Abbates exempti Monasterii Sancti Albani', and '. . . a domino Thomas: Ramryge: abbas: monasterii: Sancti: Albani R. Blakene[s?]' (f. 1) (Ramryge was abbot 1492-1521).English 16th-century inscription 'By me Thomas marles [his?] bocke witnes by Edward Stretcham by Robarte hatene(?),
in the empty bowl of the initials. Empty spaces for initials filled with 2 sketches of initials (ff. 230, 230v). 1 large initial in red with brown penwork decoration (f. 8). Large initials in red or blue with red foliate
lat. 1196, Longleat House 24, and Oxford, Bodleian Library, Bodl. Auct. F. inf. 1.1, associated with John Whetehamstede, abbot of St. Albans.Catchwords and bifolium signatures. 1 miniature in colours and gold, of the author preaching, with a full border,
lat. 1196, Longleat House 24, and Oxford, Bodleian Library, Bodl. Auct. F. inf. 1.1, associated with John Whetehamstede, abbot of St. Albans.Catchwords and bifolium signatures. 1 miniature in colours and gold, of the author preaching, with a full border,
lat. 1196, Longleat House 24, and Oxford, Bodleian Library, Bodl. Auct. F. inf. 1.1, associated with John Whetehamstede, abbot of St. Albans.Catchwords and bifolium signatures. 1 miniature in colours and gold, of the author preaching, with a full border,
badges of a portcullis adopted by Henry VIII and the Tudor rose, with Katherine's badge of a pomegranate (ff. 2v-3).[f. 1 only: Henry Fitzalan, 12th earl of Arundel (b. 1512, d. 1580), magnate, or his father William Fitzalan, 11th earl
badges of a portcullis adopted by Henry VIII and the Tudor rose, with Katherine's badge of a pomegranate (ff. 2v-3).[f. 1 only: Henry Fitzalan, 12th earl of Arundel (b. 1512, d. 1580), magnate, or his father William Fitzalan, 11th earl
Polyphonic Music, 11th - Early 14th Century~, p. 497.Jacques Dogimon: 16th- century: inscription 'Iste liber pertinet ad iacobum Dogimona' (f. 1); 'Jacobus Dogimon me possidet . . . [followed by several effaced words]' (f. 1v).Jehan Perthuis de Hacquemere: see ~Manuscripts
Polyphonic Music, 11th - Early 14th Century~, p. 497.Jacques Dogimon: 16th- century: inscription 'Iste liber pertinet ad iacobum Dogimona' (f. 1); 'Jacobus Dogimon me possidet . . . [followed by several effaced words]' (f. 1v).Jehan Perthuis de Hacquemere: see ~Manuscripts
Polyphonic Music, 11th - Early 14th Century~, p. 497.Jacques Dogimon: 16th- century: inscription 'Iste liber pertinet ad iacobum Dogimona' (f. 1); 'Jacobus Dogimon me possidet . . . [followed by several effaced words]' (f. 1v).Jehan Perthuis de Hacquemere: see ~Manuscripts
Polyphonic Music, 11th - Early 14th Century~, p. 497.Jacques Dogimon: 16th- century: inscription 'Iste liber pertinet ad iacobum Dogimona' (f. 1); 'Jacobus Dogimon me possidet . . . [followed by several effaced words]' (f. 1v).Jehan Perthuis de Hacquemere: see ~Manuscripts
Polyphonic Music, 11th - Early 14th Century~, p. 497.Jacques Dogimon: 16th- century: inscription 'Iste liber pertinet ad iacobum Dogimona' (f. 1); 'Jacobus Dogimon me possidet . . . [followed by several effaced words]' (f. 1v).Jehan Perthuis de Hacquemere: see ~Manuscripts
Polyphonic Music, 11th - Early 14th Century~, p. 497.Jacques Dogimon: 16th- century: inscription 'Iste liber pertinet ad iacobum Dogimona' (f. 1); 'Jacobus Dogimon me possidet . . . [followed by several effaced words]' (f. 1v).Jehan Perthuis de Hacquemere: see ~Manuscripts