• Miniature of tents of the twelve tribes of Israel, with a full border and a foliate initial 'L'(iber), at the beginning of Matthew., Bible historiale complétée (Proverbs - Revelation)

at the beginning of each book. Initials in gold on blue and rose grounds with penwork decoration in white, at the beginning of Paul's letters. Initials in red or blue throughout the text. Bible historiale complétée (Proverbs - Revelation) The

• Detail of a miniature of Augustine and his vision of the Holy Trinity., Book of Hours, Use of Angers

(ff. 18, 24). Large initials (2-3 lines) in gold on red and blue grounds with partial foliate borders. Small initials and line fillers in gold on red and blue grounds. Book of Hours, Use of Angers Unidentified original owner: erased

• Detail of a miniature of Gomer in bed, with a nurse holding Jezreel, and Hosea is kissing Gomer., Bible historiale complétée (Proverbs - Revelation)

at the beginning of each book. Initials in gold on blue and rose grounds with penwork decoration in white, at the beginning of Paul's letters. Initials in red or blue throughout the text. Bible historiale complétée (Proverbs - Revelation) The

• Detail of a miniature of the landing of William the Conqueror., Chronicle

partial borders, at the beginning of each book. Initials and paraphs in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue, rose, and gold with penwork decoration in white. Chronicle Jean of Valois, (b. 1340,

• Miniature of John in Patmos, with the seven-horned dragon rising from the sea, and a foliate initial 'L'(ors)., Bible historiale complétée (Proverbs - Revelation)

at the beginning of each book. Initials in gold on blue and rose grounds with penwork decoration in white, at the beginning of Paul's letters. Initials in red or blue throughout the text. Bible historiale complétée (Proverbs - Revelation) The

• Decorated initial 'D'(ilexi), at the beginning of the Office and Mass of the Dead., Office and Mass of the Dead (vol. 1)

13). Large and smaller initials in blue, with reserved designs, with red foliate pen-flourishing and green wash. Smaller initials in brown ink with foliate pen-flourishing in brown ink. Small initials in plain red or blue. Office and Mass of the

• Flourished initial 'M'(isere), in the Office and Mass of the Dead., Office and Mass of the Dead (vol. 1)

13). Large and smaller initials in blue, with reserved designs, with red foliate pen-flourishing and green wash. Smaller initials in brown ink with foliate pen-flourishing in brown ink. Small initials in plain red or blue. Office and Mass of the

• Heraldic arms, at the beginning of the Office and Mass of the Dead., Office and Mass of the Dead (vol. 1)

13). Large and smaller initials in blue, with reserved designs, with red foliate pen-flourishing and green wash. Smaller initials in brown ink with foliate pen-flourishing in brown ink. Small initials in plain red or blue. Office and Mass of the

• Pen-flourished initial 'P'(rincipio)., De officiis, with a brief treatise on moral philosophy (ff. 1-4)

interlinear annotations.f. 40 has been trimmed at the top and right margins. Initials in blue with red penwork decoration or pen-flourishing and in red with blue penwork decoration or pen-flourishing. Rubrics in red. Some initials excised. De officiis, with a

• Illuminated initial 'R'(everendo) and an effaced coat of arms., Tractatus de venenis, Problemata de venenis

foliate decoration (ff. 1, 13v). Effaced coat of arms (f. 1). Smaller plain initials in red or blue. Paraphs in red or blue. Rubrics in red. Tractatus de venenis, Problemata de venenis Written by Antonius Recanetus: colophon, 'Finitus est tractatus

• Initial 'C'(um) with pen-flourishing, at the beginning of Johannes Halgrinus de Abbatisvilla's Sermones de tempore per annum, and the inscription of the Cistercian monastery of Eberbach in the lower margin., Sermones de tempore per annum

inscription of the Cistercian monastery of Eberbach in the lower margin. Large and small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Sermones de tempore per annum The Cistercian abbey of St Mary, Eberbach (today Erbach

• Historiated initial of Chaucer holding an open book, at the beginning of the prologue to the Canterbury Tales., Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• Illuminated initial 'A'(t) at the beginning of the Reeve's tale, identified by a rubric in the upper margin 'The Reve'., Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• Illuminated initial 'W'(hilom) at the beginning of the Miller's tale, identified by a rubric in the upper margin 'The Meller'., Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• Illuminated initial 'T'(her) and decorated catchword., Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• Illuminated historiated initial, with Moses (identified by his horns) facing a group of Israelites, making a gesture of speaking (or perhaps counting?) at the beginning of Deuteronomy. The blue ground-line on which they all stand is in fact a serpent., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'H' at the beginning of Exodus, with Moses (identified by his horns) parting the Red Sea (depicted a vertical blue and red wavy lines), in the upper margin is a pencil instruction indicating the opening words which had been deliberately omitted by the scribe, to be executed in gold by the artist., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Detail of a miniature of a kneeling fool with an uplifted club biting a dog's tail., Bible historiale complétée (Genesis - Psalms)

in colours and gold with partial borders, at the beginning of the prologue and each book. Initials in red or blue throughout the text. Bible historiale complétée (Genesis - Psalms) The Old Royal Library (the English Royal Library): perhaps included

• Detail of a drawing of the River Jordan., Voyage d'outre mer in Middle English

and gold, in the lower margins, some labelled by the scribe. Initials in gold on blue and rose grounds with penwork decoration in white. Voyage d'outre mer in Middle English Inscribed 'D. and Y. Knottesford', 15th century (f. 2).Added itinerary

• Detail of a drawing of two kings., Voyage d'outre mer in Middle English

gold, in the lower margins, some labelled by the scribe. Initials in gold on blue and rose grounds with penwork decoration in white. Voyage d'outre mer in Middle English Inscribed 'D. and Y. Knottesford', 15th century (f. 2).Added itinerary from