• Detail of puzzle initial., Bibliotheca historiarum, in the translation of Poggio Bracciolini

or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca

• Detail of historiated initial 'C'(onstitui), made of branches, set in a landscape with birds., Bibliotheca historiarum, in the translation of Poggio Bracciolini

or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca

• Detail of heraldry., Bibliotheca historiarum, in the translation of Poggio Bracciolini

or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca

• Puzzle initials 'E'(x ordine), 'D'(e excellentia) and 'I'(ncipit) with penwork decoration forming a border with human faces, animals and a blessing bishop, at the beginning of the prologues to De Concordia Evangelistarum of Zacharias of Besançon., De Concordia Evangelistarum (or Explanatio in Unum ex Quatuor)

'Liber monasterii Wygornie' 14th century (f. 1).The Old Royal Library (the English Royal Library): Westminster inventory number 'no. 1042' (f. 1), acquired by the Upper Library at Westminster after the inventory of 1542; in the catalogue of 1666, Royal Appendix

• null, Pharsalia

1 large initial with a partial foliate border, in colours and gold (f. 1). Large and small initials in blue with red flourishing, or red with purple flourishing. Pharsalia ? Palla Strozzi (d. 1462), many of whose manuscripts went to

• Puzzle initial 'P'(ostea) with pen-flourishing, at the beginning of book 4 of Diodorus Siculus's Bibliotheca historiarum., Bibliotheca historiarum, in the translation of Poggio Bracciolini

or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca

• Decorated initial., Bibliotheca historiarum, in the translation of Poggio Bracciolini

or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca

• Puzzle initial 'M'., Bibliotheca historiarum, in the translation of Poggio Bracciolini

or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca

• Puzzle initial 'C'(um)., Bibliotheca historiarum, in the translation of Poggio Bracciolini

or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca

• Puzzle initial 'S'., Bibliotheca historiarum, in the translation of Poggio Bracciolini

or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca

• Puzzle initial., Bibliotheca historiarum, in the translation of Poggio Bracciolini

or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca

• Cadels and puzzle initial., Bibliotheca historiarum, in the translation of Poggio Bracciolini

or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca

• Miniature of Cebes and an Old Man pointing to the Tabula Cebetis., Tabula Cebetis, De mortis effectibus and other poems

in colours, gold and silver (ff. 1, 3). 5 large foliate initials, in colours, gold and silver (ff. 7, 11, 14, 19, 25v). 1 smaller initial in gold on a red ground (f. 21). 1 small initial in gold on

• Miniature with allegories failed by Fortune., Tabula Cebetis, De mortis effectibus and other poems

in colours, gold and silver (ff. 1, 3). 5 large foliate initials, in colours, gold and silver (ff. 7, 11, 14, 19, 25v). 1 smaller initial in gold on a red ground (f. 21). 1 small initial in gold on

• Illuminated initial 'F'(ive) with a full border with flowers, acanthus leaves branches, the royal arms of England and a gold portcullis with chains, the heraldic badge of the Beauforts., Prologue to the Wycliffite Bible, in the later version (imperfect)

ends 'descendant in infernum viventes'.Catchwords and bifolium signatures. Some pointing hands in the margins, sometimes with annotations (e.g., f. 265). 1 initial in blue on gold ground, with a red rose, and a full border with red and white Tudor

• null, Homiliae in numeri 15-19

transferred there in 1638, with a 18th century French note regarding the manuscript’s provenance (f. ir-v), and 'No. 197' (f. 1, lower left corner).? The abbey of St-Laurence (18th century French note regarding the manuscript’s provenance, f. ir-v).Charles Burney (b.

• null, Homiliae in numeri 15-19

transferred there in 1638, with a 18th century French note regarding the manuscript’s provenance (f. ir-v), and 'No. 197' (f. 1, lower left corner).? The abbey of St-Laurence (18th century French note regarding the manuscript’s provenance, f. ir-v).Charles Burney (b.

• null, Homiliae in numeri 15-19

transferred there in 1638, with a 18th century French note regarding the manuscript’s provenance (f. ir-v), and 'No. 197' (f. 1, lower left corner).? The abbey of St-Laurence (18th century French note regarding the manuscript’s provenance, f. ir-v).Charles Burney (b.

• null, Homiliae in numeri 15-19

transferred there in 1638, with a 18th century French note regarding the manuscript’s provenance (f. ir-v), and 'No. 197' (f. 1, lower left corner).? The abbey of St-Laurence (18th century French note regarding the manuscript’s provenance, f. ir-v).Charles Burney (b.

• The arms of Thomas Wall, Windsor herald, in the right margin, the signature of Jo Starkey, in the upper margin, that of Sir Robert Cotton ('Robert Cotton Bruceaus') with the date 1610 in the lower margin., De Regimine Principum; Secrets of the Philosophers; Secretum Secretorum

by John Multon, London stationer (will of 1475): see discussion Christianson 1990.Thomas Wall, Windsor Herald, 1525: his added arms (f. 1); his name (ff. 89v-92); his record of purchase 'This boke belongyth unto T. Wall alias Wyndesor herault at armes