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on a blue ground (f. 3). Large initials in red, green, or blue, some with penwork decoration in the other colour or colours. Small initials in red or green. Text in alternating letters or words of red, blue, and green.
on a blue ground (f. 3). Large initials in red, green, or blue, some with penwork decoration in the other colour or colours. Small initials in red or green. Text in alternating letters or words of red, blue, and green.
on a blue ground (f. 3). Large initials in red, green, or blue, some with penwork decoration in the other colour or colours. Small initials in red or green. Text in alternating letters or words of red, blue, and green.
ink, red and green and some blue, with knot-work and foliate motifs, in the shape of a bird or grotesque(s) (ff. 6, 16v, 19, 69v). Large and smaller Initials in red, green or occasionally blue, some with penwork decoration including
ink, red and green and some blue, with knot-work and foliate motifs, in the shape of a bird or grotesque(s) (ff. 6, 16v, 19, 69v). Large and smaller Initials in red, green or occasionally blue, some with penwork decoration including
some charters for King Cnut. Large initials in red, green, yellow, and blue with foliate decoration (ff. 147, 162v). Large and small initials in green, red, yellow, or blue, some with simple penwork decoration, sometimes in another colour or colours.
with foliate decoration. Numerous small initials in blue with red penwork decoration or in gold with dark blue penwork. Larger initials with cadels in brown ink (f. 226v, 228v). Line-fillers in gold, blue and red ink (some with fish or
some charters for King Cnut. Large initials in red, green, yellow, and blue with foliate decoration (ff. 147, 162v). Large and small initials in green, red, yellow, or blue, some with simple penwork decoration, sometimes in another colour or colours.
in green with penwork decoration. Two large initials in red, one with penwork decoration in blue (f. 1), and one in green (f. 80). Numerous small initials in red with penwork decoration. Rubrics in red. Paraphs and capitals highlighted in
silk curtains, which have now been removed and are stored with the original covers as Egerton 809B. These covers are blue velvet over boards, with an inset painting of Bishop Blaise, Agnes and ? Anthony Abbot. 4 full-page framed miniatures
silk curtains, which have now been removed and are stored with the original covers as Egerton 809B. These covers are blue velvet over boards, with an inset painting of Bishop Blaise, Agnes and ? Anthony Abbot. 4 full-page framed miniatures
silk curtains, which have now been removed and are stored with the original covers as Egerton 809B. These covers are blue velvet over boards, with an inset painting of Bishop Blaise, Agnes and ? Anthony Abbot. 4 full-page framed miniatures
similar mis-en-page and decoration, and flyleaf notations. Full border, of red pen flourishing (f. 2). Small initials in red and blue with pen-flourishing. Similitudines Anselmi, with table of chapters Former shelfmark (?) ‘L.N.9’, ‘N° 3’ (f. i verso) and ‘B’
157) at the beginning of each Gospel. Simple headpieces and endpieces in red and sometimes brown. Large decorated initials in blue and red at the beginning of each Gospel. Small simple initials in red. Four Gospels, each preceded by a
silk curtains, which have now been removed and are stored with the original covers as Egerton 809B. These covers are blue velvet over boards, with an inset painting of Bishop Blaise, Agnes and ? Anthony Abbot. 4 full-page framed miniatures
in red, initials in red, some with penwork decoration in green, initials in purple, or/and in blue. Display script in red, green and blue (f. 52), or in red and purple (ff. 4v, 78v, 79v, 89v, 91, 94v). Chapter numbers
in red, initials in red, some with penwork decoration in green, initials in purple, or/and in blue. Display script in red, green and blue (f. 52), or in red and purple (ff. 4v, 78v, 79v, 89v, 91, 94v). Chapter numbers
of no. 498 in the same catalogue is a mistake.) Initials in red or blue with pen-flourishing in the other colour. Paraphs in red or blue. Rubrics in red in triangular shapes inserted in the text (e.g., f. 26v). Numbers
of Barking. Large outline initial in red and black on blue ground with man and hybrid creature enmeshed in foliage (f. 4). Large initial in red (now oxided) with a blue wash and foliate decoration (f. 1). Large initial in
of Barking. Large outline initial in red and black on blue ground with man and hybrid creature enmeshed in foliage (f. 4). Large initial in red (now oxided) with a blue wash and foliate decoration (f. 1). Large initial in