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Painting of a knight with a shield and spear (f. 144v). Large blue initials with red penwork decoration. Smaller initials in red. Rubrics in red. Paraphs in blue. Codex Justiniani in 9 books, with gloss (index Corpus iuris civilis) Unidentified
and 94 are parchment flyleaves; ff. 2v and 94 have 12th-century text from a missal, f. 2v with simple red, blue, or green initials; f. 93 is a parchment leaf.ae caudatas. Ampersands.This scribe also wrote Harley 4688 ff. 7 line
parchment flyleaves; ff. 2v and 94 have 12th-century text from a missal, f. 2v with simple red, blue, or green initials; f. 93 is a parchment leaf.ae caudatas. Ampersands.This scribe also wrote Harley 4688 ff. 7 line 7/8-end, and there
94 are parchment flyleaves; ff. 2v and 94 have 12th-century text from a missal, f. 2v with simple red, blue, or green initials; f. 93 is a parchment leaf.ae caudatas. Ampersands.This scribe also wrote Harley 4688 ff. 7 line 7/8-end,
and 94 are parchment flyleaves; ff. 2v and 94 have 12th-century text from a missal, f. 2v with simple red, blue, or green initials; f. 93 is a parchment leaf.ae caudatas. Ampersands.This scribe also wrote Harley 4688 ff. 7 line
94 are parchment flyleaves; ff. 2v and 94 have 12th-century text from a missal, f. 2v with simple red, blue, or green initials; f. 93 is a parchment leaf.ae caudatas. Ampersands.This scribe also wrote Harley 4688 ff. 7 line 7/8-end,
and 94 are parchment flyleaves; ff. 2v and 94 have 12th-century text from a missal, f. 2v with simple red, blue, or green initials; f. 93 is a parchment leaf.ae caudatas. Ampersands.This scribe also wrote Harley 4688 ff. 7 line
197, 197v, 198, 198v, 212). Large initials in red and blue with penwork decoration. Large initials in red, some with simple penwork decoration. Rubrics in large letters of red and blue with penwork decoration. Numbers in red. Bible (the 'Montpellier
197, 197v, 198, 198v, 212). Large initials in red and blue with penwork decoration. Large initials in red, some with simple penwork decoration. Rubrics in large letters of red and blue with penwork decoration. Numbers in red. Bible (the 'Montpellier
197, 197v, 198, 198v, 212). Large initials in red and blue with penwork decoration. Large initials in red, some with simple penwork decoration. Rubrics in large letters of red and blue with penwork decoration. Numbers in red. Bible (the 'Montpellier
197, 197v, 198, 198v, 212). Large initials in red and blue with penwork decoration. Large initials in red, some with simple penwork decoration. Rubrics in large letters of red and blue with penwork decoration. Numbers in red. Bible (the 'Montpellier
197, 197v, 198, 198v, 212). Large initials in red and blue with penwork decoration. Large initials in red, some with simple penwork decoration. Rubrics in large letters of red and blue with penwork decoration. Numbers in red. Bible (the 'Montpellier
197, 197v, 198, 198v, 212). Large initials in red and blue with penwork decoration. Large initials in red, some with simple penwork decoration. Rubrics in large letters of red and blue with penwork decoration. Numbers in red. Bible (the 'Montpellier
197, 197v, 198, 198v, 212). Large initials in red and blue with penwork decoration. Large initials in red, some with simple penwork decoration. Rubrics in large letters of red and blue with penwork decoration. Numbers in red. Bible (the 'Montpellier
unfinished, as they lack contour lines. 2 large initials, outlined in brown ink, coloured yellow and green, on a red, blue and violet ground, with foliate, rope and knotwork motifs (f. 2) and, with animal heads (f. 14v). Large initials
the manuscript. Pricking holes. Puzzle initials in red and blue at the beginning of the prologue to Genesis and at the beginning of Genesis (ff. 2, 4v). Plain initials in blue or red, many initials not added. Running titles. Bible
and the infant Christ (pasted onto f. 140). Large initials in blue or red with penwork decoration or pen-flourishing in red and/or green. Plain initials in red or blue, some large, some small. Rubrics in red. Capitals marked in red.
and the infant Christ (pasted onto f. 140). Large initials in blue or red with penwork decoration or pen-flourishing in red and/or green. Plain initials in red or blue, some large, some small. Rubrics in red. Capitals marked in red.
with entwined animals and head terminals. Large initials in red, green, yellow, purple, or blue, some with penwork decoration. Small initials in brown, green or blue. Rubrics in red. Homiliary The Benedictine abbey of St Augustine, Canterbury: liturgical evidence; corresponds
with entwined animals and head terminals. Large initials in red, green, yellow, purple, or blue, some with penwork decoration. Small initials in brown, green or blue. Rubrics in red. Homiliary The Benedictine abbey of St Augustine, Canterbury: liturgical evidence; corresponds