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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

684 results from this resource . Displaying 141 to 160

2009), no. 109 [exhibition catalogue]. 1 miniature in colours and gold next to the initial for Genesis (f. 12v), 8 historiated initials in gold and colours, at the beginning of other biblical books (ff. 1, 80v, 135, 175v, 232, 285,

2009), no. 109 [exhibition catalogue]. 1 miniature in colours and gold next to the initial for Genesis (f. 12v), 8 historiated initials in gold and colours, at the beginning of other biblical books (ff. 1, 80v, 135, 175v, 232, 285,

2009), no. 109 [exhibition catalogue]. 1 miniature in colours and gold next to the initial for Genesis (f. 12v), 8 historiated initials in gold and colours, at the beginning of other biblical books (ff. 1, 80v, 135, 175v, 232, 285,

2009), no. 109 [exhibition catalogue]. 1 miniature in colours and gold next to the initial for Genesis (f. 12v), 8 historiated initials in gold and colours, at the beginning of other biblical books (ff. 1, 80v, 135, 175v, 232, 285,

2009), no. 109 [exhibition catalogue]. 1 miniature in colours and gold next to the initial for Genesis (f. 12v), 8 historiated initials in gold and colours, at the beginning of other biblical books (ff. 1, 80v, 135, 175v, 232, 285,

2009), no. 109 [exhibition catalogue]. 1 miniature in colours and gold next to the initial for Genesis (f. 12v), 8 historiated initials in gold and colours, at the beginning of other biblical books (ff. 1, 80v, 135, 175v, 232, 285,

les dernières amours d'Ovide~ (Paris- Évreux, 1861) for the French translation of the poem 'Vetula'. 1 historiated initial with Ovid holding a book (f. 1) with partial bar border in gold and colours ending in ivy tendrils. 3 large decorated

d. 1744), chaplain at Smyrna: owned in 1724, his inscription 'Bernard Mould Smyrna 1724' (f. 1); sold to Edward Harley on 28 July 1725 (f. 1; see Wright and Wright 1966; Wright 1972).The Harley Collection, formed by Robert Harley (b.

~Masorah~ in micorgraphic design at Joshua. Ruling is sometimes visible. Flesh side and hair side are distinguishable. Gilt edges. ~Masorah~ in micrographical design in the lower margins. Decorated ~parashah~ signs in mauve, red and gold. Numerous embellished bands with

194 is a later reconstruction. Deleted and rewritten section (f. 25v). Several mutilated folios. 1 carpet page with penwork decoration in colours (f. 138v). Numerous initial-word panels with penwork decoration and pen-flourishing, in red, mauve and blue ink. Numerous embellished

side are distinguishable. Folio 194 is a later reconstruction. Deleted and rewritten section (f. 25v). Several mutilated folios. 1 carpet page with penwork decoration in colours (f. 138v). Numerous initial-word panels with penwork decoration and pen-flourishing, in red, mauve and

and flesh side are distinguishable. Folio 194 is a later reconstruction. Deleted and rewritten section (f. 25v). Several mutilated folios. 1 carpet page with penwork decoration in colours (f. 138v). Numerous initial-word panels with penwork decoration and pen-flourishing, in red,

194 is a later reconstruction. Deleted and rewritten section (f. 25v). Several mutilated folios. 1 carpet page with penwork decoration in colours (f. 138v). Numerous initial-word panels with penwork decoration and pen-flourishing, in red, mauve and blue ink. Numerous embellished

196v).Prince Augustus Frederick (b. 1773, d. 1843), duke of Sussex: his armorial book-plate, inscribed (inner front cover); his sale 13 August 1844, lot 314: inscribed (f. 1), purchased by the British Museum through Thomas Thorpe bookseller for £20. Micrography Spain

~Masorah~ in micrographic design at the end of Numbers and beginning of Deuteronomy. Ruling is sometimes visible. Flesh side and hair side are distinguishable. Gilt edges. ~Masorah~ in micrographical design in the lower margins. Decorated ~parashah~ signs in mauve,

France in 1380 (f. 1).Catchwords. 34 miniatures in colours and gold with partial borders, at the beginning of books (ff. 1, 3, 4, 8v, 11v, 14v, 17v, 20, 24v, 25v, 28, 30, 32v, 39, 47, 48v, 50, 51v, 55, 58,

France in 1380 (f. 1).Catchwords. 34 miniatures in colours and gold with partial borders, at the beginning of books (ff. 1, 3, 4, 8v, 11v, 14v, 17v, 20, 24v, 25v, 28, 30, 32v, 39, 47, 48v, 50, 51v, 55, 58,

France in 1380 (f. 1).Catchwords. 34 miniatures in colours and gold with partial borders, at the beginning of books (ff. 1, 3, 4, 8v, 11v, 14v, 17v, 20, 24v, 25v, 28, 30, 32v, 39, 47, 48v, 50, 51v, 55, 58,

Cicero's Academica posteriora. Catchwords written horizontally. Inhabited initials in colours and gold (a putto holding a column (f. 1), winged putti holding a necklace with a cameo (f. 7)). Academica priora (ff. 1-6v), Academica posteriora (ff. 7-34v) The Harley Collection,

to be used for the binding (after f. 1).Catchwords written horizontally. Initial in blue with red and blue pen-flourishing (f. 1). Smaller initials in red or blue with pen-flourishing in both colours. Paraphs in red or blue. Capitals marked in

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 9 July 2024), https://www.manuscriptsonline.org/search/results?ac=f&ft=t&kw=1&sdf=1350&sdt=1351&st=140