• Decorated panel containing keywords of Psalm 118, in the second part of the Hallel., Haggadah for Passover (the 'Hispano-Moresque Haggadah')

(ff. 62v-93v), and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical

• Decorated initial-word panels, ~Mah~ (how, Psalm 116:12) and ~Hallelu~ (praise, Psalm 117), in the second part of the Hallel., Haggadah for Passover (the 'Hispano-Moresque Haggadah')

(ff. 62v-93v), and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical

• Decorated initial-word panels, ~YYY~ (an abbrevation of the Divine Name, Psalm 115:12) and ~Ahavti~ (I love, Psalm 116), in the second part of the Hallel., Haggadah for Passover (the 'Hispano-Moresque Haggadah')

(ff. 62v-93v), and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical

• Decorated initial-word panels in foliate frame. The upper one is ~Shefokh~ (pour out), at the introductory passage for the second part of the Hallel: 'Pour out your wrath' (Psalm 79:6); the lower one is ~Lo~ (not), at the beginning of Psalm 115: 'Not to us, Oh Lord, not to us'., Haggadah for Passover (the 'Hispano-Moresque Haggadah')

(ff. 62v-93v), and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical

• Decorated initial-word panel: ~matzah~ (unleavened bread) in foliate frame., Haggadah for Passover (the 'Hispano-Moresque Haggadah')

62v-93v), and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical band

• Decorated initial-word panels: ~ilu~, ~dayyenu~, and ~al~, at the last section of ~Dayyenu~ (It would have been enough), a thanksgiving hymn for Passover., Haggadah for Passover (the 'Hispano-Moresque Haggadah')

(ff. 62v-93v), and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical

• Two decorated initial-word panels: ~Be-otot~ (with signs) and ~Davar aher~ (another explanation), at the five explanations how God brought out the Israelites from Egypt., Haggadah for Passover (the 'Hispano-Moresque Haggadah')

(ff. 62v-93v), and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical

• Two decorated initial-word panels, ~Be-yad~ (With a mighty hand) and ~uwi-zeroa~ (And with outstreched arm), at the first and the second of the five explanations how God brought out the Israelites from Egypt., Haggadah for Passover (the 'Hispano-Moresque Haggadah')

(ff. 62v-93v), and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical

• Two decorated initial-word panels in foliate frames., Haggadah for Passover (the 'Hispano-Moresque Haggadah')

and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical band with

• Two decorated initial-word panels in foliate frames., Haggadah for Passover (the 'Hispano-Moresque Haggadah')

and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical band with

• Two decorated initial-word panels and foliate frame., Haggadah for Passover (the 'Hispano-Moresque Haggadah')

and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical band with

• Decorated initial-word panels in foliate frame: ~Hakham~ (Wise Son) and ~Rasha~ ( Wicked Son)., Haggadah for Passover (the 'Hispano-Moresque Haggadah')

(ff. 62v-93v), and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical

• Decorated initial-word panel, at the beginning of the passage 'Rabbi Eliezer ben Azaryah said'., Haggadah for Passover (the 'Hispano-Moresque Haggadah')

(ff. 62v-93v), and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical

• Decorated initial-word panel ~Avadim~ (slaves) at the beginning of the passage, 'We were Pharaoh's slaves'., Haggadah for Passover (the 'Hispano-Moresque Haggadah')

(ff. 62v-93v), and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical

• Full-page miniature of the land of Goshen separated by God from other parts of Egypt, not struck by the plague of ~arov~ (the fourth plague), in an architectural frame (Ex. 8:18). In Christian iconography following the translation of the Vulgate, which translates ~arov~ as ~omne genus muscarum~, that is, 'all kinds of flies', the fourth plague is depicted as flies. Jewish iconography follows the rabbinical explanation of ~arov~ depicting it as various kinds of wild animals (see, e.g., the Rashi's commentary on Ex. 8:21)., Haggadah for Passover (the 'Hispano-Moresque Haggadah')

(ff. 62v-93v), and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical

• Full-page miniature of the plague of ~arov~, in an architectural frame. The meaning of the Hebrew word, ~arov~, by which the fourth plague is described (E. 8:21) is not clear. In Christian iconography following the translation of the Vulgate, which translates ~arov~ as ~omne genus muscarum~, that is, 'all kinds of flies', the fourth plague is depicted as flies. Jewish iconography follows the rabbinical explanation of ~arov~ depicting it as various kinds of wild animals (see e.g. the Rashi's commentary on Ex. 8:21)., Haggadah for Passover (the 'Hispano-Moresque Haggadah')

(ff. 62v-93v), and 2 full-page miniatures at the beginning and at the end of the text of the Haggadah (ff. 1, 35v). 5 textual illustrations (ff. 9v, 20v, 21, 22, 22v). Numerous decorated initial-word panels with gold letters. Embellished vertical

• A historiated and foliate initial 'X' of the Crucifixion., Cuttings from a choir book

formerly foliated by the number of the guard on which they are mounted, as f. 1. They can be found referred to in publications by this number. To see these cuttings in the Manuscripts Reading Room order Add. 29902. Cambridge,

• A historiated initial ?'I' of Christ preaching to three men., Cuttings from a choir book

formerly foliated by the number of the guard on which they are mounted, as f. 1. They can be found referred to in publications by this number. To see these cuttings in the Manuscripts Reading Room order Add. 29902. Cambridge,

• A historiated and foliate initial 'A' with a medallion of pseudo-Oriental writing, of a saint preaching to a kneeling crowd., Cuttings from a choir book

Italian cuttings.The present cuttings were formerly foliated by the number of the guard on which they are mounted, as f. 1. They can be found referred to in publications by this number. To see these cuttings in the Manuscripts Reading

• Detail of an historiated initial 'D'(e) of the siege of Nicea., Histoire d'Outremer, continued to 1232

75, 82v, 90, 99v, 109v, 120, 132, 143, 152v, 161, 173v, 188v, 193, 204); another initial torn out from f. 1. Small initials in red with blue (and red) pen-flourishing or in blue with red (and blue) pen-flourishing. Added drawing