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- 1424 – 1426 (1974)
- 1427 – 1429 (879)
- 1430 – 1435 (1682)
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British Library Catalogue of Illuminated Manuscripts
with pen-flourishing in blue or red, and large initials in red or blue with pen-flourishing in blue or red, or 1 puzzle initial in red and blue with pen-flourishing in blue and red (ff. 3, 31 [puzzle initial], 71, 97v,
with pen-flourishing in blue or red, and large initials in red or blue with pen-flourishing in blue or red, or 1 puzzle initial in red and blue with pen-flourishing in blue and red (ff. 3, 31 [puzzle initial], 71, 97v,
in the lower margin, a circlet of vines in gold, framing a coat of arms that has been effaced (f. 1). Very large white vine initials in colours and gold (ff. 24v, 44v, 63v, 80, 103, 119v, 138, 158, 186,
4 vols (Amsterdam: Paper Publications Society, 1968), no. 15865, att. Prato 1427, Pistoia, Fabriano 1430). 1 initial in gold and colours with foliate decoration (f. 1). 3 large blue initials with red penwork decoration (f. 26, 104v, 137). Numerous alternating
[inceptus est liber] ?' (f. 1): see Cohen-Mushlin 1990.The Augustinian monastery of St Mary, outside of Worms: 17th-century inscription 'Hic liber pertinet ad Ecclesiam Beatae Mariae Virginis in Suburbio Wormatiensis', signed 'J. G.' (f. 1). J. G. might be Joannes
with pen-flourishing in blue or red, and large initials in red or blue with pen-flourishing in blue or red, or 1 puzzle initial in red and blue with pen-flourishing in blue and red (ff. 3, 31 [puzzle initial], 71, 97v,
at the beginning of his statutes. ff. 1* and 340 are parchment former pastedowns.f. 1 is blank.Leaf signatures. Quire marks in Roman numerals (on the verso of the last leaf of the quire).All historiated initials were painted by the same
at the beginning of his statutes. ff. 1* and 340 are parchment former pastedowns.f. 1 is blank.Leaf signatures. Quire marks in Roman numerals (on the verso of the last leaf of the quire).All historiated initials were painted by the same
340 are parchment former pastedowns.f. 1 is blank.Leaf signatures. Quire marks in Roman numerals (on the verso of the last leaf of the quire).All historiated initials were painted by the same artist except that of Henry IV (f. 219). It
at the beginning of his statutes. ff. 1* and 340 are parchment former pastedowns.f. 1 is blank.Leaf signatures. Quire marks in Roman numerals (on the verso of the last leaf of the quire).All historiated initials were painted by the same
border at the beginning of his statutes. ff. 1* and 340 are parchment former pastedowns.f. 1 is blank.Leaf signatures. Quire marks in Roman numerals (on the verso of the last leaf of the quire).All historiated initials were painted by the
and antiquary and of 'Jhon boyce'. In the dialect of central Staffordshire, according to Lewis and MacIntosh 1982 p. 69. 1 three-sided border of red pen-flourishing with foliate forms (f. 2). Large initials in blue with red penwork decoration and
initials, with red pen-flourishing infilled with green wash, some including dragons (characteristic of Utrecht, see Gumbert 1990) (ff. 1, 27v, 51v, 70, 73), the first accompanied by a full border of red penwork infilled with green wash, framed in blue.
68v, 69, 69v, 70 (x2)). 2 large decorated initials, with foliate extensions into the margins, in colours and gold (ff. 1, 114). Small initials in red with purple pen-flourishing or in blue with red pen-flourishing. Secreta secretorum (ff. 1-43); Il
for rubrics (e.g., ff. 103, 104). 1 large miniature in colours and gold, with a foliate initial in colours and gold and a full border, at the beginning of the text (f. 2). 1 puzzle initial in blue and red
for rubrics (e.g., ff. 103, 104). 1 large miniature in colours and gold, with a foliate initial in colours and gold and a full border, at the beginning of the text (f. 2). 1 puzzle initial in blue and red
for rubrics (e.g., ff. 103, 104). 1 large miniature in colours and gold, with a foliate initial in colours and gold and a full border, at the beginning of the text (f. 2). 1 puzzle initial in blue and red
for rubrics (e.g., ff. 103, 104). 1 large miniature in colours and gold, with a foliate initial in colours and gold and a full border, at the beginning of the text (f. 2). 1 puzzle initial in blue and red
collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley '20 die Februarij, A.D. 1724/5.' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
parchment. 6 large initials in blue or red with pen-flourishing in the other colour including foliate decoration, a face (ff. 1, 16v, 24, 30v, 51, 67v). Large initial in red containing blue penwork with reserved designs, surrounded by dark red