• Historiated initial 'P'(rimum) of the Ascension, at the reading for Ascension Day, with partial bar borders., Epistolary of the Sainte-Chapelle, Use of Paris

in colours and gold (ff. 1, 13, 15, 84, 99v, 108v, 116v (x2)). Large puzzle initials in gold and blue, with pen-flourishing in blue (and red) and red (and blue), developing decorated extensions with fleur-de-lys, 1 developing a full border

• Puzzle initial 'F'(ratres) with pen-flourishing and decorated extension., Epistolary of the Sainte-Chapelle, Use of Paris

in colours and gold (ff. 1, 13, 15, 84, 99v, 108v, 116v (x2)). Large puzzle initials in gold and blue, with pen-flourishing in blue (and red) and red (and blue), developing decorated extensions with fleur-de-lys, 1 developing a full border

• Historiated initial 'F'(ratres) of the Resurrection of Christ, with a partial bar border, at the reading for Easter., Epistolary of the Sainte-Chapelle, Use of Paris

in colours and gold (ff. 1, 13, 15, 84, 99v, 108v, 116v (x2)). Large puzzle initials in gold and blue, with pen-flourishing in blue (and red) and red (and blue), developing decorated extensions with fleur-de-lys, 1 developing a full border

• Historiated initial 'F'(ratres) of Paul preaching to the Romans, with a full bar border, at the reading for the first Sunday in Advent, at the beginning of the Epistolary., Epistolary of the Sainte-Chapelle, Use of Paris

in colours and gold (ff. 1, 13, 15, 84, 99v, 108v, 116v (x2)). Large puzzle initials in gold and blue, with pen-flourishing in blue (and red) and red (and blue), developing decorated extensions with fleur-de-lys, 1 developing a full border

• Historiated initial 'F'(ratres) of the Trinity, at the reading for Trinity Sunday, and an historiated initial 'F'(ratres) of the Last Supper, at the reading for Corpus Christi, with partial bar borders., Epistolary of the Sainte-Chapelle, Use of Paris

in colours and gold (ff. 1, 13, 15, 84, 99v, 108v, 116v (x2)). Large puzzle initials in gold and blue, with pen-flourishing in blue (and red) and red (and blue), developing decorated extensions with fleur-de-lys, 1 developing a full border

• Miniature of a bishop's consecration with the unidentified coat of arms of a bishop in the lower border, supported by unicorns and enclosed in a wreath with the motto 'In deo est mea gloria'., Consecratio episcopi (index Bishop's consecration)

by unicorns and enclosed in a wreath with the motto 'In deo est mea gloria'. Ruling in pink ink.f. 1 is ruled but unwritten.No local saint in the litany. Miniature of the consecration of a bishop (f. 1v). Large initials

• Headpiece and decorated initial at the beginning of the text., Commentary on Plato's Phaedo (index Scholia on Plato's Phaedo)

Headpiece and decorated initial at the beginning of the text. Watermark of an angel, see C. M. Briquet, ~Les Filigranes: Dictionnaire historique des marques du papier dès leur apparition vers 1282 jusqu'en 1600~, A Facsimile of the 1907 edition

• Detail of decorated initials., Super tribus libris postremis codicis Justiniani, etc., with glosses; and other works

Detail of decorated initials. Ff. 1-24 is a separate manuscript with no illumination except paraph marks in plain red or blue, but the whole volume belonged apparently to Pirckheimer. He added a table of contents at the end (ff.

• Ink diagram of the Nativity., Chronicle of England ( the 'Anonimalle Chronicle')

chronicle in the same later hand (ff. 336-343)Religious and moral works in a 15th C hand (in two columns) (ff. 1, 344-5) Marginal ink drawings depicting events in the chronicle including: the Nativity (f. 20), the baptism of Ethelbert, the

• Genealogical diagram, ink drawing of sword and decorated initial C., Chronicle of England ( the 'Anonimalle Chronicle')

chronicle in the same later hand (ff. 336-343)Religious and moral works in a 15th C hand (in two columns) (ff. 1, 344-5) Marginal ink drawings depicting events in the chronicle including: the Nativity (f. 20), the baptism of Ethelbert, the

• Ink drawing of a castle., Chronicle of England ( the 'Anonimalle Chronicle')

chronicle in the same later hand (ff. 336-343)Religious and moral works in a 15th C hand (in two columns) (ff. 1, 344-5) Marginal ink drawings depicting events in the chronicle including: the Nativity (f. 20), the baptism of Ethelbert, the

• Ink drawing of coat of arms of Henry II with 3 lions passant gardant, crest and lion crowned and of crown and sceptre., Chronicle of England ( the 'Anonimalle Chronicle')

chronicle in the same later hand (ff. 336-343)Religious and moral works in a 15th C hand (in two columns) (ff. 1, 344-5) Marginal ink drawings depicting events in the chronicle including: the Nativity (f. 20), the baptism of Ethelbert, the

• Text page with the third and fourth chapters of the Inferno., Divina Commedia (index Divine Comedy)

Text page with the third and fourth chapters of the Inferno. Horizontal catchwords.This manuscript was made in Milan in 1469, according to unpublished notes of A. C. de la Mare at the Bodleian Library, Oxford. Marginal drawings in black

• Marginal drawings of Dante and Virgil entering Hell., Divina Commedia (index Divine Comedy)

Marginal drawings of Dante and Virgil entering Hell. Horizontal catchwords.This manuscript was made in Milan in 1469, according to unpublished notes of A. C. de la Mare at the Bodleian Library, Oxford. Marginal drawings in black ink of subjects

• Initials with pen-flourishing, in Bartolus de Saxoferrato's Super tribus libris postremis codicis Justiniani., Super tribus libris postremis codicis Justiniani, etc., with glosses; and other works

Initials with pen-flourishing, in Bartolus de Saxoferrato's Super tribus libris postremis codicis Justiniani. Ff. 1-24 is a separate manuscript with no illumination except paraph marks in plain red or blue, but the whole volume belonged apparently to Pirckheimer. He

• Flourished initials, in Angelus de Perugia's Commentary on the Novellas Constitutiones Justiniani., Super tribus libris postremis codicis Justiniani, etc., with glosses; and other works

Flourished initials, in Angelus de Perugia's Commentary on the Novellas Constitutiones Justiniani. Ff. 1-24 is a separate manuscript with no illumination except paraph marks in plain red or blue, but the whole volume belonged apparently to Pirckheimer. He added

• Flourished initials, in Angelus de Perugia's Commentary on the Novellas Constitutiones Justiniani., Super tribus libris postremis codicis Justiniani, etc., with glosses; and other works

Flourished initials, in Angelus de Perugia's Commentary on the Novellas Constitutiones Justiniani. Ff. 1-24 is a separate manuscript with no illumination except paraph marks in plain red or blue, but the whole volume belonged apparently to Pirckheimer. He added

• Detail of a historiated initial with a portrait of a famous man, at the beginning of his biography., Lives

collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘24 die Junij, A.D. 1723’ (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Text page., Lives

collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘24 die Junij, A.D. 1723’ (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime

• Decorated initial 'P'(eripoltas)., Lives

collector and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘24 die Junij, A.D. 1723’ (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime