• Flourished initials., Ayenbite of Inwyt

Foliated in medieval arabic numbers from f. 13. 1 large puzzle initial in red and blue with purple and red foliate infill and pen-flourishing (f. 13). Small initials in red with purple foliate pen-flourishing or in blue with red foliate

• Decorated initials., Ayenbite of Inwyt

Foliated in medieval arabic numbers from f. 13. 1 large puzzle initial in red and blue with purple and red foliate infill and pen-flourishing (f. 13). Small initials in red with purple foliate pen-flourishing or in blue with red foliate

• Decorated initial., Ayenbite of Inwyt

Foliated in medieval arabic numbers from f. 13. 1 large puzzle initial in red and blue with purple and red foliate infill and pen-flourishing (f. 13). Small initials in red with purple foliate pen-flourishing or in blue with red foliate

• Miniature in four compartments: 1. Solomon instructing Rehoboam; 2. The Judgement of Solomon; 3. Solomon and three men; 4. Solomon setting the three sons to shoot at their father's corpse to prove their legitimacy, with a full border containing birds and two hybrids, a lion, and an ape in the bas-de-page, at the beginning of Proverbs., Bible historiale complétée moyenne (the 'Bible Historiale of John the Good')

four compartments: 1. Solomon instructing Rehoboam; 2. The Judgement of Solomon; 3. Solomon and three men; 4. Solomon setting the three sons to shoot at their father's corpse to prove their legitimacy, with a full border containing birds and two

• Pen-drawing of a zodiac man., Lectionary, with a calendar, and readings for Sundays and weekdays

Pen-drawing of a zodiac man. Only the illuminated parts are described. Pen-drawing of a zodiac man (f. 10). Large puzzle initials in red and blue. Small initials in plain red. Lectionary, with a calendar, and readings for Sundays and

• Puzzle initial 'D'(its)., Lectionary, with a calendar, and readings for Sundays and weekdays

Puzzle initial 'D'(its). Only the illuminated parts are described. Pen-drawing of a zodiac man (f. 10). Large puzzle initials in red and blue. Small initials in plain red. Lectionary, with a calendar, and readings for Sundays and weekdays Colophons

• Coloured initials., Commonitorium directivum simplicium volentium

initials in plain red, 1 with a human face in brown ink (f. 28). Paraph marks in plain red. Commonitorium directivum simplicium volentium 'Explicit commonitorium ad honorem dei omnipotentis scriptum per Johannem Arfelt de Esschenew(ege) [Eschwege an der Werra] presbyterum

• Historiated initial 'D'(ominus) of the prophet Samuel anointing David, with a hound chasing a hare in the bas-de-page., Psalter, imperfect, with calendar and hymns, Breviary (Augustinian use)

112-13). 7 full or partial bar borders and historiated initials in colours, gold, and silver at the beginning of Psalms 1, 26, 38, 51, 68, 80, and 97 (Psalm 109 lacking), most with animals in the bas-de-page (ff. 9, 31v,

• Text page with puzzle initial, decorated initial and paraphs., Religious and moral poems and a prose treatise; Manuel de Pechies (index: Péchés, Péchéz ); Le Chasteau d'Amour

bound at the end of the volume among the unfoliated flyleaves. Puzzle initials in red and blue with pen-flourishing (ff. 1, 5). Initials and paraphs in red or blue. Rubrics in red. Small capitals highilighted in red. Religious and moral

• Miniature of Diex d'Amours (God of Love) leading his army to the castle., Roman de la Rose (ff. 2-175v), la Bataille d'Annezin (a burlesque chanson in 50 alexandrines), beginning 'A l'entrée de may / quivers va a declin' (ff. 176v-177)

is around 4,000 lines, and is lyrical and courtly, while the later addition is more didactic, scholarly, and pessimistic. f. 1 is a parchment flyleafMusical notation on a four-line stave, probably part of the melody of the chanson, la Bataille

• Detail of miniature of Diex d'Amours (God of Love) leading his army to the castle., Roman de la Rose (ff. 2-175v), la Bataille d'Annezin (a burlesque chanson in 50 alexandrines), beginning 'A l'entrée de may / quivers va a declin' (ff. 176v-177)

is around 4,000 lines, and is lyrical and courtly, while the later addition is more didactic, scholarly, and pessimistic. f. 1 is a parchment flyleafMusical notation on a four-line stave, probably part of the melody of the chanson, la Bataille

• Miniature illustrating the song, 'La Bataille d'Annezin', about a pilgrim who made peace between battling Christians and Saracens., Roman de la Rose (ff. 2-175v), la Bataille d'Annezin (a burlesque chanson in 50 alexandrines), beginning 'A l'entrée de may / quivers va a declin' (ff. 176v-177)

is around 4,000 lines, and is lyrical and courtly, while the later addition is more didactic, scholarly, and pessimistic. f. 1 is a parchment flyleafMusical notation on a four-line stave, probably part of the melody of the chanson, la Bataille

• Miniature of the Dream of the Lover., Roman de la Rose (ff. 2-175v), la Bataille d'Annezin (a burlesque chanson in 50 alexandrines), beginning 'A l'entrée de may / quivers va a declin' (ff. 176v-177)

is around 4,000 lines, and is lyrical and courtly, while the later addition is more didactic, scholarly, and pessimistic. f. 1 is a parchment flyleafMusical notation on a four-line stave, probably part of the melody of the chanson, la Bataille

• Detail of a miniature of the Dream of the Lover., Roman de la Rose (ff. 2-175v), la Bataille d'Annezin (a burlesque chanson in 50 alexandrines), beginning 'A l'entrée de may / quivers va a declin' (ff. 176v-177)

is around 4,000 lines, and is lyrical and courtly, while the later addition is more didactic, scholarly, and pessimistic. f. 1 is a parchment flyleafMusical notation on a four-line stave, probably part of the melody of the chanson, la Bataille

• Miniature of Oyseuse (Idleness) encouraging the Lover to enter the Garden., Roman de la Rose (ff. 2-175v), la Bataille d'Annezin (a burlesque chanson in 50 alexandrines), beginning 'A l'entrée de may / quivers va a declin' (ff. 176v-177)

is around 4,000 lines, and is lyrical and courtly, while the later addition is more didactic, scholarly, and pessimistic. f. 1 is a parchment flyleafMusical notation on a four-line stave, probably part of the melody of the chanson, la Bataille

• Detail of a miniature of Oyseuse (Idleness) encouraging the Lover to enter the Garden., Roman de la Rose (ff. 2-175v), la Bataille d'Annezin (a burlesque chanson in 50 alexandrines), beginning 'A l'entrée de may / quivers va a declin' (ff. 176v-177)

is around 4,000 lines, and is lyrical and courtly, while the later addition is more didactic, scholarly, and pessimistic. f. 1 is a parchment flyleafMusical notation on a four-line stave, probably part of the melody of the chanson, la Bataille

• Miniature of Narcissus admiring his reflection in a fountain., Roman de la Rose (ff. 2-175v), la Bataille d'Annezin (a burlesque chanson in 50 alexandrines), beginning 'A l'entrée de may / quivers va a declin' (ff. 176v-177)

is around 4,000 lines, and is lyrical and courtly, while the later addition is more didactic, scholarly, and pessimistic. f. 1 is a parchment flyleafMusical notation on a four-line stave, probably part of the melody of the chanson, la Bataille

• Miniature illustrating the song, 'La Bataille d'Annezin', about a pilgrim who made peace between battling Christians and Saracens., Roman de la Rose (ff. 2-175v), la Bataille d'Annezin (a burlesque chanson in 50 alexandrines), beginning 'A l'entrée de may / quivers va a declin' (ff. 176v-177)

is around 4,000 lines, and is lyrical and courtly, while the later addition is more didactic, scholarly, and pessimistic. f. 1 is a parchment flyleafMusical notation on a four-line stave, probably part of the melody of the chanson, la Bataille

• Detail of a miniature of Narcissus admiring his reflection in a fountain., Roman de la Rose (ff. 2-175v), la Bataille d'Annezin (a burlesque chanson in 50 alexandrines), beginning 'A l'entrée de may / quivers va a declin' (ff. 176v-177)

is around 4,000 lines, and is lyrical and courtly, while the later addition is more didactic, scholarly, and pessimistic. f. 1 is a parchment flyleafMusical notation on a four-line stave, probably part of the melody of the chanson, la Bataille

• Folio containing a section of the song, 'La Bataille d'Annezin', about a pilgrim who made peace between battling Christians and Saracens., Roman de la Rose (ff. 2-175v), la Bataille d'Annezin (a burlesque chanson in 50 alexandrines), beginning 'A l'entrée de may / quivers va a declin' (ff. 176v-177)

is around 4,000 lines, and is lyrical and courtly, while the later addition is more didactic, scholarly, and pessimistic. f. 1 is a parchment flyleafMusical notation on a four-line stave, probably part of the melody of the chanson, la Bataille