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Cantuarien[sis]' (f. 1).John Lumley, 1st baron Lumley (b. c. 1533, d. 1609), collector and conspirator: inscribed with his name (f. 1); listed in the 1609 catalogue of his collection, no. 38 (see ~The Lumley Library~, 1956); passed to Henry, prince
very similar to those reproduced from Venice, Marciana MS 516 in Pneumatics, Hall, pp. 121-41. Simple red foliate headpieces (f. 1, 27). Red initials, many with foliate penwork decoration. Numerous diagrams, many in combinations of ink drawings and yellow, blue
very similar to those reproduced from Venice, Marciana MS 516 in Pneumatics, Hall, pp. 121-41. Simple red foliate headpieces (f. 1, 27). Red initials, many with foliate penwork decoration. Numerous diagrams, many in combinations of ink drawings and yellow, blue
very similar to those reproduced from Venice, Marciana MS 516 in Pneumatics, Hall, pp. 121-41. Simple red foliate headpieces (f. 1, 27). Red initials, many with foliate penwork decoration. Numerous diagrams, many in combinations of ink drawings and yellow, blue
William Fleetwood [Fletewoode] (b. c.1525, d.1594), lawyer and antiquary: erased inscription of his name (ff. 3*verso and f. 129v); no. 1 of the manuscripts at Missenden abbey, the home of the Fleetwood family: see Ker 1957.18th-century ? inscription '111 A
William Fleetwood [Fletewoode] (b. c.1525, d.1594), lawyer and antiquary: erased inscription of his name (ff. 3*verso and f. 129v); no. 1 of the manuscripts at Missenden abbey, the home of the Fleetwood family: see Ker 1957.18th-century ? inscription '111 A
the prologue to the commentary on Matthew. 2 historiated initials, in colours and gold (ff. 1, 165), each accompanied by a full border, the second incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue
1757. 2 historiated initials, in colours and gold (ff. 1, 165), each accompanied by a full border, the second incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing, or red with
commentary on III John. 2 historiated initials, in colours and gold (ff. 1, 165), each accompanied by a full border, the second incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing,
Text page at the beginning of Abbo of St-Germain's ~Bella Parisiacae urbis~, book 3, with red initial and highlights. Ruled in hard-point. Glosses to Bede and Abbo. A variety of small marginal marks between ff. 1-71v; corrections and erasures
May 2006).The Opera di San Jacopo in Pistoia: inscribed by two notaries: Ser Bartolomeo da Forlì, chancellor of Pistoia (ff. 1, 135), and Franciscus Luce; 15th-century pressmark 'E.V.' (ff. 133, 191v; see Wright 1972). John Gibson (fl. 1720-1726), dealer: sold
neumes (with ~litterae significativae~), England (New Minster – Winchester), second quarter of the 11th century (f. 50-50v) 2 full-page and 1 half-page ink drawings with some colours and a wash of green, blue or red (ff. 6-7). Large and small
the readings for Christmas Day from John 1. According to Wormald 1963, the manuscript was almost certainly kept on the high altar.This manuscript was formerly Stowe 960.Added notated Exultet (f. 50-50v).Anglo-Saxon neumes (with ~litterae significativae~), England (New Minster – Winchester),
with red penwork decoration, and one in red with blue penwork decoration, and musical notation on red four-line staves (ff. 1, 2, 128, 129).Guglielmo Libri : his sale catalogue, 7 February 1864, lot 118, and 1895, lot 64, bought by
Anitphon with neumes. ff. 69-72 are fragments from the same manuscript as Stowe 1061 f. 125. Musical notation in many fragments.Mostly removed from bindings.ff. 1-21v; 24-47v; 51-57v; 61-63v; 65; 67-68v; 73 are various fragments, including of the Laws of
and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘13 die mensis Augusti, A.D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
Church calendar (ff. 2-7v).f. 1 is a 13th-century text with initials in green, red, and red with green penwork decoration.Basan also wrote Hanover, Kestner Museum MS WM XXIa 36; parts of York, Minster Lib., MS Add. 1; Additional 34890; Florence,
Church calendar (ff. 2-7v).f. 1 is a 13th-century text with initials in green, red, and red with green penwork decoration.Basan also wrote Hanover, Kestner Museum MS WM XXIa 36; parts of York, Minster Lib., MS Add. 1; Additional 34890; Florence,
Antiphon for the office of Peter and Paul, with neumes. ff. 69-72 are fragments from the same manuscript as Stowe 1061 f. 125. Musical notation in many fragments.Mostly removed from bindings.ff. 1-21v; 24-47v; 51-57v; 61-63v; 65; 67-68v; 73 are
Toledo, Prognosticon futuri saeculi, with interlinear Latin glosses and 1 Old English gloss on f. 69 (ff. 1v-79v);Aldhelm, bishop of Sherborne (c. 705-709), Aenigmata, with interlinear and marginal Latin and 75 Old English glosses (ff. 79v-103v);Caelius Firmianus Symposius, 'Enigmata Simphosii'