• Miniature of Christ in Majesty holding a sceptre and an orb, with his hand raised in blessing as the twelve apostles sit around him; below, a group of eight Jews sit on the ground, looking up and at each other. This miniature has been incorrectly bound in this volume in the 19th century; it formely belonged in the other part, La Somme le Roy, now Add. 28162., 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff. 7-28); Livres de l'estat de l'ame (ff. 28v-51v); Tractatus de tribulatione (ff. 53-82)

in colours and gold. Small initials in gold on red and blue grounds (f. 81v). Decorated line-fillers, in colours and gold (f. 81v). Paraph marks in plain red or blue. 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff.

• Illuminated initial 'L'(a), at the beginning of 'La Sainte Abbaye.', 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff. 7-28); Livres de l'estat de l'ame (ff. 28v-51v); Tractatus de tribulatione (ff. 53-82)

in colours and gold. Small initials in gold on red and blue grounds (f. 81v). Decorated line-fillers, in colours and gold (f. 81v). Paraph marks in plain red or blue. 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff.

• Illuminated initial 'V'(ous)., 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff. 7-28); Livres de l'estat de l'ame (ff. 28v-51v); Tractatus de tribulatione (ff. 53-82)

in colours and gold. Small initials in gold on red and blue grounds (f. 81v). Decorated line-fillers, in colours and gold (f. 81v). Paraph marks in plain red or blue. 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff.

• Illuminated initials 'L'(a) and 'L'(a)., 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff. 7-28); Livres de l'estat de l'ame (ff. 28v-51v); Tractatus de tribulatione (ff. 53-82)

in colours and gold. Small initials in gold on red and blue grounds (f. 81v). Decorated line-fillers, in colours and gold (f. 81v). Paraph marks in plain red or blue. 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff.

• Illuminated initials 'Q'(uant) and 'T'(ele)., 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff. 7-28); Livres de l'estat de l'ame (ff. 28v-51v); Tractatus de tribulatione (ff. 53-82)

in colours and gold. Small initials in gold on red and blue grounds (f. 81v). Decorated line-fillers, in colours and gold (f. 81v). Paraph marks in plain red or blue. 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff.

• Illuminated initial 'L'(i)., 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff. 7-28); Livres de l'estat de l'ame (ff. 28v-51v); Tractatus de tribulatione (ff. 53-82)

in colours and gold. Small initials in gold on red and blue grounds (f. 81v). Decorated line-fillers, in colours and gold (f. 81v). Paraph marks in plain red or blue. 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff.

• Illuminated initial 'T'(rois)., 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff. 7-28); Livres de l'estat de l'ame (ff. 28v-51v); Tractatus de tribulatione (ff. 53-82)

in colours and gold. Small initials in gold on red and blue grounds (f. 81v). Decorated line-fillers, in colours and gold (f. 81v). Paraph marks in plain red or blue. 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff.

• Illuminated initial 'A'., 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff. 7-28); Livres de l'estat de l'ame (ff. 28v-51v); Tractatus de tribulatione (ff. 53-82)

in colours and gold. Small initials in gold on red and blue grounds (f. 81v). Decorated line-fillers, in colours and gold (f. 81v). Paraph marks in plain red or blue. 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff.

• Illuminated initial 'L'(i)., 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff. 7-28); Livres de l'estat de l'ame (ff. 28v-51v); Tractatus de tribulatione (ff. 53-82)

in colours and gold. Small initials in gold on red and blue grounds (f. 81v). Decorated line-fillers, in colours and gold (f. 81v). Paraph marks in plain red or blue. 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff.

• Illuminated initials and line-fillers., 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff. 7-28); Livres de l'estat de l'ame (ff. 28v-51v); Tractatus de tribulatione (ff. 53-82)

in colours and gold. Small initials in gold on red and blue grounds (f. 81v). Decorated line-fillers, in colours and gold (f. 81v). Paraph marks in plain red or blue. 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff.

• Detail of a miniature divided in four compartments: a nun confessing to a monk., 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff. 7-28); Livres de l'estat de l'ame (ff. 28v-51v); Tractatus de tribulatione (ff. 53-82)

in colours and gold. Small initials in gold on red and blue grounds (f. 81v). Decorated line-fillers, in colours and gold (f. 81v). Paraph marks in plain red or blue. 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff.

• Detail of a miniature divided in four compartments: a nun praying before an image of Christ crowning the Virgin., 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff. 7-28); Livres de l'estat de l'ame (ff. 28v-51v); Tractatus de tribulatione (ff. 53-82)

in colours and gold. Small initials in gold on red and blue grounds (f. 81v). Decorated line-fillers, in colours and gold (f. 81v). Paraph marks in plain red or blue. 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff.

• Detail of a miniature divided in four compartments: a nun's vision of Christ., 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff. 7-28); Livres de l'estat de l'ame (ff. 28v-51v); Tractatus de tribulatione (ff. 53-82)

in colours and gold. Small initials in gold on red and blue grounds (f. 81v). Decorated line-fillers, in colours and gold (f. 81v). Paraph marks in plain red or blue. 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff.

• Detail of a miniature divided in four compartments: a nun's vision of the Trinity., 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff. 7-28); Livres de l'estat de l'ame (ff. 28v-51v); Tractatus de tribulatione (ff. 53-82)

in colours and gold. Small initials in gold on red and blue grounds (f. 81v). Decorated line-fillers, in colours and gold (f. 81v). Paraph marks in plain red or blue. 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff.

• Miniature of the prophet Nathan before king David., Psalms and Odes, imperfect at the end

17v, 28v, 39v, 49v, 62, 73v, 82v, 92v, 103v, 118, 129, 139, 159, 167, 178, 203v). 1 large initial in blue with red penwork decoration (f. 149). 2 headpieces in colours and gold (ff. 1, 103v). Capitals in red. Rubrics

• Headpiece in colours and gold, with a large initial 'M' in colours and gold., Psalms and Odes, imperfect at the end

17v, 28v, 39v, 49v, 62, 73v, 82v, 92v, 103v, 118, 129, 139, 159, 167, 178, 203v). 1 large initial in blue with red penwork decoration (f. 149). 2 headpieces in colours and gold (ff. 1, 103v). Capitals in red. Rubrics

• Historiated initial 'D'(ixit) with the Annunciation to the Shepherds, at the beginning of Psalm 52., Psalter (the 'Egerton Psalter'), with calendar, Office of the Dead (imperfect), litany, and prayers

with blue penwork decoration (ff. 3-8v). 1 large initial in gold on a red and blue background at the start of the Canticles (f. 104). Large and small initials in red with penwork decoration in blue, or in blue with

• Decorated initials, and line-endings in the form of animals and hybrids at the beginning of a litany., Psalter (the 'Egerton Psalter'), with calendar, Office of the Dead (imperfect), litany, and prayers

with blue penwork decoration (ff. 3-8v). 1 large initial in gold on a red and blue background at the start of the Canticles (f. 104). Large and small initials in red with penwork decoration in blue, or in blue with

• Historiated initial 'D'(ixit) with a Gnadenstuhl (Throne of Grace) Trinity, with two angels with incense on either side., Psalter (the 'Egerton Psalter'), with calendar, Office of the Dead (imperfect), litany, and prayers

with blue penwork decoration (ff. 3-8v). 1 large initial in gold on a red and blue background at the start of the Canticles (f. 104). Large and small initials in red with penwork decoration in blue, or in blue with

• Historiated initial 'B'(eatus) with David playing a harp, and the Annunciation to the Virgin below, with Gabriel holding a scroll inscribed 'Ave Maria, gratia plena, Dominus tecum', at the beginning of Psalm 1., Psalter (the 'Egerton Psalter'), with calendar, Office of the Dead (imperfect), litany, and prayers

with blue penwork decoration (ff. 3-8v). 1 large initial in gold on a red and blue background at the start of the Canticles (f. 104). Large and small initials in red with penwork decoration in blue, or in blue with