• Miniature of Christine writing her book; on the right, an armed female., Le livre des faits d'armes et de chevalerie

Miniature of Christine writing her book; on the right, an armed female. 4 large miniatures with large decorated initials and full foliate borders, in colours and gold (ff. 3, 41, 71, 95). Large initials in gold on red and/or

• Text; miniature of a judgement scene at the beginning of book 4, as a man is being put into prison., Le livre des faits d'armes et de chevalerie

Text; miniature of a judgement scene at the beginning of book 4, as a man is being put into prison. 4 large miniatures with large decorated initials and full foliate borders, in colours and gold (ff. 3, 41, 71,

• White vine initial 'C'(rotoniate)., De inventione (index Rhetorica); Rhetorica ad Herennium (index De ratione dicendi ad Herennium)

vine initials in blue, yellow, and gold; some damaged (ff. 1, 44v, 95, 107v, 131, 148v ). Smaller initials in blue and red. De inventione (index Rhetorica); Rhetorica ad Herennium (index De ratione dicendi ad Herennium) Luigi Piero Guicciardini, son

• Detail of a miniature of Christine writing her book; on the right, an armed female., Le livre des faits d'armes et de chevalerie

Detail of a miniature of Christine writing her book; on the right, an armed female. 4 large miniatures with large decorated initials and full foliate borders, in colours and gold (ff. 3, 41, 71, 95). Large initials in gold

• Detail of a miniature of a king and bishop with soldiers., Le livre des faits d'armes et de chevalerie

Detail of a miniature of a king and bishop with soldiers. 4 large miniatures with large decorated initials and full foliate borders, in colours and gold (ff. 3, 41, 71, 95). Large initials in gold on red and/or blue

• Text; miniature of a judgement scene at the beginning of book 4, as a man is being put into prison., Le livre des faits d'armes et de chevalerie

Text; miniature of a judgement scene at the beginning of book 4, as a man is being put into prison. 4 large miniatures with large decorated initials and full foliate borders, in colours and gold (ff. 3, 41, 71,

• Historiated initial 'D' or 'O' of Christ Disputing with the Merchants. The robe of the figure to the right is inscribed 'A. P. S. VITV. SI?S'., Cutting from an Antiphoner (index antiphonary, antiphonal)

M558D; and Private collection (formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Palladino, 2003, cat. no. 52b)). 1 historiated initial 'D' or 'O' in colours and gold, of Christ Disputing with the Merchants. One four-line red stave

• Illuminated white vine initials 'C' (onfessionis) and 'M'(agnus) with a putto, bird and butterfly, on the first page of text of an extract from Augustine's Retractions (chapter 6 of book 2) as a preface to the Confessions., Confessions, Retractions (extract)

la Mare at the Bodleian Library.? Cardinal Domenico Capranica (b. 1400, d. 1458), theologian, canonist, and statesman.On ff. iv and 1 a partly erased (?) 17th century inscription: ‘71 Collegii’, possibly referring to the Collegio Capranica, Rome, which in a

• Illuminated initials, in Sedulius's Carmen paschale., Carmen paschale, and related material, including the Epistola ad Macedonium, and Hymnus I, and a list of contents

24v, for a list of contents of the composite manuscript; inscribed ‘Seduli(us) & p(ro)sp(er). Glosati’ in a formal script (f. 1, top margin; the Prosper is now Burney 344). Simple red or green initials, some decorated with the other colour

• null, Ab urbe condita; each Decade preceded by the tables attributed to Donato degli Albanzani (ff. 1-3v, 103-105v, 195-196v) (index History of Rome from its foundation)

29 miniatures, in green and yellow camaïeu with red, mostly divided into two or more compartments, accompanied by 29 large initials in colours and gold (ff. 4, 15, 26, 39, 49v, 59, 67v, 75v, 84, 93v, 106, 115, 124v,

• Detail of illluminated initials., Confessions, Retractions (extract)

la Mare at the Bodleian Library.? Cardinal Domenico Capranica (b. 1400, d. 1458), theologian, canonist, and statesman.On ff. iv and 1 a partly erased (?) 17th century inscription: ‘71 Collegii’, possibly referring to the Collegio Capranica, Rome, which in a

• Drawing of the constellation Pisces, with the stars picked out as red dots., Phaenomena (also known as the Aratea)

Drawing of the constellation Pisces, with the stars picked out as red dots. Containing Hygenius De Astronomia (ff. 1-30); Priscian, De Duodecim Signis (f. 30r-v); Abbo of Fleury, De differentia circuli et sphere (ff. 30v-32); De nominibus stellarum (ff.

• Drawing of Perseus holding Medusa's severed head, with red dots for the constellations., Phaenomena (also known as the Aratea)

Drawing of Perseus holding Medusa's severed head, with red dots for the constellations. Containing Hygenius De Astronomia (ff. 1-30); Priscian, De Duodecim Signis (f. 30r-v); Abbo of Fleury, De differentia circuli et sphere (ff. 30v-32); De nominibus stellarum (ff.

• Drawing of the constellation Capricorn, with the stars picked out as red dots., Phaenomena (also known as the Aratea)

Drawing of the constellation Capricorn, with the stars picked out as red dots. Containing Hygenius De Astronomia (ff. 1-30); Priscian, De Duodecim Signis (f. 30r-v); Abbo of Fleury, De differentia circuli et sphere (ff. 30v-32); De nominibus stellarum (ff.

• Drawing of an arrow, and of an eagle, with the constellations marked as red dots., Phaenomena (also known as the Aratea)

Drawing of an arrow, and of an eagle, with the constellations marked as red dots. Containing Hygenius De Astronomia (ff. 1-30); Priscian, De Duodecim Signis (f. 30r-v); Abbo of Fleury, De differentia circuli et sphere (ff. 30v-32); De nominibus

• Detail of drawing of the eagle, with the constellations marked as red dots., Phaenomena (also known as the Aratea)

Detail of drawing of the eagle, with the constellations marked as red dots. Containing Hygenius De Astronomia (ff. 1-30); Priscian, De Duodecim Signis (f. 30r-v); Abbo of Fleury, De differentia circuli et sphere (ff. 30v-32); De nominibus stellarum (ff.

• Drawing of Delphinus, the Dolphin, with the constellations marked as red dots., Phaenomena (also known as the Aratea)

Drawing of Delphinus, the Dolphin, with the constellations marked as red dots. Containing Hygenius De Astronomia (ff. 1-30); Priscian, De Duodecim Signis (f. 30r-v); Abbo of Fleury, De differentia circuli et sphere (ff. 30v-32); De nominibus stellarum (ff. 33-35);

• Drawing of the Hare [Lepus], with the stars marked as red dots., Phaenomena (also known as the Aratea)

Drawing of the Hare [Lepus], with the stars marked as red dots. Containing Hygenius De Astronomia (ff. 1-30); Priscian, De Duodecim Signis (f. 30r-v); Abbo of Fleury, De differentia circuli et sphere (ff. 30v-32); De nominibus stellarum (ff. 33-35);

• Drawings of the constellations Centaur (Centaurus), stretching his hand towards the Altar, holding the Beast (Fera), and below, the Hydra., Phaenomena (also known as the Aratea)

Drawings of the constellations Centaur (Centaurus), stretching his hand towards the Altar, holding the Beast (Fera), and below, the Hydra. Containing Hygenius De Astronomia (ff. 1-30); Priscian, De Duodecim Signis (f. 30r-v); Abbo of Fleury, De differentia circuli et

• Flourished initial 'I'(uri), in Bartolus de Saxoferrato's In primam partem digesti veteris., In primam partem digesti veteris

Flourished initial 'I'(uri), in Bartolus de Saxoferrato's In primam partem digesti veteris. Ff. 1-2 and ff. 266-267 are added parchment flyleaves inscribed 'Lectura Domini Bartoli super prima partis ff. Veteris mei Leonis de Lazera Legum doctoris civis padue' (f.