• Detail of miniature of Pygmalion kissing the statue., Roman de la Rose (ff. 2-175v), la Bataille d'Annezin (a burlesque chanson in 50 alexandrines), beginning 'A l'entrée de may / quivers va a declin' (ff. 176v-177)

171). 1 miniature (extending across 2 columns) of the Battle of Annezin (f. 176v). Initials in blue with red pen-flourishing and in gold with blue pen-flourishing. Rubrics in red. Cadels. Roman de la Rose (ff. 2-175v), la Bataille d'Annezin (a

• Miniature with a dead landscape, at the beginning of Philippus Albericus's De mortis effectibus, on the facing page a brief prose letter addressed to Joachim Bretoner., Tabula Cebetis, De mortis effectibus and other poems

red ground (f. 21). 1 small initial in gold on a blue ground (f. 24). Capital letters at the beginning of a line written alternately in red or blue. Tabula Cebetis, De mortis effectibus and other poems Dedicated to Henry

• Miniature with Cebes and an Old Man pointing to the Tabula Cebetis, facing a decorated initial with a full border, at the beginning of Philippus Albericus's Tabula Cebetis. A foreigner, Cebes, enters the temple of Saturn. He sees a painted tablet, now worn by withering age, the meaning of which he was not at all able to make out. An Old Man, who was a native of the place, saw that he and his companions were uncertain about the picture. When asked by Cebes, he uncovered the meanings veiled in the figures and, taking up a pointer, he explained the whole thing in order (see Carlson 1993)., Tabula Cebetis, De mortis effectibus and other poems

red ground (f. 21). 1 small initial in gold on a blue ground (f. 24). Capital letters at the beginning of a line written alternately in red or blue. Tabula Cebetis, De mortis effectibus and other poems Dedicated to Henry

• Miniature with allegories failed by Fortune, facing a decorated initial 'A'(lter), at the beginning of the second circle of Philippus Albericus's Tabula Cebetis. Those whom Fortune has enriched beforehand lead a congenial life. Vainglory, Gluttony, and Pleasure embrace them. But when Fortune's gifts fail them, these people are immediately driven away; in order to recover their previous way of life, some take to murder, others to theft, and many to swearing falsely by the gods, for little reward. But some are shut up in a dark building, and these Sorrow, Lament, and Punishment afflict with sufferings. Whence they are lead to a glittering hall; when they have been purged of their crimes there, they are able to return to a better life. Penance batters the door with her rod and continually excites their hearts to honest deeds (see Carlson 1993)., Tabula Cebetis, De mortis effectibus and other poems

red ground (f. 21). 1 small initial in gold on a blue ground (f. 24). Capital letters at the beginning of a line written alternately in red or blue. Tabula Cebetis, De mortis effectibus and other poems Dedicated to Henry

• Miniatures of the Crucifixion and the Trinity; heraldic arms., Pontifical, Use of Sens

foliate initials with partial foliate borders, in colours and gold. Small initials and line fillers in gold on red and blue grounds. Pontifical, Use of Sens ? Guillaume de Melun, archbishop of Sens from 1346 to 1378: arms, one of

• Historiated initial; heraldic arms., Pontifical, Use of Sens

foliate initials with partial foliate borders, in colours and gold. Small initials and line fillers in gold on red and blue grounds. Pontifical, Use of Sens ? Guillaume de Melun, archbishop of Sens from 1346 to 1378: arms, one of

• Puzzle initial 'C' with pen-flourishing extending into the margin., Geoffrey's 'Historia regum Britanniae' (index Gesta Britonum, De gestis Britonum), dedicated to Robert of Gloucester (ff. 2-49), Guido's 'Historia destructionis Troiae' (index Historia troiana; History of the Trojan war; De casu Troiae; De bello troiano) (ff. 54-126), preceded by a table of contents (ff. 50-53)

occurred with consequent loss of text. Puzzle initials and plain initials with pen-flourishing extending into the border in red and blue. Initials and rubrics in red. Small initials highlighted in red. Geoffrey's 'Historia regum Britanniae' (index Gesta Britonum, De gestis

• Historiated initial., Pontifical, Use of Sens

foliate initials with partial foliate borders, in colours and gold. Small initials and line fillers in gold on red and blue grounds. Pontifical, Use of Sens ? Guillaume de Melun, archbishop of Sens from 1346 to 1378: arms, one of

• Historiated initial of monks singing and a priest kneeling before an altar., Pontifical, Use of Sens

foliate initials with partial foliate borders, in colours and gold. Small initials and line fillers in gold on red and blue grounds. Pontifical, Use of Sens ? Guillaume de Melun, archbishop of Sens from 1346 to 1378: arms, one of

• Calendar page for January, with marginal scenes, including the water carrier, Aquarius., Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• Double-page with a historiated initial 'A'(d) with a monkey standing on a dog, and full borders, in the Book of Hours., Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• Miniature of the Flight into Egypt, with an historiated initial 'D'(eus) of a mourner, and a bas-de-page scene of the Entombment of Christ, at the beginning of Vespers in the Hours of the Virgin., Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

grotesque figures, in colours and gold. Small decorated initials and line-fillers, in red, blue and gold; many line-fillers including figural decoration in colours. Written alternately in blue and gold. Book of Hours, Use of Paris ('The Hours of Yolande of