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176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine
176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine
gold (f. 196). Large initial in gold with blue and red leaf forms extending to form a 2-sided border with gold balls and green leaves (f. 5). Large initials in gold on blue and red grounds with foliate sprays with
gold (f. 196). Large initial in gold with blue and red leaf forms extending to form a 2-sided border with gold balls and green leaves (f. 5). Large initials in gold on blue and red grounds with foliate sprays with
62, 66, 70, 72, 77v, 78, 79v, 81v, 82).date checked JH Large and small initials in red with blue pen-flourishing or in blue with red pen-flourishing, some with reserved designs. Domesday book (ends imperfectly) The Cistercian abbey of St Mary,
part of 12.2, according to unpublished notes of Michael Gullick.Quire signatures in small Roman numerals. Catchwords. 7 large initials in blue, red, and green with intricate penwork decoration at the beginning of books and prefatory material (ff. 2, 7, 42v,
caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31, 59), the first accompanied by a matching partial border. Small initials in plain blue. De amicitia
caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31, 59), the first accompanied by a matching partial border. Small initials in plain blue. De amicitia
caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31, 59), the first accompanied by a matching partial border. Small initials in plain blue. De amicitia
a human head. Musical notation. A few large initials in blue with red penwork decoration or in red with brown penwork decoration. Large and small initials in plain red or blue. Processional Petrus Lauzelli, priest of the church of St.
Pen-flourished initials. Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Martyrologium romanum (begins imperfectly, ff. 2-86v), etc. Colophon 'Explicit liber martyriologii [sic] secundum romanam curiam scriptus a fratre Stephano de nouaria ordinis cruciferorum in conuentu
extensions into the margins, in colours and gold (f. 150). Smaller initials in gold on red, blue and green grounds. Smaller initials in plain blue. Spaces for initials (ff. 190-195v). Sonetti e canzoni (ff. 3-149v); Trionfi (index Triumphs) (ff. 150-189v);
extensions into the margins, in colours and gold (f. 150). Smaller initials in gold on red, blue and green grounds. Smaller initials in plain blue. Spaces for initials (ff. 190-195v). Sonetti e canzoni (ff. 3-149v); Trionfi (index Triumphs) (ff. 150-189v);
176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine
176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine
176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine
176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine
176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine
I is a paper flyleaf.Marginal commentary (ff. 87v to 97). 18 large initials in gold on red and blue grounds with red, blue, and brown penwork decoration (ff. 1, 1v, 2, 16, 16v, 32v, 47, 47v, 61v, 79, 79v, 97v,
with large initials in colours and gold (ff. 4, 155). Blue initials with red penwork decoration or pen-flourishing, some large, some small, some with reserved designs. Paraphs in red or blue. Various religious texts, including a biblical concordance, Opus VII