campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or
campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or
campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or
campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or
campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or
campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or
campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or
campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or
campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or
campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or
campaigns (Parts 1, 2, 4). The miniatures of the final stage were attributed to two artists, Gerard Horenbout (f. 148, see Kren and McKendrick 2003) and perhaps his daughter Susanna (see Backhouse 1997).Catchwords, some written on scrolls (Part 1), or
name of God). f. 1 is a parchment leaf with various pen trials and inscriptions. Two parchment fragments have been pasted onto this folio.f. 2 is inscribed, 'henricus octavus dei gracia' and bears the ownership inscription of Richard St George.2
Library, Oxford.Leaf signatures. Catchwords.Written by two scribes and decorated in different hands (change particularly noticeable from f. 91, for instance). 1 miniature in colours and gold showing Pliny writing in his study and a landscape with animals, rivers, the sea,
Library, Oxford.Leaf signatures. Catchwords.Written by two scribes and decorated in different hands (change particularly noticeable from f. 91, for instance). 1 miniature in colours and gold showing Pliny writing in his study and a landscape with animals, rivers, the sea,
Library, Oxford.Leaf signatures. Catchwords.Written by two scribes and decorated in different hands (change particularly noticeable from f. 91, for instance). 1 miniature in colours and gold showing Pliny writing in his study and a landscape with animals, rivers, the sea,
[inceptus est liber] ?' (f. 1): see Cohen-Mushlin 1990.The Augustinian monastery of St Mary, outside of Worms: 17th-century inscription 'Hic liber pertinet ad Ecclesiam Beatae Mariae Virginis in Suburbio Wormatiensis', signed 'J. G.' (f. 1). J. G. might be Joannes
Library, Oxford.Leaf signatures. Catchwords.Written by two scribes and decorated in different hands (change particularly noticeable from f. 91, for instance). 1 miniature in colours and gold showing Pliny writing in his study and a landscape with animals, rivers, the sea,
Jean Jouffroy, bishop of Arras from 1453, enclosed in a wreath with the name 'IOFRE' in the lower margin. ff. 1 and [166] are former pastedowns.Catchwords written horizontally. Leaf signatures.The translation was made between 1450-1451. White vine initial combined with
enclosed in a wreath with the name 'IOFRE', in the lower margin. ff. 1 and [166] are former pastedowns.Catchwords written horizontally. Leaf signatures.The translation was made between 1450-1451. White vine initial combined with a partial border including heraldic arms (f.
illuminated initial 'T'(aurus). ff. 8-102 + 1 unfoliated leaf and f. i are a late 16th-century paper codex in English. 3 medallions of Taurus, Libra, and Scorpio in colours and gold (ff. 2v, 4v, 5v). 7 large initials in gold