• null, De bello Judaico

the beginning of the prologue and Book 1 (ff. 4, 5v). 6 large puzzle initials in red and blue, with red and blue pen-flourishing, at the beginning of Books 2-7 (ff. 42, 72, 90, 100v, 112, 132v). De bello Judaico

• Detail of a miniature of the Agnus Dei, the lamb in glory, flanked by the symbols of the four Evangelists, with two groups of twelve Elders holding crowns below, illustrating Revelation 4:9-11., Apocalypse (Revelation)

mentioned in Yates Thompson Appendix 52-54.Glossed French prose.ff. i-iv are paper flyleaves. 1 large historiated initial, accompanied by a full foliate border, in colours and gold (f. 1). 69 large and small miniatures, in colours and gold (ff. 2 (x2),

• Detail of a miniature of an angel with red wings, holding a staff with a red cross, from Revelation 7:3., Apocalypse (Revelation)

mentioned in Yates Thompson Appendix 52-54.Glossed French prose.ff. i-iv are paper flyleaves. 1 large historiated initial, accompanied by a full foliate border, in colours and gold (f. 1). 69 large and small miniatures, in colours and gold (ff. 2 (x2),

• Detail of a miniature of a dragon and demons being cast out of heaven and falling towards the earth, from Revelation 12:7-9., Apocalypse (Revelation)

mentioned in Yates Thompson Appendix 52-54.Glossed French prose.ff. i-iv are paper flyleaves. 1 large historiated initial, accompanied by a full foliate border, in colours and gold (f. 1). 69 large and small miniatures, in colours and gold (ff. 2 (x2),

• Detail of a miniature of a dragon attacking a winged woman, from Revelation 12:13-16., Apocalypse (Revelation)

mentioned in Yates Thompson Appendix 52-54.Glossed French prose.ff. i-iv are paper flyleaves. 1 large historiated initial, accompanied by a full foliate border, in colours and gold (f. 1). 69 large and small miniatures, in colours and gold (ff. 2 (x2),

• Detail of a miniature of an angel showing John a vision of the fall of Babylon, from Revelation 18., Apocalypse (Revelation)

mentioned in Yates Thompson Appendix 52-54.Glossed French prose.ff. i-iv are paper flyleaves. 1 large historiated initial, accompanied by a full foliate border, in colours and gold (f. 1). 69 large and small miniatures, in colours and gold (ff. 2 (x2),

• Detail of a miniature of an angel standing on the sun and calling all birds to eat the flesh of men (the birds include a peacock, a hawk, a raven, a dove, a cockerel, a pelican, and an owl), from Revelation 19:17-18., Apocalypse (Revelation)

mentioned in Yates Thompson Appendix 52-54.Glossed French prose.ff. i-iv are paper flyleaves. 1 large historiated initial, accompanied by a full foliate border, in colours and gold (f. 1). 69 large and small miniatures, in colours and gold (ff. 2 (x2),

• Detail of a miniature of an angel casting the beast and the false prophet into the lake of fire, from Revelation 19:20-21., Apocalypse (Revelation)

mentioned in Yates Thompson Appendix 52-54.Glossed French prose.ff. i-iv are paper flyleaves. 1 large historiated initial, accompanied by a full foliate border, in colours and gold (f. 1). 69 large and small miniatures, in colours and gold (ff. 2 (x2),

• Illuminated initial 'A'(ctum) with a partial bar border, at the beginning of book 10., Commentary on Unum ex quatuor

and St. Egwin, Evesham, given by him to the abbey of Evesham on 28th August, 1458: inscribed 'Monasterij Eweshamie' (f. 1), 'Liber Monasterij Eweshamie' (f. 471v), and 'Notingham sup[er] ev[a]ngelia ex dono Reverendissi[m]i Patris do[m]pni Joh[ann]is Wykwon Abb[at]is / Mon[asteri]

• Detail of a miniature of Charles V of France receiving the book from the author, at the beginning of book 1., Le Songe du Vergier

(e.g., f. 57v) 1 full-page miniature in colours and gold of a debate between a churchman and a knight, preceding the text (f. 1v). 2 two-column miniatures in colours and gold, at the beginning of books 1 and 2 (ff.

• Miniature of Charles V of France receiving the book from the author, and a foliate initial 'A'(udite) with a full border and a shield bearing the royal arms of France flanked by two lions, at the beginning of book 1., Le Songe du Vergier

(e.g., f. 57v) 1 full-page miniature in colours and gold of a debate between a churchman and a knight, preceding the text (f. 1v). 2 two-column miniatures in colours and gold, at the beginning of books 1 and 2 (ff.

• Miniature divided in four compartments: 1. Coronation of the Virgin; 2. Male saints in two groups; 3. Female saints in two groups; 4. The Last Judgement; with a full border and a foliate initial 'L'(avenement), at the beginning of the text., Legenda aurea

in four compartments: 1. Coronation of the Virgin; 2. Male saints in two groups; 3. Female saints in two groups; 4. The Last Judgement; with a full border and a foliate initial 'L'(avenement), at the beginning of the text. Contains

• Detail of a miniature divided in four compartments: 1. Coronation of the Virgin; 2. Male saints in two groups; 3. Female saints in two groups; 4. The Last Judgement; with a full border and a foliate initial 'L'(avenement), at the beginning of the text., Legenda aurea

divided in four compartments: 1. Coronation of the Virgin; 2. Male saints in two groups; 3. Female saints in two groups; 4. The Last Judgement; with a full border and a foliate initial 'L'(avenement), at the beginning of the text.

• null, Epigrammata ex sententiis S. Augustini, prefatory poem, and poema coniugis ad uxorem, Poems (ff. 1; 22-23v)

p(ro)sp(er). Glosati’ in a formal script (f. 1, upper margin). Small red initials, some decorated with simple patterns. Epigrammata ex sententiis S. Augustini, prefatory poem, and poema coniugis ad uxorem, Poems (ff. 1; 22-23v) The Cistercian abbey of St. Mary,

• null, Epigrammata ex sententiis S. Augustini, prefatory poem, and poema coniugis ad uxorem, Poems (ff. 1; 22-23v)

p(ro)sp(er). Glosati’ in a formal script (f. 1, upper margin). Small red initials, some decorated with simple patterns. Epigrammata ex sententiis S. Augustini, prefatory poem, and poema coniugis ad uxorem, Poems (ff. 1; 22-23v) The Cistercian abbey of St. Mary,

• Text page with a marginal note by Humfrey, duke of Gloucester., De administratione principium (Le livre de l'information des princes)

of Gloucester. Catchwords and bifolium signatures. Numerous pointing hand (maniculae). 1 miniature in colours and gold of a king enthroned in council, with a full border and a foliate initial in colours and gold, at the beginning of the prologue

• Initial 'N'(ow) with pen-flourished decoration., 'Handlyng Synne' (f. 1); 'Medytacyouns of the soper of oure Lorde' (ff. 84-91v); King Robert's romance in couplets (ff. 92-95)

with penwork decoration in purple (ff. 1, 20v, 57, 63, 75). Initials in blue with pen-flourished decoration in red. Rubrics and marking of verse couplets in red. Initials highlighted in red. 'Handlyng Synne' (f. 1); 'Medytacyouns of the soper of

• Historiated initial 'R'(egnante) with Christ and a dragon., Excerpts from the Textus Roffensis (facsimile on parchment)

Rochester; bearing the date 4 kal. Maias, indictione 7 (see Harley Catalogue). 1 large hisitoriated initial 'R'(egnante) with Christ and a dragon. Display script in various colours (ff. 1, 8). Large plain initials in various colours (ff. 2, 4v, 6).

• Puzzle initial 'A'(pocalipsis), in Haimo Halberstatensis's In Apocalypsim., In Apocalypsim (ff. 1-106), In Cantica Canticorum (ff. 107-135v)

Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XV.8.5’, inside upper cover).Purchased by the British Museum from the Royal Society of

• Puzzle initial 'P'(ost) with human head, in Haimo Halberstatensis's In Apocalypsim., In Apocalypsim (ff. 1-106), In Cantica Canticorum (ff. 107-135v)

Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XV.8.5’, inside upper cover).Purchased by the British Museum from the Royal Society of