• Medallion of Scorpio and the illuminated initial 'S'(corpio)., Fragment of an astrological treatise, including a text on the use of spheres (ff. 6v-7v)

illuminated initial 'S'(corpio). ff. 8-102 + 1 unfoliated leaf and f. i are a late 16th-century paper codex in English. 3 medallions of Taurus, Libra, and Scorpio in colours and gold (ff. 2v, 4v, 5v). 7 large initials in gold

• Detail of historiated initial 'D'(as) with Micah holding a scroll at the beginning of Micah., Old Testament (volume 2), from Psalms

pink, green, yellow, purple, and gold (f. 1). 23 large historiated initials in colours and gold and sometimes silver, with foliate decoration forming a partial border at the beginning of books (ff. 1, 41, 53v, 58, 60, 69, 93v, 123v,

• null, Chronica pontificum et imperatorum, ending imperfectly

major divisions. Small initials similar but simpler. Chronica pontificum et imperatorum, ending imperfectly Medieval ownership(?) inscription in red (erased, f. 1, lower margin).Francis Bernard (bap. 1628, d. 1698), apothecary and physician: listed as his in [Edward Bernard], ~Catalogi librorum manuscriptorum

• null, Chronica pontificum et imperatorum, ending imperfectly

major divisions. Small initials similar but simpler. Chronica pontificum et imperatorum, ending imperfectly Medieval ownership(?) inscription in red (erased, f. 1, lower margin).Francis Bernard (bap. 1628, d. 1698), apothecary and physician: listed as his in [Edward Bernard], ~Catalogi librorum manuscriptorum

• Historiated initial of Daniel seated in a room with landscape in the background at the beginning of Daniel., Old Testament (volume 2), from Psalms

pink, green, yellow, purple, and gold (f. 1). 23 large historiated initials in colours and gold and sometimes silver, with foliate decoration forming a partial border at the beginning of books (ff. 1, 41, 53v, 58, 60, 69, 93v, 123v,

• Historiated initial 'U'(nd) of a boat with sailors, Jonah, and the whale, at the beginning of Jonah., Old Testament (volume 2), from Psalms

pink, green, yellow, purple, and gold (f. 1). 23 large historiated initials in colours and gold and sometimes silver, with foliate decoration forming a partial border at the beginning of books (ff. 1, 41, 53v, 58, 60, 69, 93v, 123v,

• Three-sided white vine border with initial 'S'(emper), and unidentified arms, added in ink, in the lower margin., Satires (index Saturae, Satirae)

gold with a large gold initial, and an unidentified coat of arms inserted in ink in the lower margin (1).1 large white vine initial in colours and gold (f. 73). 21 gold initials on coloured panels (ff. 4, 7v,

• White vine border with a portrait of Horace in a roundel, two putti, an unidentified coat of arms, and a large white vine initial 'M'(ecenas)., Opera

putti, and an unidentified coat of arms, with a large initial in gold, and rubrics in gold and violet (f. 1). 9 large initials in gold on coloured panels at the beginning of each book (ff. 15, 24, 40, 49,

• Decorated initials 'A'(l)' and 'N'(ondum) at the beginning of book 12 of Statius' Thebaid., Thebais (index Thebaid)

163v, the pen-flourishing extends into the margin. Smaller initials in red or blue with pen-flourishing in the other colour (f. 1 (x2)). Capitals marked with red mainly reserved for the openings with decorated initials (ff. 1-3, 14v-15, etc.). Catchword with

• Decorated initial 'Q'(ui) and white vine decoration in the border enclosing defaced arms, probably that of the Sassetti family, at the beginning of Ovid's Amores., Amores

probably that of the Sassetti family, at the beginning of Ovid's Amores. f. 1 is a parchment leaf. Ending with Ovid's epitaph (ff. 50v-51).Leaf signatures. Large initial in gold on a blue panel at the beginning of each book (ff.

• Illuminated initial 'S'(i)., Orationes in C. Verrem (index Orationes in Verrem; Oratio in Caecilium)(ff. 1-79); Orationes in Catilinam (ff. 80-97)

C, etc. Large initials in gold, outlined in black, on red and blue grounds ornamented with white filigree decoration (ff. 1, 10, 15, 30v, 54v, 80, 80v, 85 (x 2), 89, 93v). Rubrics in red. Paraphs in red or blue.

• Astonomical diagram, Calendar, Computus, Alphonsine tables, Tractatus de arte numerandi (Algorismus), and Astronomical tables

Astonomical diagram 3 unfoliated paper flyleaves after f. 1*.3 blank unfoliated leaves after f. 115. Numerous astronomical diagrams in red and/or brown ink, including one with a vovelle (f. 53v). Large initials and headings in red. 'KL' initials in

• Decorated initial 'O'(mnis homines) with leaves and flowers, and square capitals in three-colour alternation at the beginning of Sallust's Cataline Conspiracy., Catilina (ff. 1-45v), Jugurtha (ff. 45v-134)

the beginning of Sallust's Cataline Conspiracy. 2 large decorated foliate initials, in colours and gold (ff. 1, 45v). Square capitals used as display script. Catilina (ff. 1-45v), Jugurtha (ff. 45v-134) ? Written by Gaspar of Verona (b. c.1400, d. 1474),

• Miniature of the Crucifixion, and full foliate border, facing the historiated initial 'T'(e) with the Instruments of the Passion of Christ, at the beginning of the 'Te igitur' in a Missal., Missal, Use of Rome

Instruments of the Passion of Christ, at the beginning of the 'Te igitur' in a Missal. 1 large miniature, accompanied by a full foliate border, in colours and gold (f. 113v). 20 large historiated initials, in colours and gold (ff.

• Calendar page and historiated initial 'A'(d) with David, at the beginning of a Missal., Missal, Use of Rome

David, at the beginning of a Missal. 1 large miniature, accompanied by a full foliate border, in colours and gold (f. 113v). 20 large historiated initials, in colours and gold (ff. 7, 15, 20v, 114, 122, 132, 135, 141, 164,

• Historiated initial 'R'(esurrexi) with the Resurrection of Christ, in a Missal., Missal, Use of Rome

Resurrection of Christ, in a Missal. 1 large miniature, accompanied by a full foliate border, in colours and gold (f. 113v). 20 large historiated initials, in colours and gold (ff. 7, 15, 20v, 114, 122, 132, 135, 141, 164, 171,

• Detail of historiated initial., Miscellany, including Liber Hermetis de alchimia (ff. 155-157); Liber triginta verborum (ff. 164-166); De duodecim aquis (ff. 166v-167v); and De naturis colorum iuxta Aristotelem 70 preceptorum (ff. 185v-186).

no. 11798 (dated 1457 to Würzburg). 1 large red initial with a human face (f. 84). Large and small initials in red, green, blue, or brown, two decorated with patterns. Paraphs in red. Marginalia. 1 table (f. 121). Blank spaces

• Puzzle initial 'P'(aschales) below a rubric with the date 1465 in medieval arabic numerals, at the beginning of a prologue, Carmen paschale; Hymns; Psychomachia; Cathemerinon; Peristephanon; etc.

Puzzle initial 'P'(aschales) below a rubric with the date 1465 in medieval arabic numerals, at the beginning of a prologue ff. 1-3v are notes by Barthélemy Mercier (b. 1734 d. 1799), abbé de St.-Léger. Large and small puzzle initials

• null, Carmen paschale; Hymns; Psychomachia; Cathemerinon; Peristephanon; etc.

ff. 1-3v are notes by Barthélemy Mercier (b. 1734 d. 1799), abbé de St.-Léger. Large and small puzzle initials in red and blue. Carmen paschale; Hymns; Psychomachia; Cathemerinon; Peristephanon; etc. Apparently written in 1465: a rubric reads 'Prologus sedulij

• null, Commentary on the Psalms (imperfect, starting in the middle of the commentary on Psalm 9 and ending in the middle of the commentary on Psalm 146)

for Psalms 26, 38, 51, 80, 101, and 109. 1 large painted initial with acanthus leaf decoration at the beginning of Psalm 68 (f. 111), and other large and small red, blue, green, and yellow simple initials, some decorated around