alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters
alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters
alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters
foliate extensions into the margins, in colours and gold (f. 15). Smaller initials in blue with red foliate pen-flourishing including human heads. Register book of the Fraternity of Corpus Christi, York Heading 'Liber ordinacionis Fraternitatis corporis Christi fundate in Ebor
Lewis and MacIntosh 1982 p. 69. 1 three-sided border of red pen-flourishing with foliate forms (f. 2). Large initials in blue with red penwork decoration and pen-flourishing. Highlighting of letters in red. Prick of Conscience 16th-century inscriptions 'Jhon boyce' (f.
described. 1 large decorated initial, with foliate extensions into the margins, in colours and gold (f. 15). Smaller initials in blue with red foliate pen-flourishing including human heads. Register book of the Fraternity of Corpus Christi, York Heading 'Liber ordinacionis
Large simple initials in red or blue. Highlighting of letters in red. Order of preparation for a pontifical mass, imperfect f. 74v has an added 15th-century prayer.No. 360 in a 19th-century unidentified English bookseller's catalogue, identifying it as written in
7 initials in colours with foliate motifs (ff. 23v, 28, 40, 59v, 87, 98, 123v). Blue initials with red penwork decoration and red initials with blue penwork decoration. Rubrics in red. Elements (index Liber geometriae, Elementa geometriae) The Harley Collection,
at the beginning of each book. Initials in gold on blue and rose grounds with penwork decoration in white, at the beginning of Paul's letters. Initials in red or blue throughout the text. Bible historiale complétée (Proverbs - Revelation) The
(ff. 18, 24). Large initials (2-3 lines) in gold on red and blue grounds with partial foliate borders. Small initials and line fillers in gold on red and blue grounds. Book of Hours, Use of Angers Unidentified original owner: erased
at the beginning of each book. Initials in gold on blue and rose grounds with penwork decoration in white, at the beginning of Paul's letters. Initials in red or blue throughout the text. Bible historiale complétée (Proverbs - Revelation) The
partial borders, at the beginning of each book. Initials and paraphs in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue, rose, and gold with penwork decoration in white. Chronicle Jean of Valois, (b. 1340,
at the beginning of each book. Initials in gold on blue and rose grounds with penwork decoration in white, at the beginning of Paul's letters. Initials in red or blue throughout the text. Bible historiale complétée (Proverbs - Revelation) The
13). Large and smaller initials in blue, with reserved designs, with red foliate pen-flourishing and green wash. Smaller initials in brown ink with foliate pen-flourishing in brown ink. Small initials in plain red or blue. Office and Mass of the
13). Large and smaller initials in blue, with reserved designs, with red foliate pen-flourishing and green wash. Smaller initials in brown ink with foliate pen-flourishing in brown ink. Small initials in plain red or blue. Office and Mass of the
13). Large and smaller initials in blue, with reserved designs, with red foliate pen-flourishing and green wash. Smaller initials in brown ink with foliate pen-flourishing in brown ink. Small initials in plain red or blue. Office and Mass of the
Troper (Sanctus and Agnus tropes). Musical notation: square notation on four-line red staves. Large initials in red with blue pen-flourishing or in blue with red pen-flourishing. Leaf from a Missal(?) with part of the mass for one martyr f. 2:
Troper (Sanctus and Agnus tropes). Musical notation: square notation on four-line red staves. Large initials in red with blue pen-flourishing or in blue with red pen-flourishing. Leaf from a Missal(?) with part of the mass for one martyr f. 2:
Initials with pen-flourished decoration. Initials in blue with pen-flourished decoration in red. 'Champ' initial in colours and gold with spray and flower decoration (f. 21). Initials and paraphs in blue or red. Rubrics in red. Initials highlighted in red. A
with books, and one with a sceptre (ff. 1, 9v, 22v, 40v, 56v). Initials in red with blue or purple pen-flourishing, or in blue with red pen-flourishing. De Consolatione Philosophiae (index The consolation of Philosophy) Inscribed 'Questo lib[r]o è [end