sarum with Norwich variants ('The Stowe Breviary')

borders, in colours and gold. Small initials in blue with red foliate pen-flourishing, some including human heads or grotesque figures. 1 marginal drawing of a grotesque figure, in brown ink (f. 68). Breviary, Use of Sarum with Norwich variants ('The

• Detail of a decorated rubric, held by putti, at the beginning of the Hours of the Virgin., Book of Hours, Use of Rome ('The Hours of Dionora of Urbino') (Eleonora Gonzaga della Rovere)

Detail of a decorated rubric, held by putti, at the beginning of the Hours of the Virgin. Alexander 1985 notes that Matteo Contugi of Volterra wrote several manuscripts for Federico da Montefeltro (d. 1482) in arguing that the present

• Detail of an historiated initial 'D'(omine) of the Annunciation, at the beginning of the Hours of the Virgin., Book of Hours, Use of Rome ('The Hours of Dionora of Urbino') (Eleonora Gonzaga della Rovere)

Detail of an historiated initial 'D'(omine) of the Annunciation, at the beginning of the Hours of the Virgin. Alexander 1985 notes that Matteo Contugi of Volterra wrote several manuscripts for Federico da Montefeltro (d. 1482) in arguing that the

• Detail of the lower section of the scatter border with heraldry, at the beginning of the Hours of the Virgin., Book of Hours, Use of Rome ('The Hours of Dionora of Urbino') (Eleonora Gonzaga della Rovere)

Detail of the lower section of the scatter border with heraldry, at the beginning of the Hours of the Virgin. Alexander 1985 notes that Matteo Contugi of Volterra wrote several manuscripts for Federico da Montefeltro (d. 1482) in arguing

• Detail of illuminated initials 'KL', at the beginning of September in the Calendar., Book of Hours, Use of Rome ('The Hours of Dionora of Urbino') (Eleonora Gonzaga della Rovere)

Detail of illuminated initials 'KL', at the beginning of September in the Calendar. Alexander 1985 notes that Matteo Contugi of Volterra wrote several manuscripts for Federico da Montefeltro (d. 1482) in arguing that the present manuscript was written c.

• Detail of an historiated initial 'V' of Godfrey of Bouillon and his train setting out on horseback., Histoire d'Outremer, continued to 1232

75, 82v, 90, 99v, 109v, 120, 132, 143, 152v, 161, 173v, 188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing

• Detail of an historiated initial 'S'(i cum) of Godfrey of Bouillon being created the Lord of the city., Histoire d'Outremer, continued to 1232

75, 82v, 90, 99v, 109v, 120, 132, 143, 152v, 161, 173v, 188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing

• Detail of an historiated initial 'E'(stez) with Bohemund and Daimbert, Patriarch of Jerusalem, sailing for Apulia, in a ship flying the cross of St George., Histoire d'Outremer, continued to 1232

75, 82v, 90, 99v, 109v, 120, 132, 143, 152v, 161, 173v, 188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing

• Detail of an historiated initial 'X'(erses) of Ebremars, the Archbishop of Caesarea, bringing the True Cross to Antioch., Histoire d'Outremer, continued to 1232

75, 82v, 90, 99v, 109v, 120, 132, 143, 152v, 161, 173v, 188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing

• Detail of an historiated initial 'F' of the assault on Tyre, and Balac's severed head being held aloft., Histoire d'Outremer, continued to 1232

75, 82v, 90, 99v, 109v, 120, 132, 143, 152v, 161, 173v, 188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing

• Detail of an historiated initial 'N' of the death of Sanguius, who is beign murdered by his chamberlains., Histoire d'Outremer, continued to 1232

75, 82v, 90, 99v, 109v, 120, 132, 143, 152v, 161, 173v, 188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing

• Detail of an historiated initial 'C'(ourars) of a battle between Imperial knights and Saracen cavalry., Histoire d'Outremer, continued to 1232

75, 82v, 90, 99v, 109v, 120, 132, 143, 152v, 161, 173v, 188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing

• Detail of an historiated initial 'O'(rous) of the Patriarch of Antioch being bound to a tower and smeared with honey to attract bees., Histoire d'Outremer, continued to 1232

75, 82v, 90, 99v, 109v, 120, 132, 143, 152v, 161, 173v, 188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing

• Detail of a section of the scatter border with gems, flowers, strawberries, blue tit, bullfinch, and a roundel containing John the Baptist, at the beginning of the Hours of the Virgin., Book of Hours, Use of Rome ('The Hours of Dionora of Urbino') (Eleonora Gonzaga della Rovere)

Detail of a section of the scatter border with gems, flowers, strawberries, blue tit, bullfinch, and a roundel containing John the Baptist, at the beginning of the Hours of the Virgin. Alexander 1985 notes that Matteo Contugi of Volterra

• Detail of an historiated initial 'D'(ilexi) with a woman (Duchess Dionora?) with a skull for a face admiring herself in a hand mirror, and a partial scatter border with gems and flowers, at the beginning of the Office of the Dead., Book of Hours, Use of Rome ('The Hours of Dionora of Urbino') (Eleonora Gonzaga della Rovere)

Detail of an historiated initial 'D'(ilexi) with a woman (Duchess Dionora?) with a skull for a face admiring herself in a hand mirror, and a partial scatter border with gems and flowers, at the beginning of the Office of

• Detail of an historiated initial 'D'(omine) with David, and partial scatter border with gems, fruit, and flowers, at the beginning of the Penitential Psalms., Book of Hours, Use of Rome ('The Hours of Dionora of Urbino') (Eleonora Gonzaga della Rovere)

Detail of an historiated initial 'D'(omine) with David, and partial scatter border with gems, fruit, and flowers, at the beginning of the Penitential Psalms. Alexander 1985 notes that Matteo Contugi of Volterra wrote several manuscripts for Federico da Montefeltro

• Detail of an historiated initial 'D'(eus) with Jerome blessing, and a portion of the scatter border including a cameo gem containing the Crucifixion of Christ, at the beginning of Sext in the Hours of the Virgin., Book of Hours, Use of Rome ('The Hours of Dionora of Urbino') (Eleonora Gonzaga della Rovere)

Detail of an historiated initial 'D'(eus) with Jerome blessing, and a portion of the scatter border including a cameo gem containing the Crucifixion of Christ, at the beginning of Sext in the Hours of the Virgin. Alexander 1985 notes

• Text page in Arabic Naskhi script., Fragments from Exodus (1:1-8:5)

2v, 3). Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from him on 8

• Flyleaf, verso side., Fragments from Exodus (1:1-8:5)

Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from him on 8 July 1882:

• Carpet pages., Fragments from Exodus (1:1-8:5)

Numerous space fillers in colours and gold. Fragments from Exodus (1:1-8:5) K. B. No. 1: inscribed (f. 1).Moses Wilhelm Shapira (b. 1830, d. 1884), a antiquities dealer of Jerusalem: purchased by the British Museum from him on 8 July 1882: