later addition is more didactic, scholarly, and pessimistic. 1 two-column miniature, with a large decorated foliate initial and a full foliate border with bird and animals, in colours and gold (f. 1). 22 single column miniatures, accompanied by small decorated
manuscript includes only 24.Quire signatures on the first folio of each quire. 1 full-page ink drawing of Edward VI receiving the book from the author (f. 7v). 1 initial in colours and gold of a crowned Tudor rose, at the
ownership inscription in Greek (f. 168), his pressmark '9.I' (f. 1, in the lower left corner of the page), annotations in his hand throughout, notarial inscriptions 'Ego Barth[olom]eus...' (f. 1), and 'Ego Francischus...' (f. 168v). John Gibson (fl. 1720-1726), dealer;
da dio'. Italian cutting.The present leaf was originally f. 1 in an album with eighty-nine other cuttings. To see this cutting in the Manuscripts Reading Room order Add. 18196, f. 1. To see the album of cuttings order Add. 18196,
red and blue with pen-flourishing in the same colours forming a three-sided border including foliate motifs and a dragon (f. 1). Historiated initial of a bishop (probably saint Edmund) holding a mirror combined with a partial foliate bar border with
Bartolomeus de pa(n)zano(?)' (f. 6, lower right).Unidentified owner, 1469: dated inscription (f. 1).Inscription, 16th-century: 'Iohannes episcopus servuus servorum dei…' (f. 1, upper right corner).Inscription, 16th-century: 'Marie de Morel' (f. 271v).Johann Pirckheimer (b. 1440, d. 1501), son of Hans Pirckheimer, Nuremberg
Bartolomeus de pa(n)zano(?)' (f. 6, lower right).Unidentified owner, 1469: dated inscription (f. 1).Inscription, 16th-century: 'Iohannes episcopus servuus servorum dei…' (f. 1, upper right corner).Inscription, 16th-century: 'Marie de Morel' (f. 271v).Johann Pirckheimer (b. 1440, d. 1501), son of Hans Pirckheimer, Nuremberg
Bartolomeus de pa(n)zano(?)' (f. 6, lower right).Unidentified owner, 1469: dated inscription (f. 1).Inscription, 16th-century: 'Iohannes episcopus servuus servorum dei…' (f. 1, upper right corner).Inscription, 16th-century: 'Marie de Morel' (f. 271v).Johann Pirckheimer (b. 1440, d. 1501), son of Hans Pirckheimer, Nuremberg
Bartolomeus de pa(n)zano(?)' (f. 6, lower right).Unidentified owner, 1469: dated inscription (f. 1).Inscription, 16th-century: 'Iohannes episcopus servuus servorum dei…' (f. 1, upper right corner).Inscription, 16th-century: 'Marie de Morel' (f. 271v).Johann Pirckheimer (b. 1440, d. 1501), son of Hans Pirckheimer, Nuremberg
Bartolomeus de pa(n)zano(?)' (f. 6, lower right).Unidentified owner, 1469: dated inscription (f. 1).Inscription, 16th-century: 'Iohannes episcopus servuus servorum dei…' (f. 1, upper right corner).Inscription, 16th-century: 'Marie de Morel' (f. 271v).Johann Pirckheimer (b. 1440, d. 1501), son of Hans Pirckheimer, Nuremberg
Bartolomeus de pa(n)zano(?)' (f. 6, lower right).Unidentified owner, 1469: dated inscription (f. 1).Inscription, 16th-century: 'Iohannes episcopus servuus servorum dei…' (f. 1, upper right corner).Inscription, 16th-century: 'Marie de Morel' (f. 271v).Johann Pirckheimer (b. 1440, d. 1501), son of Hans Pirckheimer, Nuremberg
Bartolomeus de pa(n)zano(?)' (f. 6, lower right).Unidentified owner, 1469: dated inscription (f. 1).Inscription, 16th-century: 'Iohannes episcopus servuus servorum dei…' (f. 1, upper right corner).Inscription, 16th-century: 'Marie de Morel' (f. 271v).Johann Pirckheimer (b. 1440, d. 1501), son of Hans Pirckheimer, Nuremberg
Bartolomeus de pa(n)zano(?)' (f. 6, lower right).Unidentified owner, 1469: dated inscription (f. 1).Inscription, 16th-century: 'Iohannes episcopus servuus servorum dei…' (f. 1, upper right corner).Inscription, 16th-century: 'Marie de Morel' (f. 271v).Johann Pirckheimer (b. 1440, d. 1501), son of Hans Pirckheimer, Nuremberg
Puzzle initial 'E'(t) with pen-flourished decoration and marginal diagram at the beginning of book 3 of Geber's 'De astronomia'. Two medieval tables of contents, the first in the hand of Simon Bredon's (ff. 1*r-v).The manuscript does not include Abu'l-Husain
of Pope Innocent III (f. 8v). Partial bar border in colours and gold with hybrid creatures in the bas-de-page and 1 large initial with a coat of arms and two lions (f. 9). 7 large initials in colours and gold
of Pope Innocent III (f. 8v). Partial bar border in colours and gold with hybrid creatures in the bas-de-page and 1 large initial with a coat of arms and two lions (f. 9). 7 large initials in colours and gold
of Pope Innocent III (f. 8v). Partial bar border in colours and gold with hybrid creatures in the bas-de-page and 1 large initial with a coat of arms and two lions (f. 9). 7 large initials in colours and gold
of Pope Innocent III (f. 8v). Partial bar border in colours and gold with hybrid creatures in the bas-de-page and 1 large initial with a coat of arms and two lions (f. 9). 7 large initials in colours and gold
decoration, including daisies. This manuscript is volume 2 of 2 volumes; vol. 1 is Harley 1512. Initials with foliate decoration in colours and gold combined with foliate bar borders including daisies (ff. 7, 12, 14, 17v, 20, 23, 26, 27,
of Souls (f. 162v); the Vigil of the Dead (f. 264v); and of Souls being carried to Heaven (f. 320v). 1 miniature cut out after f. 154. Full borders in colours and gold with flowers, ivy, acanthus around the full-page