• Miniature of Adam and Eve in Paradise, at the beginning of Paulus Orosius's Histoire Ancienne., Histoire Ancienne jusqu'a César, Le Fet des Romains

and red dots for details, followed by smaller puzzle initials in gold and blue with pen-flourishing in blue and red, and decorated extensions with fleur-de-lys in gold, blue, and red (ff. 11v, 14, 17, 22, 29, 30v, 35v, 38v, 46,

• Smaller drawing from a text on the Song of Songs., Theological texts including a commentary on the Song of Songs (ff. 3-79v)

80). 5 large initials in red, blue or green, with a reserved line or penwork decoration in violet, blue, green and/or red (ff. 3, 4v, 33, 83, 91). Numerous small initials in green or blue, one in red (f. 3).

• Puzzle initial 'H'(ere) and full border., Lectionary, in the earlier Wycliffite version

1 puzzle initial in red and blue, with pen-flourishing in purple and red, extending in a full border in red and blue (f. 2). Small initials in blue with red pen-flourishing. Paraph marks in blue. Decorated catchwords. Lectionary, in the

• Initial 'P'(andere) with penwork decoration., Doctrinale (ff. 3- 62) with a commentary

very large initial in red with blue and red penwork decoration (f. 29). Large initials in red with blue penwork decoration or in blue with red penwork decoration. Smaller initials in red or blue, some with simple penwork decoration. Initials

• Foliate initial 'R'(everendo) at the beginning of the prologue; a historiated initial 'I'(mperatorie) of three heads of kings, at the beginning of the Historia Scholastica, and a foliate initial 'I'(n principio), at the beginning of the chapter 'De creatione empyrei et quatuor elementorum', with an inscription stating that the book was given to the cathedral priory of St. Andrew, Rochester by Radulphus de Stoke, and numbered III, reading 'III Per Radulphu[m] de Stoke mo[nacu]m. Li/ber histo[riarum] scolastica[rum] de claustro / Roffens[i] q[ue]m q[ui] inde alienav[er]it alienatu[m] / celav[er]it vel hu[n]c titulu[m] in fraude[m] delev[er]it / Anathema sit Amen./'., Historia scolastica

initial in red and blue (f. 144). Initials in red with blue, or red and blue pen-flourishing, or in blue with red or red and blue pen-flourishing, some initials in green with red or red and blue pen-flourishing (ff. 25-32v

• Inscription recording a pledge of the book by Thomas Wybarn, monk of Rochester, in 1468 with 3 other books, in Chichele chest, Oxford, reading 'Liber Sexti cum glossa ordinaria', ' Magister Sententiarum' [Petrus Lombardus], and 'Originalia Anselmi: 'Caucio Tho[m]e Wybarn. ...in cista de chichele a[nn]o d[omini] m cccc sexa[gesi]mo octavo / vincesimo die m[en]sis augusti...'., Historia scolastica

initial in red and blue (f. 144). Initials in red with blue, or red and blue pen-flourishing, or in blue with red or red and blue pen-flourishing, some initials in green with red or red and blue pen-flourishing (ff. 25-32v

• Penwork initial 'H'(ec) with the head of a black man wearing a mitre, at the beginning of the table of contents., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Circular design, inscribed 'Liber sancte marie virginis in monasterio Eberbacensi'., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Puzzle initial 'F'(undamentum) and three-sided border with an Agnus dei and heraldic arms, at the beginning of the prologue., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Circular design, inscribed 'Liber sancte marie virginis in monasterio Eberbacensi'., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Puzzle initial 'F'(undamentum), at the beginning of the prologue., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Part of the border with an Agnus dei, at the beginning of the prologue., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Part of the border with the arms of the Rotenhan family of Bamberg, at the beginning of the prologue., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• Penwork initial 'H'(ec) with the head of a black man wearing a mitre, at the beginning of the table of contents., Vita Christi (chapters 1-60)

the form of a large circular design, in red and blue, with pen-flourishing in red with blue and purple with red (f. 3). Three-sided border with penwork decoration, in red, blue and purple, with small circular decorations, at the beginning

• null, Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• null, Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• null, Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• null, Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• Illuminated initials., Il Canzoniere

foliate border, in colours and gold (ff. 1, 34). Smaller initials in gold on red and/or blue grounds. Paraph marks in plain red or blue. Capital letters at the beginning of each line highlighted in yellow. Attributed to Cristoforo Cortese

• Detail of historiated initial., Il Canzoniere

foliate border, in colours and gold (ff. 1, 34). Smaller initials in gold on red and/or blue grounds. Paraph marks in plain red or blue. Capital letters at the beginning of each line highlighted in yellow. Attributed to Cristoforo Cortese