• Two decorated initial-word panels in foliate frames., Haggadah for Passover (the 'Hispano-Moresque Haggadah')

and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical band with

• Two decorated initial-word panels in foliate frames., Haggadah for Passover (the 'Hispano-Moresque Haggadah')

and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical band with

• Two decorated initial-word panels and foliate frame., Haggadah for Passover (the 'Hispano-Moresque Haggadah')

and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical band with

• Decorated initial-word panels in foliate frame: ~Hakham~ (Wise Son) and ~Rasha~ ( Wicked Son)., Haggadah for Passover (the 'Hispano-Moresque Haggadah')

(ff. 62v-93v), and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical

• Decorated initial-word panel, at the beginning of the passage 'Rabbi Eliezer ben Azaryah said'., Haggadah for Passover (the 'Hispano-Moresque Haggadah')

(ff. 62v-93v), and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical

• Decorated initial-word panel ~Avadim~ (slaves) at the beginning of the passage, 'We were Pharaoh's slaves'., Haggadah for Passover (the 'Hispano-Moresque Haggadah')

(ff. 62v-93v), and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical

• Marginal drawing of the standard used at the Battle of the Standard, with an inscription reading 'Standard'., Chronica; Tractatus de legibus et consuetudinibus regum Angliae, and other texts

Battle of the Standard in red, green, and blue ink (f. 88), and of a red star (f. 100), and 1 drawing in black and red ink of a seal of William, king of Sicily (f. 160v). Initials in red

• Drawing of a dragon, with a tree growing out of its chest., Collectanea de Lapide Philosophiae

Numerous large and small ink drawings mostly with washes in colours (ff. 1, 2, 2v, 4, 4v, 5, 6, 6v, 7, 7v, 8, 8v, 9, 10, 11, 11v, 12, 12v, 13, 13v, 14, 15, 16v, 17, 18v, 19, 19v-20, 20v,

• Drawing of a crowned salamander or dragon., Collectanea de Lapide Philosophiae

and small ink drawings mostly with washes in colours (ff. 1, 2, 2v, 4, 4v, 5, 6, 6v, 7, 7v, 8, 8v, 9, 10, 11, 11v, 12, 12v, 13, 13v, 14, 15, 16v, 17, 18v, 19, 19v-20, 20v, 21, 22,

• Drawing of a king., Collectanea de Lapide Philosophiae

ink drawings mostly with washes in colours (ff. 1, 2, 2v, 4, 4v, 5, 6, 6v, 7, 7v, 8, 8v, 9, 10, 11, 11v, 12, 12v, 13, 13v, 14, 15, 16v, 17, 18v, 19, 19v-20, 20v, 21, 22, 23, 26,

• Drawing of a bleeding dragon., Collectanea de Lapide Philosophiae

small ink drawings mostly with washes in colours (ff. 1, 2, 2v, 4, 4v, 5, 6, 6v, 7, 7v, 8, 8v, 9, 10, 11, 11v, 12, 12v, 13, 13v, 14, 15, 16v, 17, 18v, 19, 19v-20, 20v, 21, 22, 23,

• Drawings of a salamander, a frog, and rasberries., Collectanea de Lapide Philosophiae

and small ink drawings mostly with washes in colours (ff. 1, 2, 2v, 4, 4v, 5, 6, 6v, 7, 7v, 8, 8v, 9, 10, 11, 11v, 12, 12v, 13, 13v, 14, 15, 16v, 17, 18v, 19, 19v-20, 20v, 21, 22,

• Detail of a historiated initial 'S'(ub) of the Virgin and Child, at the beginning of a motet to the Virgin by Benedictus de Opitiis., Motets

notation. 1 full-page miniature in colours and gold of the Tudor rose (f. 2). 2 miniatures in colours and gold of red roses of Lancaster surrounded by couplets with music inscribed on two circular staves (ff. 2v, 3). 1 historiated

• Detail of an illuminated initial with a red rose., Motets

notation. 1 full-page miniature in colours and gold of the Tudor rose (f. 2). 2 miniatures in colours and gold of red roses of Lancaster surrounded by couplets with music inscribed on two circular staves (ff. 2v, 3). 1 historiated

• Detail of an illuminated initial 'B'(eati)., Motets

notation. 1 full-page miniature in colours and gold of the Tudor rose (f. 2). 2 miniatures in colours and gold of red roses of Lancaster surrounded by couplets with music inscribed on two circular staves (ff. 2v, 3). 1 historiated

• Miniature of the Annunciation, decorated initial 'D'(omine) and foliate borders, at the beginning of the Hours of the Virgin., Book of Hours, Use of Orléans

and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '13 die mensis Augusti, A.D. 1724.' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Miniature of the Last Judgement, decorated initial 'D'(ilexi) and foliate borders, at the beginning of the Hours of the Dead., Book of Hours, Use of Orléans

and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '13 die mensis Augusti, A.D. 1724.' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Miniature of the Virgin and Child, decorated initial 'O'(bsecro) and foliate borders, at the beginning of the prayer Obsecro te., Book of Hours, Use of Orléans

and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '13 die mensis Augusti, A.D. 1724.' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Miniature of a king, with an orb in his hand, giving instructions to a group of men, at the beginning of book 3., De la chose de la chevalerie

as 'Flauve Vegasce de la choze de cheualerie'.Catchwords and bifolium signatures. 1 two-column miniature in colours and gold, with a full border, at the beginning of the text (f. 1) . 3 one-column miniatures in colours and gold (ff. 10,

• Full-page miniature of the land of Goshen separated by God from other parts of Egypt, not struck by the plague of ~arov~ (the fourth plague), in an architectural frame (Ex. 8:18). In Christian iconography following the translation of the Vulgate, which translates ~arov~ as ~omne genus muscarum~, that is, 'all kinds of flies', the fourth plague is depicted as flies. Jewish iconography follows the rabbinical explanation of ~arov~ depicting it as various kinds of wild animals (see, e.g., the Rashi's commentary on Ex. 8:21)., Haggadah for Passover (the 'Hispano-Moresque Haggadah')

(ff. 62v-93v), and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical