• Drawing of the marriage of Michal and Phaltiel, and a marginal drawing of a beggar., Speculum humanae salvationis, imperfect

39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal drawings in ink. Speculum humanae salvationis, imperfect Sir Hans Sloane (b. 1660,

• Drawing of the Coronation of the Virgin., Speculum humanae salvationis, imperfect

39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal drawings in ink. Speculum humanae salvationis, imperfect Sir Hans Sloane (b. 1660,

• Drawing of Christ showing wounds to God the Father., Speculum humanae salvationis, imperfect

39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal drawings in ink. Speculum humanae salvationis, imperfect Sir Hans Sloane (b. 1660,

• Drawing of the feast of Job's children., Speculum humanae salvationis, imperfect

39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal drawings in ink. Speculum humanae salvationis, imperfect Sir Hans Sloane (b. 1660,

• Drawing of the Last Supper, with Christ washing a disciple's feet below., Speculum humanae salvationis, imperfect

39r-v, 51v, 52v, 53v, 54); and 'C' of 1 miniature, of c. 1400-1410 (f. 53). Large initials in blue. Paraphs in blue. Highlighting of letters in red. Marginal drawings in ink. Speculum humanae salvationis, imperfect Sir Hans Sloane (b. 1660,

• Miniature of the Mass and decorated initial with border., Missal, Dominican use

183, 187, 193, 198). Smaller puzzle initials in gold or red and blue with pen-flourishing in blue and red. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Missal, Dominican use The calendar includes Martialis (16

• Historiated initial of a saint with border., Missal, Dominican use

183, 187, 193, 198). Smaller puzzle initials in gold or red and blue with pen-flourishing in blue and red. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Missal, Dominican use The calendar includes Martialis (16

• Miniature of Michael and the dragon, and border with dragon, at the beginning of his office., Missal, Dominican use

183, 187, 193, 198). Smaller puzzle initials in gold or red and blue with pen-flourishing in blue and red. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Missal, Dominican use The calendar includes Martialis (16

• Detail of historiated initial of Christ showing his wounds, at the beginning of the Penitential Psalms., Roll of Hours (begins imperfectly)

pen-flourishing or in blue with red pen-flourishing, those on verso with human or zoomorphic heads. 1 large puzzle-initial in red and blue with pen-flourishing in purple and red (f. 6). Small initials in plain red or blue. Line fillers decorated

• Miniature of the Crucifixion with a couple in prayer, at the beginning of the Penitential Psalms., Roll of Hours (begins imperfectly)

pen-flourishing or in blue with red pen-flourishing, those on verso with human or zoomorphic heads. 1 large puzzle-initial in red and blue with pen-flourishing in purple and red (f. 6). Small initials in plain red or blue. Line fillers decorated

• Detail of historiated initial of the Annunciation to the Shepherds, at the beginning of Terce in the Hours of the Virgin., Roll of Hours (begins imperfectly)

pen-flourishing or in blue with red pen-flourishing, those on verso with human or zoomorphic heads. 1 large puzzle-initial in red and blue with pen-flourishing in purple and red (f. 6). Small initials in plain red or blue. Line fillers decorated

• Detail of historiated initial of the Adoration of the Magi, at the beginning of Sext in the Hours of the Virgin., Roll of Hours (begins imperfectly)

pen-flourishing or in blue with red pen-flourishing, those on verso with human or zoomorphic heads. 1 large puzzle-initial in red and blue with pen-flourishing in purple and red (f. 6). Small initials in plain red or blue. Line fillers decorated

• Detail of historiated initial of the Slaughter of the Innocents, at the beginning of None in the Hours of the Virgin., Roll of Hours (begins imperfectly)

pen-flourishing or in blue with red pen-flourishing, those on verso with human or zoomorphic heads. 1 large puzzle-initial in red and blue with pen-flourishing in purple and red (f. 6). Small initials in plain red or blue. Line fillers decorated

• Detail of historiated initial of the Flight into Egypt, at the beginning of Vespers in the Hours of the Virgin., Roll of Hours (begins imperfectly)

pen-flourishing or in blue with red pen-flourishing, those on verso with human or zoomorphic heads. 1 large puzzle-initial in red and blue with pen-flourishing in purple and red (f. 6). Small initials in plain red or blue. Line fillers decorated

• Front cover and spine of the binding., Address in verse to Robert of Anjou, King of Naples, from the town of Prato in Tuscany (the 'Regia Carmina')

incorporated in them (ff. 1v, 2v, 4v-5, 6-9, 10v-13, 15, 19v-25, 27, 28v-30v). Initials in blue with red pen-flourishing or in red with purple or blue pen-flourishing. Address in verse to Robert of Anjou, King of Naples, from the town

• Miniature of the personification of Philosophy, crowned and holding a sceptre., Address in verse to Robert of Anjou, King of Naples, from the town of Prato in Tuscany (the 'Regia Carmina')

incorporated in them (ff. 1v, 2v, 4v-5, 6-9, 10v-13, 15, 19v-25, 27, 28v-30v). Initials in blue with red pen-flourishing or in red with purple or blue pen-flourishing. Address in verse to Robert of Anjou, King of Naples, from the town

• Detail of a miniature of a garden or flowery field referring to 'Prato'., Address in verse to Robert of Anjou, King of Naples, from the town of Prato in Tuscany (the 'Regia Carmina')

incorporated in them (ff. 1v, 2v, 4v-5, 6-9, 10v-13, 15, 19v-25, 27, 28v-30v). Initials in blue with red pen-flourishing or in red with purple or blue pen-flourishing. Address in verse to Robert of Anjou, King of Naples, from the town

• Detail of a miniature of a garden or flowery field referring to 'Prato'., Address in verse to Robert of Anjou, King of Naples, from the town of Prato in Tuscany (the 'Regia Carmina')

incorporated in them (ff. 1v, 2v, 4v-5, 6-9, 10v-13, 15, 19v-25, 27, 28v-30v). Initials in blue with red pen-flourishing or in red with purple or blue pen-flourishing. Address in verse to Robert of Anjou, King of Naples, from the town

• Detail of a miniature of Seraphs., Address in verse to Robert of Anjou, King of Naples, from the town of Prato in Tuscany (the 'Regia Carmina')

incorporated in them (ff. 1v, 2v, 4v-5, 6-9, 10v-13, 15, 19v-25, 27, 28v-30v). Initials in blue with red pen-flourishing or in red with purple or blue pen-flourishing. Address in verse to Robert of Anjou, King of Naples, from the town

• Detail of a miniature of Cherubs., Address in verse to Robert of Anjou, King of Naples, from the town of Prato in Tuscany (the 'Regia Carmina')

incorporated in them (ff. 1v, 2v, 4v-5, 6-9, 10v-13, 15, 19v-25, 27, 28v-30v). Initials in blue with red pen-flourishing or in red with purple or blue pen-flourishing. Address in verse to Robert of Anjou, King of Naples, from the town