with full borders and foliate initials in colours and gold, at the beginning of each book and the prologue (ff. 1, 7, 41v, 97v, 178, 224v, 273v, 299v, 337v, 376v, 399). Initials in gold on blue and rose grounds with
with full borders and foliate initials in colours and gold, at the beginning of each book and the prologue (ff. 1, 7, 41v, 97v, 178, 224v, 273v, 299v, 337v, 376v, 399). Initials in gold on blue and rose grounds with
with full borders and foliate initials in colours and gold, at the beginning of each book and the prologue (ff. 1, 7, 41v, 97v, 178, 224v, 273v, 299v, 337v, 376v, 399). Initials in gold on blue and rose grounds with
with full borders and foliate initials in colours and gold, at the beginning of each book and the prologue (ff. 1, 7, 41v, 97v, 178, 224v, 273v, 299v, 337v, 376v, 399). Initials in gold on blue and rose grounds with
with full borders and foliate initials in colours and gold, at the beginning of each book and the prologue (ff. 1, 7, 41v, 97v, 178, 224v, 273v, 299v, 337v, 376v, 399). Initials in gold on blue and rose grounds with
with full borders and foliate initials in colours and gold, at the beginning of each book and the prologue (ff. 1, 7, 41v, 97v, 178, 224v, 273v, 299v, 337v, 376v, 399). Initials in gold on blue and rose grounds with
beginning of Pseudo-Fenestella's Omnium deorum quos vetus. 1 large pen-drawing, partly with coloured wash (f. 2v). 1 large white-vine initial and a partial foliate border including arms, in colours and gold (f. 3). 1 large white-vine initial with foliate extensions
beginning of Ruffus Sextus's Pio perpetuo valentiniano. 1 large pen-drawing, partly with coloured wash (f. 2v). 1 large white-vine initial and a partial foliate border including arms, in colours and gold (f. 3). 1 large white-vine initial with foliate extensions
with full borders and foliate initials in colours and gold, at the beginning of each book and the prologue (ff. 1, 7, 41v, 97v, 178, 224v, 273v, 299v, 337v, 376v, 399). Initials in gold on blue and rose grounds with
the lower margin of f. 1 has been trimmed off, probably to remove a coat of arms. Partial border of white foliage on a blue ground, perhaps a later addition, with an illuminated initial (f. 1). Numerous initials in red
Pen-flourished initial 'O'(mnis). Ruled in hardpoint. 1 large initial in blue with red pen-flourishing (f. 1). Catilina (ff. 1-34v); Jugurtha (ff. 35-103) Inscribed with the shelfmark: '156.D.22' (f. 1).The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st
An effaced coat of arms on a gold ground in the lower margin (f. 1). 2 large white vine initials in colours and gold (ff. 1, 52). Incipits and explicits in red. De oratore (ff. 1-51v); Brutus (ff. 52-120v) Unidentified
is a change of scribe at f. 64; the first uses quire signatures, the second uses catchwords. 1 large zoomorphic initial (f. 7v). 1 small iniital with zoomorphic features (f. 2). Added marginal drawings, 13th century (ff. 6v, 20, 85v,
'P'(rincipio), at the beginning of the volume, and, in the upper margin, two ownership inscriptions. 1 large puzzle initial with red penwork and flourishing (f. 1). Other large intiials in blue with red pen-flourishing, or red with pink pen-flourishing. Epitome
century with a similar decorated border. 2 miniatures and foliate borders in gold and colours at the beginning of Psalms 1 and 77 (ff. 3, 93v). Simple gold headpieces. Large gold initials and gold display script (chrysography). Psalter (ff. 3-186v);
Hoepli, 1952). 1 miniature, in colours and gold, occupying the space left for a large initial, accompanied by a full inhabited border, with putti, birds, animals, etc., and heraldic arms and devices, in colours and gold (f. 1). Small white
and partial foliate border, at the beginning of Pseudo Acro's Commentaries on Horace. 1 large illuminated initial with a partial foliate border, in colours and gold (f. 1). Small initials in red or blue, with purple pen-flourishing. Commentaries on Horace
as used between 1433 and 1530 (f. 1); foliated and inscribed 'scrite 122', 15th century (f. 123; cf. Burney 159).? Mario Maffei (b. 1463, d. 1537): inscribed 'No. 325.', 18th century (f. 1; cf. Burney 144 and Burney 160, both
as used between 1433 and 1530 (f. 1); foliated and inscribed 'scrite 122', 15th century (f. 123; cf. Burney 159).? Mario Maffei (b. 1463, d. 1537): inscribed 'No. 325.', 18th century (f. 1; cf. Burney 144 and Burney 160, both
as used between 1433 and 1530 (f. 1); foliated and inscribed 'scrite 122', 15th century (f. 123; cf. Burney 159).? Mario Maffei (b. 1463, d. 1537): inscribed 'No. 325.', 18th century (f. 1; cf. Burney 144 and Burney 160, both