• Decorated initials with pen-flourishing in the 'Waltham Chronicle'., Various religious and historical tracts (also known as 'Codex ruber' and 'Waltham Abbey Miscellany') including the 'Vita Haroldi' (ff. 1-24v); 'De inventione sancte crucis de Waltham' (also known as the 'Waltham Chronicle', ff. 43-62v), part 1; the Voyage of St Brendan (ff. 67-75v)

Smaller red initials with pen-flourishing in purple ink, or blue with red flourishing. Marginal red ink drawing: a knight in armour (f. 1). Small coloured initials and paraphs in red or blue. Line-fillers in red ink. Various religious and historical

• Decorated initial 'C'(um) with pen-flourishing. Arches drawn in the margin, possibly by William Howard in the early 17th century., Various religious and historical tracts (also known as 'Codex ruber' and 'Waltham Abbey Miscellany') including the 'Vita Haroldi' (ff. 1-24v); 'De inventione sancte crucis de Waltham' (also known as the 'Waltham Chronicle', ff. 43-62v), part 1; the Voyage of St Brendan (ff. 67-75v)

Smaller red initials with pen-flourishing in purple ink, or blue with red flourishing. Marginal red ink drawing: a knight in armour (f. 1). Small coloured initials and paraphs in red or blue. Line-fillers in red ink. Various religious and historical

• Coloured initial and musical notations on 4-line staves., Life of Thomas Becket (index Vie de Thomas Becket), in Anglo-Norman verse, followed by an Anglo-Norman crusade noted song ‘S’onques nus hom pour dure’ (ff. 14-14v); Anglo-Norman romance Guy of Warwick (index Gui de Warewic) (ff. 15-26)

B clefs), England, second half of the 13th century (f. 14) Large initial in blue with pen-work decoration in red (f. 1). Initials in red and blue. Musical notation on 4-line staves (f. 14). Life of Thomas Becket (index Vie

• Text page with added notes., Life of Thomas Becket (index Vie de Thomas Becket), in Anglo-Norman verse, followed by an Anglo-Norman crusade noted song ‘S’onques nus hom pour dure’ (ff. 14-14v); Anglo-Norman romance Guy of Warwick (index Gui de Warewic) (ff. 15-26)

B clefs), England, second half of the 13th century (f. 14) Large initial in blue with pen-work decoration in red (f. 1). Initials in red and blue. Musical notation on 4-line staves (f. 14). Life of Thomas Becket (index Vie

• Diagrams in brown ink in the main text., Commentary on Cicero's De somno Scipionis

(ff. 39v, 50v, 53v, 70) and in the margins (ff. 12v, 28v, 37v, 42v, 43, 52v). 1 large initial in blue with a reserved design and red pen-flourishing (f. 1). Initials wanting (ff. 6v, 43v, 46v). Pointing hands, human faces

• Drawing of two shepherds, one standing with his flock, the other seated, playing a pipe., Bucolica (index Bucolics, Eclogues) (ff. 1-4v); Georgica (index Georgics) (ff. 4v-14v0; Aeneis (index Aeneid) with verse preface (ff. 15-61); various works by Lucan (ff. 61v-101); Statius Thebaid (ff. 101-120v); Horace (ff. 121-155v); Persius (ff. 156-159); Juvenal (ff. 159-159v); and Ovid (ff. 160-173)

7). 5 drawings in brown ink of agricultural tasks (ff. 1, 4v, 9v, 12, 15, the last, added). Initials in blue with red pen-flourishing and in red with purple pen-flourishing (ff. 121-139v). Rubrics in red. Capitals marked in red. Bucolica

• Miniature of a man pruning vines., Bucolica (index Bucolics, Eclogues) (ff. 1-4v); Georgica (index Georgics) (ff. 4v-14v0; Aeneis (index Aeneid) with verse preface (ff. 15-61); various works by Lucan (ff. 61v-101); Statius Thebaid (ff. 101-120v); Horace (ff. 121-155v); Persius (ff. 156-159); Juvenal (ff. 159-159v); and Ovid (ff. 160-173)

7). 5 drawings in brown ink of agricultural tasks (ff. 1, 4v, 9v, 12, 15, the last, added). Initials in blue with red pen-flourishing and in red with purple pen-flourishing (ff. 121-139v). Rubrics in red. Capitals marked in red. Bucolica

• Detail of a drawing of a shepherd with his flock., Bucolica (index Bucolics, Eclogues) (ff. 1-4v); Georgica (index Georgics) (ff. 4v-14v0; Aeneis (index Aeneid) with verse preface (ff. 15-61); various works by Lucan (ff. 61v-101); Statius Thebaid (ff. 101-120v); Horace (ff. 121-155v); Persius (ff. 156-159); Juvenal (ff. 159-159v); and Ovid (ff. 160-173)

7). 5 drawings in brown ink of agricultural tasks (ff. 1, 4v, 9v, 12, 15, the last, added). Initials in blue with red pen-flourishing and in red with purple pen-flourishing (ff. 121-139v). Rubrics in red. Capitals marked in red. Bucolica

• Drawing of an armed horseman., Bucolica (index Bucolics, Eclogues) (ff. 1-4v); Georgica (index Georgics) (ff. 4v-14v0; Aeneis (index Aeneid) with verse preface (ff. 15-61); various works by Lucan (ff. 61v-101); Statius Thebaid (ff. 101-120v); Horace (ff. 121-155v); Persius (ff. 156-159); Juvenal (ff. 159-159v); and Ovid (ff. 160-173)

7). 5 drawings in brown ink of agricultural tasks (ff. 1, 4v, 9v, 12, 15, the last, added). Initials in blue with red pen-flourishing and in red with purple pen-flourishing (ff. 121-139v). Rubrics in red. Capitals marked in red. Bucolica

• Detail of marginal notes from a text page of Ovid's Metamorphoses., Bucolica (index Bucolics, Eclogues) (ff. 1-4v); Georgica (index Georgics) (ff. 4v-14v0; Aeneis (index Aeneid) with verse preface (ff. 15-61); various works by Lucan (ff. 61v-101); Statius Thebaid (ff. 101-120v); Horace (ff. 121-155v); Persius (ff. 156-159); Juvenal (ff. 159-159v); and Ovid (ff. 160-173)

7). 5 drawings in brown ink of agricultural tasks (ff. 1, 4v, 9v, 12, 15, the last, added). Initials in blue with red pen-flourishing and in red with purple pen-flourishing (ff. 121-139v). Rubrics in red. Capitals marked in red. Bucolica

• Text page of Ovid's Metamorphoses., Bucolica (index Bucolics, Eclogues) (ff. 1-4v); Georgica (index Georgics) (ff. 4v-14v0; Aeneis (index Aeneid) with verse preface (ff. 15-61); various works by Lucan (ff. 61v-101); Statius Thebaid (ff. 101-120v); Horace (ff. 121-155v); Persius (ff. 156-159); Juvenal (ff. 159-159v); and Ovid (ff. 160-173)

7). 5 drawings in brown ink of agricultural tasks (ff. 1, 4v, 9v, 12, 15, the last, added). Initials in blue with red pen-flourishing and in red with purple pen-flourishing (ff. 121-139v). Rubrics in red. Capitals marked in red. Bucolica

• Detail of text page with a diagram on rainfall in the lower margin at the end of the first book of Macrobius' Commentary on Cicero's 'De somno Scipionis'., Commentary on Cicero's De somno Scipionis

(ff. 39v, 50v, 53v, 70) and in the margins (ff. 12v, 28v, 37v, 42v, 43, 52v). 1 large initial in blue with a reserved design and red pen-flourishing (f. 1). Initials wanting (ff. 6v, 43v, 46v). Pointing hands, human faces

• Large white vine initial 'O'(mnes) enclosing a putto, with a butterfly in the margin, at the beginning of the text., Catilina (ff. 1-16), Jugurtha (ff. 16-46), Epitome historiarum Trogi Pompeii (ff. 46-137v), Epitoma de Tito Livio (index Epitome of Livy) (ff. 138-176v)

a butterfly in the margin (f. 1). Numerous large white vine initials in gold and colours. Numerous smaller initials in blue ink. Catilina (ff. 1-16), Jugurtha (ff. 16-46), Epitome historiarum Trogi Pompeii (ff. 46-137v), Epitoma de Tito Livio (index Epitome

• Decorated initial 'E'(go), at the beginning of Cicero's Epistolae ad familiares., Epistolae ad familiares

36, 46, 61, 73v, 87, 101, 116, 134, 146v, 162v, 188v, 195, 209). Small initials mostly in plain red or blue, a few with pen-flourishing or penwork decoration in red or brown. Epistolae ad familiares Written in Bologna in 1446

• Decorated initial 'A'(gypty), corrected with 'E', in the Historia Alexandri Magni., Historia Alexandri Magni

Magni. Offsets of Hebrew on f. i recto. Large initials in blue with red penwork decoration and pen-flourishing, or red with brown penwork decoration and pen-flourishing, at the start of texts and major divisions. Small initials similar but simpler. Historia

• null, Historia Alexandri Magni

i recto. Large initials in blue with red penwork decoration and pen-flourishing, or red with brown penwork decoration and pen-flourishing, at the start of texts and major divisions. Small initials similar but simpler. Historia Alexandri Magni Medieval ownership(?) inscription in

• Miniature of the Creation of Eve, and a full foliate border, at the beginning of an extract from the Old Testament., Book of Hours ('The Entwisle Hours'), Use of Sarum

and gold. Large and smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. 1 quire including the Annunciation (f. 41) and the Visitation (f. 45v) related to the Master of the

• Miniature of the Trinity, decorated initial 'D'(eus), and full foliate borders, at the beginning of the suffrages., Book of Hours ('The Entwisle Hours'), Use of Sarum

and gold. Large and smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. 1 quire including the Annunciation (f. 41) and the Visitation (f. 45v) related to the Master of the

• Miniature of the Annunciation, full foliate borders including prophets and heraldic arms, at the beginning of the Hours of the Virgin., Book of Hours ('The Entwisle Hours'), Use of Sarum

and gold. Large and smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. 1 quire including the Annunciation (f. 41) and the Visitation (f. 45v) related to the Master of the

• Miniature of the Nativity., Book of Hours ('The Entwisle Hours'), Use of Sarum

and gold. Large and smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. 1 quire including the Annunciation (f. 41) and the Visitation (f. 45v) related to the Master of the