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and gold, of human figures, insects, birds, animals and sea-shells. Leaves from a prose treatise on the Seven Vices (f. 1) (index Cocharelli Treatise) and a verse on events from the history of Sicily in the time of Frederick II
112-13). 7 full or partial bar borders and historiated initials in colours, gold, and silver at the beginning of Psalms 1, 26, 38, 51, 68, 80, and 97 (Psalm 109 lacking), most with animals in the bas-de-page (ff. 9, 31v,
hybrids, in the calendar (ff. 2-7v). Historiated initial and 3-sided border in colours and gold at the beginning of Psalm 1 (f. 8). Historiated initials and full bar borders at the beginning of the other major Psalm divisions of 26,
hybrids, in the calendar (ff. 2-7v). Historiated initial and 3-sided border in colours and gold at the beginning of Psalm 1 (f. 8). Historiated initials and full bar borders at the beginning of the other major Psalm divisions of 26,
hybrids, in the calendar (ff. 2-7v). Historiated initial and 3-sided border in colours and gold at the beginning of Psalm 1 (f. 8). Historiated initials and full bar borders at the beginning of the other major Psalm divisions of 26,
is around 4,000 lines, and is lyrical and courtly, while the later addition is more didactic, scholarly, and pessimistic. f. 1 is a parchment flyleafMusical notation on a four-line stave, probably part of the melody of the chanson, la Bataille
is around 4,000 lines, and is lyrical and courtly, while the later addition is more didactic, scholarly, and pessimistic. f. 1 is a parchment flyleafMusical notation on a four-line stave, probably part of the melody of the chanson, la Bataille
is around 4,000 lines, and is lyrical and courtly, while the later addition is more didactic, scholarly, and pessimistic. f. 1 is a parchment flyleafMusical notation on a four-line stave, probably part of the melody of the chanson, la Bataille
is around 4,000 lines, and is lyrical and courtly, while the later addition is more didactic, scholarly, and pessimistic. f. 1 is a parchment flyleafMusical notation on a four-line stave, probably part of the melody of the chanson, la Bataille
is around 4,000 lines, and is lyrical and courtly, while the later addition is more didactic, scholarly, and pessimistic. f. 1 is a parchment flyleafMusical notation on a four-line stave, probably part of the melody of the chanson, la Bataille
is around 4,000 lines, and is lyrical and courtly, while the later addition is more didactic, scholarly, and pessimistic. f. 1 is a parchment flyleafMusical notation on a four-line stave, probably part of the melody of the chanson, la Bataille
is around 4,000 lines, and is lyrical and courtly, while the later addition is more didactic, scholarly, and pessimistic. f. 1 is a parchment flyleafMusical notation on a four-line stave, probably part of the melody of the chanson, la Bataille
is around 4,000 lines, and is lyrical and courtly, while the later addition is more didactic, scholarly, and pessimistic. f. 1 is a parchment flyleafMusical notation on a four-line stave, probably part of the melody of the chanson, la Bataille
is around 4,000 lines, and is lyrical and courtly, while the later addition is more didactic, scholarly, and pessimistic. f. 1 is a parchment flyleafMusical notation on a four-line stave, probably part of the melody of the chanson, la Bataille
is around 4,000 lines, and is lyrical and courtly, while the later addition is more didactic, scholarly, and pessimistic. f. 1 is a parchment flyleafMusical notation on a four-line stave, probably part of the melody of the chanson, la Bataille
is around 4,000 lines, and is lyrical and courtly, while the later addition is more didactic, scholarly, and pessimistic. f. 1 is a parchment flyleafMusical notation on a four-line stave, probably part of the melody of the chanson, la Bataille
112-13). 7 full or partial bar borders and historiated initials in colours, gold, and silver at the beginning of Psalms 1, 26, 38, 51, 68, 80, and 97 (Psalm 109 lacking), most with animals in the bas-de-page (ff. 9, 31v,
is around 4,000 lines, and is lyrical and courtly, while the later addition is more didactic, scholarly, and pessimistic. f. 1 is a parchment flyleafMusical notation on a four-line stave, probably part of the melody of the chanson, la Bataille
is around 4,000 lines, and is lyrical and courtly, while the later addition is more didactic, scholarly, and pessimistic. f. 1 is a parchment flyleafMusical notation on a four-line stave, probably part of the melody of the chanson, la Bataille
is around 4,000 lines, and is lyrical and courtly, while the later addition is more didactic, scholarly, and pessimistic. f. 1 is a parchment flyleafMusical notation on a four-line stave, probably part of the melody of the chanson, la Bataille